Rita Sales > Rita's Quotes

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  • #1
    Simone de Beauvoir
    “When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.”
    Simone de Beauvoir, The Second Sex

  • #2
    “Sometimes I think I have felt everything I'm ever gonna feel. And from here on out, I'm not gonna feel anything new. Just lesser versions of what I've already felt.”
    Theodore Twombly "Her" film

  • #3
    Anaïs Nin
    “We write to taste life twice, in the moment and in retrospect.”
    Anais Nin

  • #4
    “And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.”
    Elizabeth Appell

  • #5
    Anaïs Nin
    “Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anaïs Nin, Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934

  • #6
    Anaïs Nin
    “Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.”
    Anais Nin

  • #7
    Anaïs Nin
    “I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.”
    Anais Nin

  • #8
    Anaïs Nin
    “I believe one writes because one has to create a world in which one can live.”
    Anais Nin

  • #9
    Anaïs Nin
    “I write emotional algebra.”
    Anais Nin

  • #10
    Anaïs Nin
    “I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic — in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #11
    Anaïs Nin
    “She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself.”
    Anaïs Nin

  • #12
    Anaïs Nin
    “I sat there for three hours and did not feel the time or the boredom of our talk and its foolish disconnection. As long as I could hear his voice, I was quite lost, quite blind, quite outside my own self.”
    Anais Nin

  • #13
    Anaïs Nin
    “There are many ways to be free. One of them is to transcend reality by imagination, as I try to do.”
    Anais Nin

  • #14
    Anaïs Nin
    “If what Proust says is true, that happiness is the absence of fever, then I will never know happiness. For I am possessed by a fever for knowledge, experience, and creation.”
    Anaïs Nin

  • #15
    Anaïs Nin
    “You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.”
    Anaïs Nin

  • #16
    Anaïs Nin
    “I'm sick of my own romanticism!”
    Anais Nin, Henry & June

  • #17
    Anaïs Nin
    “The enemy of a love is never outside, it's not a man or a woman, it's what we lack in ourselves.”
    Anaïs Nin, A Spy in the House of Love

  • #18
    Anaïs Nin
    “The obstacle became his alibi for weakness.”
    anais nin

  • #19
    Anaïs Nin
    “The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow. It eliminates the vice of procrastination, the sin of postponement, failed communications, failed communions. This thought has made me more and more attentive to all encounters. meetings, introductions, which might contain the seed of depth that might be carelessly overlooked. This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a greater amount of people, more people, more countries. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us. The dangerous time when mechanical voices, radios, telephones, take the place of human intimacies, and the concept of being in touch with millions brings a greater and greater poverty in intimacy and human vision.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 4: 1944-1947

  • #20
    Anaïs Nin
    “I will not adjust myself to the world. I am adjusted to myself.”
    Anaïs Nin

  • #21
    Anaïs Nin
    “Introspection is a devouring monster. You have to feed it with much material, much experience, many people, many places, many loves, many creations, and then it ceases feeding on you.”
    Anaïs Nin

  • #22
    Anaïs Nin
    “You are so terribly nimble, so clever. I distrust your cleverness. You make a wonderful pattern, everything is in its place, it looks convincingly clear, too clear. And meanwhile, where are you? Not on the clear surface of your ideas, but you have already sunk deeper, into darker regions, so that one only thinks one has been given all your thoughts, one only imagines you have emptied yourself in that clarity. But there are layers and layers -- you're bottomless, unfathomable. Your clearness is deceptive. You are the thinker who arouses most confusion in me, most doubt, most disturbance.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #23
    Anaïs Nin
    “When I am most deeply rooted, I feel the wildest desire to uproot myself.”
    Anaïs Nin

  • #24
    Anaïs Nin
    “She lacks the core of sureness, she craves admiration insatiably. She lives on reflections of herself in others' eyes. She does not dare to be herself.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #25
    Anaïs Nin
    “My life is not possible to tell. I change every day, change my patterns, my concepts, my interpretations. I am a series of moods and sensations. I play a thousand roles. I weep when I find others play them for me. My real self is unknown. My work is merely an essence of this vast and deep adventure.”
    Anaïs Nin

  • #26
    Anaïs Nin
    “I despise my own hypersensitiveness, which requires so much reassurance. It is certainly abnormal to crave so much to be loved and understood.”
    Anaïs Nin

  • #27
    Anaïs Nin
    “How can I accept a limited definable self when I feel, in me, all possibilities?... I never feel the four walls around the substance of the self, the core. I feel only space. Illimitable space.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
    tags: self

  • #28
    Anaïs Nin
    “I told her, "We have both lost ourselves, but sometimes we reveal the most when we are least like ourselves. I am not trying to think any more. I can't think when I am with you. You are like me, wishing for a perfect moment, but nothing too long imagined can be perfect in a worldly way. Neither one of us can say just the right thing. We are overwhelmed. Let us be overwhelmed. It is so lovely, so lovely. I love you June.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #29
    E.E. Cummings
    “For whatever we lose (like a you or a me),
    It's always our self we find in the sea.”
    e.e. cummings, 100 Selected Poems

  • #30
    Christopher Hitchens
    “Owners of dogs will have noticed that, if you provide them with food and water and shelter and affection, they will think you are god. Whereas owners of cats are compelled to realize that, if you provide them with food and water and shelter and affection, they draw the conclusion that they are gods.”
    Christopher Hitchens, The Portable Atheist: Essential Readings for the Nonbeliever



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