Alexandra Herrera > Alexandra's Quotes

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  • #1
    Dante Alighieri
    “Do not be afraid; our fate
    Cannot be taken from us; it is a gift.”
    Dante Alighieri, Inferno

  • #2
    Dante Alighieri
    “Here pity only lives when it is dead - Virgil”
    Dante Alighieri, Inferno

  • #3
    Dante Alighieri
    “Through me is the way to the city of woe.
    Through me is the way to sorrow eternal.
    Through me is the way to the lost below. Justice moved my architect supernal.
    I was constructed by divine power,
    supreme wisdom, and love primordial.
    Before me no created things were.
    Save those eternal, and eternal I abide.
    Abandon all hope, you who enter.”
    Dante Alighieri, Inferno

  • #4
    Virgil
    “Each of us bears his own Hell.”
    Virgil

  • #5
    Virgil
    “Death's brother, sleep.”
    Virgil, The Aeneid

  • #6
    Virgil
    “But the queen--too long she has suffered the pain of love,
    hour by hour nursing the wound with her lifeblood,
    consumed by the fire buried in her heart. [...]
    His looks, his words, they pierce her heart and cling--
    no peace, no rest for her body, love will give her none.”
    Virgil, The Aeneid

  • #7
    N.K. Jemisin
    “When we say “the world has ended,” it’s usually a lie, because the planet is just fine. But this is the way the world ends. This is the way the world ends. This is the way the world ends. For the last time.”
    N.K. Jemisin, The Fifth Season

  • #8
    N.K. Jemisin
    “After all, a person is herself, and others. Relationships chisel the final shape of one's being. I am me, and you.”
    N.K. Jemisin, The Fifth Season

  • #9
    N.K. Jemisin
    “Who misses what they have never, ever even imagined?”
    N.K. Jemisin, The Fifth Season

  • #10
    N.K. Jemisin
    “There is an art to smiling in a way that others will believe. It is always important to include the eyes; otherwise, people will know you hate them.”
    N.K. Jemisin, The Fifth Season

  • #11
    N.K. Jemisin
    “Let's start with the end of the world, why don't we? Get it over with and move on to more interesting things.”
    N.K. Jemisin, The Fifth Season

  • #12
    N.K. Jemisin
    “I think,” Hoa says slowly, “that if you love someone, you don’t get to choose how they love you back.”
    N.K. Jemisin, The Stone Sky
    tags: love

  • #13
    N.K. Jemisin
    “But there are none so frightened, or so strange in their fear, as conquerors. They conjure phantoms endlessly, terrified that their victims will someday do back what was done to them—even if, in truth, their victims couldn’t care less about such pettiness and have moved on. Conquerors live in dread of the day when they are shown to be, not superior, but simply lucky.”
    N.K. Jemisin, The Stone Sky

  • #14
    N.K. Jemisin
    “But for a society buit on exploitation, there is no greater threat than having no one left to oppress.”
    N.K. Jemisin, The Stone Sky

  • #15
    N.K. Jemisin
    “They’re afraid because we exist, she says. There’s nothing we did to provoke their fear, other than exist. There’s nothing we can do to earn their approval, except stop existing – so we can either die like they want, or laugh at their cowardice and go on with our lives.”
    N.K. Jemisin, The Stone Sky

  • #16
    N.K. Jemisin
    “Well, some worlds are built on a fault line of pain, held up by nightmares. Don’t lament when those worlds fall. Rage that they were built doomed in the first place.”
    N.K. Jemisin, The Stone Sky

  • #17
    Patrick Rothfuss
    “It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”
    Patrick Rothfuss, The Name of the Wind

  • #18
    Patrick Rothfuss
    “Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.”
    Patrick Rothfuss, The Name of the Wind

  • #19
    Patrick Rothfuss
    “Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.

    First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door.

    Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door.

    Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

    Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.”
    Patrick Rothfuss, The Name of the Wind

  • #20
    Patrick Rothfuss
    “When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.”
    Patrick Rothfuss, The Name of the Wind

  • #21
    Patrick Rothfuss
    “We understand how dangerous a mask can be. We all become what we pretend to be.”
    Patrick Rothfuss, The Name of the Wind

  • #22
    Patrick Rothfuss
    “You have to be a bit of a liar to tell a story the right way.”
    Patrick Rothfuss, The Name of the Wind

  • #23
    Patrick Rothfuss
    “I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.”
    Patrick Rothfuss, The Name of the Wind

  • #24
    Patrick Rothfuss
    “My parents danced together, her head on his chest. Both had their eyes closed. They seemed so perfectly content. If you can find someone like that, someone who you can hold and close your eyes to the world with, then you're lucky. Even if it only lasts for a minute or a day. The image of them gently swaying to the music is how I picture love in my mind even after all these years.”
    Patrick Rothfuss, The Name of the Wind

  • #25
    Patrick Rothfuss
    “The best lies about me are the ones I told.”
    Patrick Rothfuss, The Name of the Wind

  • #26
    Patrick Rothfuss
    “Congratulations. That was the stupidest thing I've ever seen. Ever.”
    Patrick Rothfuss, The Name of the Wind

  • #27
    Patrick Rothfuss
    “Only priests and fools are fearless and I've never been on the best of terms with God.”
    Patrick Rothfuss, The Name of the Wind

  • #28
    Patrick Rothfuss
    “Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating ... but there are other ways to understanding.”
    Patrick Rothfuss, The Name of the Wind

  • #29
    Patrick Rothfuss
    “I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.”
    Patrick Rothfuss, The Name of the Wind

  • #30
    Patrick Rothfuss
    “Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
    Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
    Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
    Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
    "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
    Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
    His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
    "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
    "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.”
    Patrick Rothfuss, The Name of the Wind



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