Sana > Sana's Quotes

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  • #1
    Charles Dickens
    “The broken heart. You think you will die, but you just keep living, day after day after terrible day.”
    Charles Dickens, Great Expectations

  • #2
    Jane Austen
    “A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment.”
    Jane Austen, Pride and Prejudice

  • #3
    Jane Austen
    “One word from you shall silence me forever.”
    Jane Austen, Pride and Prejudice

  • #4
    Emily Brontë
    “I wish I were a girl again, half-savage and hardy, and free.”
    Emily Brontë, Wuthering Heights

  • #5
    Emily Brontë
    “Catherine Earnshaw, may you not rest as long as I am living. You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”
    Emily Brontë, Wuthering Heights

  • #6
    Emily Brontë
    “I have not broken your heart - you have broken it; and in breaking it, you have broken mine.”
    Emily Brontë, Wuthering Heights

  • #7
    Emily Brontë
    “I gave him my heart, and he took and pinched it to death; and flung it back to me. People feel with their hearts, Ellen, and since he has destroyed mine, I have not power to feel for him.”
    Emily Brontë, Wuthering Heights

  • #8
    Emily Brontë
    “I'll be as dirty as I please, and I like to be dirty, and I will be dirty!”
    Emily Bronte, Wuthering Heights

  • #9
    George R.R. Martin
    “I will hurt you for this. I don't know how yet, but give me time. A day will come when you think yourself safe and happy, and suddenly your joy will turn to ashes in your mouth, and you'll know the debt is paid.”
    George R.R. Martin, A Clash of Kings

  • #10
    Richelle Mead
    “I realized I’m in love. It's always been right in front of me.”
    Richelle Mead, The Indigo Spell

  • #11
    Richelle Mead
    “He was too perfect, despite being one of the most imperfect people I knew.”
    Richelle Mead, The Indigo Spell

  • #12
    Richelle Mead
    “This wasn’t the first time I’d been pulled out of bed for a crucial mission. It was, however, the first time I’d been subjected to such a personal line of questioning.

    “Are you a virgin?”
    Richelle Mead, The Indigo Spell

  • #13
    Richelle Mead
    “That's the kind of guy you'd follow to hell and back.”
    Richelle Mead, The Indigo Spell

  • #14
    Richelle Mead
    “So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed.

    He brought his face toward mine. “You are to me.”

    And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded.”
    Richelle Mead, The Indigo Spell

  • #15
    Richelle Mead
    “I wanted him. I arched my back, fully aware of how vulnerable that made me and that I was giving him an invitation. He accepted it and laid me back against the table, bringing his body down on top of mine. That crushing kiss of his moved from my mouth to the nape of my neck. He pushed down the edge of my dress and the bra strap underneath, exposing my shoulder and giving his lips more skin to conquer.”
    Richelle Mead, The Indigo Spell

  • #16
    Charlotte Brontë
    “I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously revived, great and strong! He made me love him without looking at me.”
    Charlotte Brontë, Jane Eyre

  • #17
    Victor Hugo
    “The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.”
    Victor Hugo, Les Misérables

  • #18
    Sarah Ockler
    “I accept the hard reality that I maybe might possibly be just the slightest tiniest littlest bit kinda sorta interested in him.”
    Sarah Ockler, Twenty Boy Summer

  • #19
    Virginia Woolf
    “The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself.”
    Virginia Woolf, A Room of One’s Own

  • #20
    Charlotte Brontë
    I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”
    Charlotte Brontë, Jane Eyre

  • #21
    Charlotte Brontë
    “If all the world hated you and believed you wicked, while your own conscience approved of you and absolved you from guilt, you would not be without friends.”
    Charlotte Brontë, Jane Eyre

  • #22
    Charlotte Brontë
    “I am not an angel,' I asserted; 'and I will not be one till I die: I will be myself. Mr. Rochester, you must neither expect nor exact anything celestial of me - for you will not get it, any more than I shall get it of you: which I do not at all anticipate.”
    Charlotte Brontë, Jane Eyre

  • #23
    E.L. James
    “There's a very fine line between pleasure and pain. They are two sides of the same coin, one not existing without the other.”
    E.L. James, Fifty Shades of Grey

  • #24
    bell hooks
    “Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.”
    bell hooks

  • #25
    Katharine Hepburn
    “Sometimes I wonder if men and women really suit each other. Perhaps they should live next door and just visit now and then.”
    Katharine Hepburn

  • #26
    Jonathan Swift
    “I never wonder to see men wicked, but I often wonder to see them not ashamed.”
    Jonathan Swift

  • #27
    Molière
    “My hate is general, I detest all men;
    Some because they are wicked and do evil,
    Others because they tolerate the wicked,
    Refusing them the active vigorous scorn
    Which vice should stimulate in virtuous minds.”
    Moliere, The Misanthrope

  • #28
    “One's dignity may be assaulted, vandalized and cruelly mocked, but it can never be taken away unless it is surrendered.”
    Michael J. Fox

  • #29
    Edward W. Said
    “The power to narrate, or to block other narratives from forming and emerging, is very important to culture and imperialism, and constitutes one of the main connections between them. Most important, the grand narratives of emancipation and enlightenment mobilized people in the colonial world to rise up and throw off imperial subjection; in the process, many Europeans and Americans were also stirred by these stories and their protagonists, and they too fought for new narratives of equality and human community.”
    Edward W. Said, Culture and Imperialism

  • #30
    Emily Brontë
    “May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—Catherine Earnshaw, may you not rest as long as I am living; you said I killed you—haunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I cannot live without my life! I cannot live without my soul!”
    Emily Brontë, Wuthering Heights



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