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  • #1
    Albert Camus
    “Of whom and of what indeed can I say: 'I know that This heart within me I can feel, and I judge that it exist This world I can touch, and I likewise judge that it exist There ends all my knowledge, and the rest is construction For if I try to seize this self of which I feel sure, if I try t define and to summarize it, it is nothing but water slipping through my fingers. I can sketch one by one all the aspect it is able to assume, all those likewise that have been attr buted to it, this upbringing, this origin, this ardour or these silences, this nobility or this vileness. But aspects cannot be added up. This very heart which is mine will for ever remain indefinable to me. Between the certainty I have of my existence and the content I try to give to that assurance, the gap will never be filled. For ever I shall be a stranger to myself. In psychology as in logic, there are truths but no truth. Socrates' 'Know thyself has as much value as the be virtuous of our confessionals. They reveal a nostalgia at the same time as an ignorance. They are sterile exercises on great subjects. They are legitimate only precisely in so far as they are approximate.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #2
    Albert Camus
    “It may be thought that suicide follows revolt - but wrongly. For it does not represent the logical outcome of the revolt. It is just the contrary by the consent it presupposes. Suicide, like the leap, is acceptance at its extreme. Everything is over and man returns to his essential history. His future, his unique and dreadful future - he sees and rushes towards it. In its way, suicide settles the absurd. It engulfs the absurd in the same death. But I know that in order to keep alive, the absurd cannot be settled. It escapes suicide to the extent that it is simultaneously awareness and rejection of death. It is, at the extreme limit of the condemned man's last thought, that shoelace that despite everything he sees few yards away, on the very brink of his dizzying fall. The contrary of suicide, in fact, is a man condemned to death.”
    Albert Camus

  • #3
    Albert Camus
    “I come at last to death and to the attitude we have toward it. On this point everything has been said and it is only proper to avoid pathos. Yet one will never be sufficiently surprised that everyone lives as if no one "knew." This is because in reality there is no experience of death. Properly speaking, nothing has been experienced but what has been lived and made conscious. Here, it is barely possible to speak of the experience of others' deaths. It is a substitute, an illusion, and it never quite convinces us. That melancholy convention cannot be persuasive.”
    Albert Camus, The Myth of Sisyphus

  • #4
    Lord Byron
    “In vain!—As fall the dews on quenchless sands,
    Blood only serves to wash Ambition's hands!”
    Lord Byron, Don Juan

  • #5
    Lord Byron
    “Wedded she some years, and to a man
    Of fifty, and such husbands are in plenty;
    And yet, I think, instead of such a ONE
    'Twere better to have TWO of five and twenty...”
    Lord Byron, Don Juan

  • #6
    Neil Gaiman
    “Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft were written by men.”
    Neil Gaiman

  • #7
    Terry Pratchett
    “Witches are naturally nosy,” said Miss Tick, standing up. “Well, I must go. I hope we shall meet again. I will give you some free advice, though.”
    “Will it cost me anything?”
    “What? I just said it was free!” said Miss Tick.
    “Yes, but my father said that free advice often turns out to be expensive,” said Tiffany.
    Miss Tick sniffed. “You could say this advice is priceless,” she said, “Are you listening?”
    “Yes,” said Tiffany.
    “Good. Now...if you trust in yourself...”
    “Yes?”
    “...and believe in your dreams...”
    “Yes?”
    “...and follow your star...” Miss Tick went on.
    “Yes?”
    “...you’ll still be beaten by people who spent their time working hard and learning things and weren’t so lazy. Goodbye.”
    Terry Pratchett, The Wee Free Men

  • #8
    Dan Ariely
    “Standard economics assumes that we are rational... But, as the results presented in this book (and others) show, we are far less rational in our decision making... Our irrational behaviors arevneither random nor senseless- they are systematic and predictable. We all make the same types of mistakes over and over, because of he basic wiring of our brains.-pg. 239”
    Dan Ariely, Predictably Irrational: The Hidden Forces That Shape Our Decisions

  • #9
    John Green
    “Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time."
    "Yeah, bu-"

    "I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.”
    John Green, Paper Towns

  • #10
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #11
    Sylvia Plath
    “I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, "This is what it is to be happy.”
    Sylvia Plath, The Bell Jar

  • #12
    Sylvia Plath
    “The silence depressed me. It wasn't the silence of silence. It was my own silence.”
    Sylvia Plath, The Bell Jar

