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  • #1
    Madeleine L'Engle
    “Life, with its rules, its obligations, and its freedoms, is like a sonnet: You're given the form, but you have to write the sonnet yourself. - Mrs. Whatsit”
    Madeleine L'Engle, A Wrinkle in Time

  • #2
    Madeleine L'Engle
    “Experiment is the mother of knowledge.”
    Madeleine L'Engle, A Wrinkle in Time: With Related Readings

  • #3
    Douglas Adams
    “I'd take the awe of understanding over the awe of ignorance any day.”
    Douglas Adams, The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

  • #4
    Ray Bradbury
    “Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

    It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”
    Ray Bradbury, Fahrenheit 451

  • #5
    Ray Bradbury
    “We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?”
    Ray Bradbury, Fahrenheit 451

  • #6
    Ray Bradbury
    “If you hide your ignorance, no one will hit you and you'll never learn.”
    Ray Bradbury, Fahrenheit 451

  • #7
    Ray Bradbury
    “And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.”
    Ray Bradbury, Fahrenheit 451

  • #8
    Ray Bradbury
    “But you can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. It can't last.”
    Ray Bradbury, Fahrenheit 451

  • #9
    Ray Bradbury
    “Why aren't you in school? I see you every day wandering around."
    "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?”
    Ray Bradbury, Fahrenheit 451

  • #10
    Ray Bradbury
    “Oh God, the terrible tyranny of the majority. We all have our harps to play. And it's up to you to know with which ear you'll listen.”
    Ray Bradbury, Fahrenheit 451

  • #11
    Jeffrey Eugenides
    “Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
    Jeffrey Eugenides, Middlesex

  • #12
    Jeffrey Eugenides
    “I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.”
    Jeffrey Eugenides, Middlesex

  • #13
    Jeffrey Eugenides
    “The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.”
    Jeffrey Eugenides, Middlesex

  • #14
    Jane Austen
    “Anne wondered whether it ever occurred to him now, to question the
    justness of his own previous opinion as to the universal felicity and
    advantage of firmness of character; and whether it might not strike him
    that, like all other qualities of the mind, it should have its
    proportions and limits. She thought it could scarcely escape him to
    feel that a persuadable temper might sometimes be as much in favour of
    happiness as a very resolute character.”
    Jane Austen, Persuasion

  • #15
    Jane Austen
    “You pierce my soul. I am half agony, half hope...I have loved none but you.”
    Jane Austen, Persuasion

  • #16
    Jane Austen
    “...and their marriage, instead of depriving her of one friend, secured her two.”
    Jane Austen, Persuasion

  • #17
    E. Lockhart
    “Be a little kinder than you have to.”
    E. Lockhart, We Were Liars

  • #18
    E. Lockhart
    “There is not even a Scrabble word for how bad I feel.”
    E. Lockhart, We Were Liars

  • #19
    E. Lockhart
    “He was a person who couldn't fake a smile but smiled often.”
    E. Lockhart, We Were Liars

  • #20
    Chris Rock
    “Comedy is the blues for people who can’t sing.”
    Chris Rock

  • #21
    Ray Bradbury
    “Not about mean old nasty Mars, I tell you, mister! It’s your type that is going to boil for years, and suffer and break out in black pimples and be tortured——”
    “I must admit Earth isn’t very nice. You’ve described it beautifully.”
    Ray Bradbury, The Illustrated Man

  • #22
    Ray Bradbury
    “I've always figured it that you die each day and each day is a box, you see, all numbered and neat; but never go back and lift the lids, because you've died a couple of thousand times in your life, and that's a lot of corpses, each dead a different way, each with a worse expression. Each of those days is a different you, somebody you don't know or understand or want to understand.”
    Ray Bradbury, The Illustrated Man

  • #23
    F. Scott Fitzgerald
    “This selfishness is not only part of me. It is the most living part.
    It is somehow transcending rather than by avoiding that selfishness that I can bring poise and balance into my life.”
    F. Scott Fitzgerald, This Side of Paradise

  • #24
    Toni Morrison
    “Love is or it ain't. Thin love ain't love at all.”
    Toni Morrison, Beloved

  • #25
    Toni Morrison
    “There is a loneliness that can be rocked. Arms crossed, knees drawn up, holding, holding on, this motion, unlike a ship's, smooths and contains the rocker. It's an inside kind--wrapped tight like skin. Then there is the loneliness that roams. No rocking can hold it down. It is alive. On its own. A dry and spreading thing that makes the sound of one's own feet going seem to come from a far-off place.”
    Toni Morrison, Beloved

  • #26
    Toni Morrison
    “Me and you, we got more yesterday than anybody. We need some kind of tomorrow.”
    Toni Morrison, Beloved

  • #27
    Toni Morrison
    “Was it hard? I hope she didn't die hard.'

    Sethe shook her head. 'Soft as cream. Being alive was the hard part.”
    Toni Morrison, Beloved

  • #28
    Malcolm Gladwell
    “You don't manage a social wrong. You should be ending it.”
    Malcolm Gladwell, What the Dog Saw and Other Adventures

  • #29
    Felicia Day
    “It’s hard being weird. No—it’s hard living in a culture that makes it hard.”
    Felicia Day, You're Never Weird on the Internet

  • #30
    Felicia Day
    “Knowing yourself is life's eternal homework”
    Felicia Day, You're Never Weird on the Internet



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