Simon > Simon's Quotes

“The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less sure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable mystery which it tries, forever vainly, to comprehend”
― Aldous Huxley, The Doors of Perception

“I am not so foolish as to equate what happens under the influence of mescalin or of any other drug, prepared or in the future preparable, with the realization of the end and ultimate purpose of human life: Enlightenment, the Beatific Vision. All I am suggesting is that the mescalin experience is what Catholic theologians call "a gratuitous grace," not necessary to salvation but potentially helpful and to be accepted thankfully, if made available. To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and the inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large—this is an experience of inestimable value to everyone and especially to the intellectual.”
― Aldous Huxley, The Doors of Perception

“The dads in those tv shows spend a great deal of time talking to their kids in their living rooms. Steven Keaton - the dad of my dreams - seems to do nothing but sit on his couch or at his kitchen table talking to his children about their myriad teenage calamities. He listens and listens to his kids and he pours glasses of orange juice and hands them to his kids as he listens some more. He tells his kids he loves them by telling his kids he loves them. Dad tells me he loves me when he forms a pistol out of this forefinger and thumb and points it at me as he farts. He tells us he loves us by showing us the tattoo we never knew he had on the inside of his bottom lip: Fuck you.”
― Trent Dalton, Boy Swallows Universe

“Let the ruling classes tremble at a Communistic revolution. The proletarians have nothing to lose but their chains. They have a world to win.

Workingmen of all countries unite!”
― Karl Marx, The Communist Manifesto

“Capitalist realism insists on treating mental health as if it were a natural fact, like weather (but, then again, weather is no longer a natural fact so much as a political-economic effect). In the 1960s and 1970s, radical theory and politics (Laing, Foucault, Deleuze and Guattari, etc.) coalesced around extreme mental conditions such as schizophrenia, arguing, for instance, that madness was not a natural, but a political, category. But what is needed now is a politicization of much more common disorders. Indeed, it is their very commonness which is the issue: in Britain, depression is now the condition that is most treated by the NHS. In his book The Selfish Capitalist, Oliver James has convincingly posited a correlation between rising rates of mental distress and the neoliberal mode of capitalism practiced in countries like Britain, the USA and Australia. In line with James’s claims, I want to argue that it is necessary to reframe the growing problem of stress (and distress) in capitalist societies. Instead of treating it as incumbent on individuals to resolve their own psychological distress, instead, that is, of accepting the vast privatization of stress that has taken place over the last thirty years, we need to ask: how has it become acceptable that so many people, and especially so many young people, are ill?”
― Mark Fisher, Capitalist Realism: Is There No Alternative?

“Capital is an abstract parasite, an insatiable vampire and zombie maker; but the living flesh it converts into dead labor is ours, and the zombies it makes are us.”
― Mark Fisher, Capitalist Realism: Is There No Alternative?

“We could go so far as to say that it is the human condition to be grotesque, since the human animal is the one that does not fit in, the freak of nature who has no place in the natural order and is capable of re-combining nature's products into hideous new forms.”
― Mark Fisher, The Weird and the Eerie

“Capitalist ideology in general, Zizek maintains, consists precisely in the overvaluing of belief - in the sense of inner subjective attitude - at the expense of the beliefs we exhibit and externalize in our behavior. So long as we believe (in our hearts) that capitalism is bad, we are free to continue to participate in capitalist exchange. According to Zizek, capitalism in general relies on this structure of disavowal. We believe that money is only a meaningless token of no intrinsic worth, yet we act as if it has a holy value. Moreover, this behavior precisely depends upon the prior disavowal - we are able to fetishize money in our actions only because we have already taken an ironic distance towards money in our heads.”
― Mark Fisher, Capitalist Realism: Is There No Alternative?

“At root, they fail to appreciate that the basic nature of the law and the police, since its earliest origins, is to be a tool for managing inequality and maintaining the status quo. Police reforms that fail to directly address this reality are doomed to reproduce it.”
― Alex Vitale, The End of Policing

“Modern policing is largely a war on the poor that does little to make people safer or communities stronger, and even when it does, this is accomplished through the most coercive forms of state power that destroy the lives of millions. Instead of asking the police to solve our problems we must organize for real justice. We need to produce a society designed to meet people’s human needs, rather than wallow in the pursuit of wealth at the expense of all else.”
― Alex S. Vitale, The End of Policing

“You keep describing yourself as this uniquely damaged person, when a lot of it is completely normal. I think you want to feel special - which is fair, who doesn’t - but you won’t allow yourself to feel special in a good way, so you tell yourself you’re especially bad”
― Naoise Dolan, Exciting Times

“For Brits, class was like humility: you only had it as long as you denied it.”
― Naoise Dolan, Exciting Times

“There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, that any sort of compromise in its pursuit was somehow your fault.”
― Hanya Yanagihara, A Little Life

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to."

[MovieMaker Magazine #53 - Winter, January 22, 2004 ]”
― Jim Jarmusch

“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
― Donna Tartt, The Secret History

“I read once that the human body slowly pushes shrapnel back out through the skin. That a shard of metal can take years to reach the surface and finally truly be expelled. Veterans get bits coming out of them decades after wars. Could the same thing happen to memories? Perhaps that was what I was feeling: an itchy, irksome thing, a foreign object inside me, moving just millimeters every year, tearing through me until it breached.”
― Bri Lee, Eggshell Skull

“Hope is essential to any political struggle for radical change when the overall social climate promotes disillusionment and despair.”
― bell hooks, Talking About a Revolution: Interviews with Michael Albert, Noam Chomsky, Barbara Ehrenreich, bell hooks, Peter Kwong, Winona LaDuke, Manning Marable, Urvashi Vaid, and Howard Zinn

“...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.”
― Hanya Yanagihara, A Little Life

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
― Jane Austen, Pride and Prejudice

“Falling in love is really quite simple,” she says. “You want to know the secret? It’s the same thing we are all doing about life every single day.”
I look to her.
“Forget there’s an ending.”
― Taylor Jenkins Reid, Carrie Soto Is Back

“I counted the seconds passing. Time could go on forever like this, I thought again. Time would. Infinity loomed consistently and all at once, forever, with or without me. Amen.”
― Ottessa Moshfegh, My Year of Rest and Relaxation

“Is the word ‘passionate’, or is it not, basically an obscene item of vocabulary? No, it isn’t. But is it like a small bandage placed over an item of vocabulary that is in fact obscene? Maybe, yes. A word with blood running through it, a red word. In casual conversation it’s better to use words that are grey or beige.”
― Sally Rooney, Intermezzo