  • #13
    Sylvia Plath
    “I felt very still and empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo.”
    Sylvia Plath, The Bell Jar

  • #14
    Sylvia Plath
    “I was supposed to be having the time of my life.”
    Sylvia Plath, The Bell Jar

  • #15
    Sylvia Plath
    “I didn't know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of the throat and I'd cry for a week.”
    Sylvia Plath, The Bell Jar

  • #16
    Sylvia Plath
    “But when it came right down to it, the skin of my wrist looked so white and defensless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get.”
    Sylvia Plath, The Bell Jar

  • #17
    Karl Marx
    “The foundation of irreligious criticism is: Man makes religion, religion does not make man. Religion is, indeed, the self-consciousness and self-esteem of man who has either not yet won through to himself, or has already lost himself again. But man is no abstract being squatting outside the world. Man is the world of man – state, society. This state and this society produce religion, which is an inverted consciousness of the world, because they are an inverted world...

    Religious suffering is, at one and the same time, the expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people.

    The abolition of religion as the illusory happiness of the people is the demand for their real happiness. To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions. The criticism of religion is, therefore, in embryo, the criticism of that vale of tears of which religion is the halo.

    Criticism has plucked the imaginary flowers on the chain not in order that man shall continue to bear that chain without fantasy or consolation, but so that he shall throw off the chain and pluck the living flower. The criticism of religion disillusions man, so that he will think, act, and fashion his reality like a man who has discarded his illusions and regained his senses, so that he will move around himself as his own true Sun. Religion is only the illusory Sun which revolves around man as long as he does not revolve around himself.”
    Karl Marx, Critique of Hegel's Philosophy of Right

  • #18
    Ayn Rand
    “I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? And then people tell me about pilgrimages to some dank pesthole in a jungle where they go to do homage to a crumbling temple, to a leering stone monster with a pot belly, created by some leprous savage. Is it beauty and genius they want to see? Do they seek a sense of the sublime? Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would throw myself into space, over the city, and protect these buildings with my body.”
    Ayn Rand, The Fountainhead

  • #19
    Oscar Wilde
    “We are all in the gutter, but some of us are looking at the stars.”
    Oscar Wilde, Lady Windermere's Fan

  • #20
    Oscar Wilde
    “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray

  • #21
    Oscar Wilde
    “I can resist anything except temptation.”
    Oscar Wilde, Lady Windermere's Fan

  • #22
    F. Scott Fitzgerald
    “I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.”
    Fitzgerald F. Scott, The Great Gatsby

  • #23
    F. Scott Fitzgerald
    “Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.”
    F. Scott Fitzgerald, The Great Gatsby

  • #24
    Alfred Hitchcock
    “There is no terror in the bang, only in the anticipation of it.”
    Alfred Hitchcock

  • #25
    Jonathan Safran Foer
    “Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #26
    Ayn Rand
    “Men differ in their virtues, if any,” said Gail Wynand, explaining his policy, “but they are alike in their vices.”
    Ayn Rand, The Fountainhead

  • #27
    Ayn Rand
    “Have you felt it too? Have you seen how your best friends love everything about you- except the things that count? And your most important is nothing to them; nothing, not even a sound they can recognize.”
    Ayn Rand, The Fountainhead

  • #28
    Ayn Rand
    “How did you know what's been killing me? Slowly, for years, driving me to hate people when I don't want to hate... Have you felt it, too? Have you seen how your best friends love everything about you--except the things that count? And your most important is nothing to them, nothing, not even a sound they can recognize. You mean, you want to hear? You want to know what I do and why I do it, you want to know what I think? It's not boring to you? It's important?”
    Ayn Rand, The Fountainhead

  • #29
    Gabriel García Márquez
    “It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love.”
    Gabriel Garcia Marquez

  • #30
    Gabriel García Márquez
    “It was as if they had leapt over the arduous cavalry of conjugal life and gone straight to the heart of love. They were together in silence like an old married couple wary of life, beyond the pitfalls of passion, beyond the brutal mockery of hope and the phantoms of disillusion: beyond love. For they had lived together long enough to know that love was always love, anytime and anyplace, but it was more solid the closer it came to death.”
    Gabriel Garcia Marquez, Love in the Time of Cholera
    tags: love



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