Kayla > Kayla's Quotes

“I would die for you. But I won't live for you.”
― Stephen Chbosky, The Perks of Being a Wallflower

“I don’t know if you’ve ever felt like that. That you wanted to sleep for a thousand years. Or just not exist. Or just not be aware that you do exist. Or something like that. I think wanting that is very morbid, but I want it when I get like this. That’s why I’m trying not to think. I just want it all to stop spinning.”
― Stephen Chbosky, The Perks of Being a Wallflower

“Maybe you can afford to wait. Maybe for you there's a tomorrow. Maybe for you there's one thousand tomorrows, or three thousand, or ten, so much time you can bathe in it, roll around it, let it slide like coins through you fingers. So much time you can waste it.
But for some of us there's only today. And the truth is, you never really know.”
― Lauren Oliver, Before I Fall

“I knew the second I met you
that there was something about you I needed. Turns out it
wasn’t something about you at all. It was just you.”
― Jamie McGuire, Beautiful Disaster

“You possess other people's...bodies."

He accepted that statement with a nod.

"Do you want to possess my body?"

"I want to do a lot of things to your body, but that's not one of them.”
― Becca Fitzpatrick, Hush, Hush

“I guess that's what saying good-bye is always like--like jumping off an edge. The worst part is making the choice to do it. Once you're in the air, there's nothing you can do but let go.”
― Lauren Oliver, Before I Fall

“You're a guardian angel now." I was still too much in awe to wrap my mind around it, but at the same time I felt amazement, curiosity...happiness.

"I'm your guardian angel," he said.

"I get my very own guardian angel? What, exactly, is your job description?"

"Guard your body." His smile tipped higher. "I take my job seriously, which means I'm going to need to get acquainted with the subject matter on a personal level.”
― Becca Fitzpatrick, Hush, Hush

“Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"

Patch: "Single her out. Talk to her."

Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"

Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?”
― Becca Fitzpatrick, Hush, Hush

“It's so strange how life works: You want something and you wait and wait and feel like it's taking forever to come. Then it happens and it's over and all you want to do is curl back up in that moment before things changed.”
― Lauren Oliver, Delirium

“All this time I've hated myself for it. I thought I'd given it up for nothing. But if I hadn't fallen, I wouldn't have met you.”
― Becca Fitzpatrick, Hush, Hush

“If you can't feel, why did you kiss me?"
Patch traced a finger along my collarbone, then headed south stopping at my heart. I felt it pounding through my skin. "Because I feel it here, in my heart," he said quietly.”
― Becca Fitzpatrick, Hush, Hush

“It was the kind of kiss that made
me know that I was never so happy in my whole life.”
― Stephen Chbosky, The Perks of Being a Wallflower

“It's over. Go home.
You're my home.”
― Jamie McGuire, Beautiful Disaster

“Love: a single word, a wispy thing, a word no bigger or longer than an edge. That's what it is: an edge; a razor. It draws up through the center of your life, cutting everything in two. Before and after. The rest of the world falls away on either side.”
― Lauren Oliver, Delirium

“Cheshvan starts tonight," Rixon said, "What are you doing arsing around in a graveyard?"

"Thinking."

"Thinking?"

"A process by which I use my brain to make a rational decision.”
― Becca Fitzpatrick, Hush, Hush

“You should go," I breathed. "You should definitely go."

"Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck.”
― Becca Fitzpatrick, Hush, Hush

“Mama, Mama, help me get home
I'm out in the woods, I am out on my own.
I found me a werewolf, a nasty old mutt
It showed me its teeth and went straight for my gut.

Mama, Mama, help me get home
I'm out in the woods, I am out on my own.
I was stopped by a vampire, a rotting old wreck
It showed me its teeth and went straight for my neck.

Mama, Mama, put me to bed
I won't make it home, I'm already half-dead.
I met an Invalid, and fell for his art
He showed me his smile, and went straight for my heart.

-From "A Child's Walk Home," Nursery Rhymes and Folk Tales”
― Lauren Oliver, Delirium

“He was the worst kind of wrong. He was so wrong it felt right, and that made me feel completely out of control.”
― Becca Fitzpatrick, Hush, Hush

“I nibbled my lower lip. "If you could see into my past just by touching my back, you'd have a hard time resisting the temptation too."

"I have a hard time keeping my hands off you without that added bonus.”
― Becca Fitzpatrick, Crescendo

“The deadliest of all deadly things: It kills you both when you have it and
when you don’t.”
― Lauren Oliver, Delirium

“Patch wasn't the kind of guy mothers smiled on. He was the kind of guy they changed the house locks for.”
― Becca Fitzpatrick, Hush, Hush

“I love you more than I think I should.”
― Becca Fitzpatrick, Crescendo

“I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see.

“Five dollars says you can’t do it again,” I said, coming up behind him.

Patch looked back and grinned. “I don’t want your money, Angel.”

“Hey now, kids, let’s keep this discussion PG-rated,” Rixon said.

“All three remaining pins,” I challenged Patch.

“What kind of prize are we talking about?” he asked.

“Bloody hell,” Rixon said. “Can’t this wait until you’re alone?”

Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table.

“Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.

“You got lucky,” I said.

“I’m about to get lucky.”
― Becca Fitzpatrick, Crescendo

“Let’s be honest, Nora. You’ve got it bad for me." His eyes held a lot of depth. "And I’ve got it bad for you.”
― Becca Fitzpatrick, Hush, Hush

“And even if somebody else has it much worse, that doesn't really change the fact that you have what you have. Good and bad.”
― Stephen Chbosky, The Perks of Being a Wallflower

“It's just hard to see a friend hurt this much. Especially when you can't do anything except 'be there.' I just want to make him stop hurting, but I can't. So I just follow him around whenever he wants to show me his world.”
― Stephen Chbosky, The Perks of Being a Wallflower

“I don't get scared very often," he said finally. "I was scared the first morning I woke up and you weren't here. I was scared when you left me after Vegas. I was scared when I thought I was going to have to tell my dad that Trent had died in that building. But when I saw you across the flames in the basement...I was terrified. I made it to the door, was a few feet from the exit, and I couldn't leave.
"What do you mean? Are you crazy?" I said, my head jerking up to look into his eyes.
"I've never been so clear about anything in my life. I turned around, made my way to that room you were in, and there you were. Nothing else mattered. I didn't even know if we would make it out or not, I just wanted to be where you were, whatever that meant. The only thing I'm afraid of is a life without you, Pigeon."
I leaned up, kissing his lips tenderly. When our mouths parted, I smiled. "Then you have nothing to be afraid of. We're forever.”
― Jamie McGuire, Beautiful Disaster

“He scanned my face with careful hope in his eyes.
“You love me?”
“It’s the tattoos,” I shrugged.
A wide smile stretched across his face, making his
dimple sink into his cheek.”
― Jamie McGuire, Beautiful Disaster

“It's amazing how words can do that, just shred your insides apart. Sticks and stones may break my bones, but words can never hurt me - such bullshit.”
― Lauren Oliver, Delirium

“I hung my fingertips on his waistband, tugging him closer.
Patch buried his face in the curve of my shoulder, his hands flexing over my back. He gave a low groan.
"I love you," he murmured into my hair. "I'm happier right now than I ever remember being.”
― Becca Fitzpatrick, Crescendo