Ivana > Ivana's Quotes

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  • #1
    Ursula K. Le Guin
    “One of the most dangerous is the implication that civilization, being artificial, is unnatural: that it is the opposite of primitiveness… Of course there is no veneer, the process is one of growth, and primitiveness and civilization are degrees of the same thing. If civilization has an opposite, it is war. Of those two things, you have either one, or the other. Not both.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #2
    Joe Abercrombie
    “I have learned all kinds of things from my many mistakes. The one thing I never learn is to stop making them.”
    Joe Abercrombie, Last Argument of Kings

  • #3
    Patrick Rothfuss
    “It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”
    Patrick Rothfuss, The Name of the Wind

  • #4
    Patrick Rothfuss
    “Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.”
    Patrick Rothfuss, The Name of the Wind

  • #5
    Patrick Rothfuss
    “It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.”
    Patrick Rothfuss, The Wise Man's Fear

  • #6
    Patrick Rothfuss
    “It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That's as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.”
    Patrick Rothfuss, The Wise Man's Fear

  • #7
    Joseph Heller
    “They're trying to kill me," Yossarian told him calmly.
    No one's trying to kill you," Clevinger cried.
    Then why are they shooting at me?" Yossarian asked.
    They're shooting at everyone," Clevinger answered. "They're trying to kill everyone."
    And what difference does that make?”
    Joseph Heller, Catch-22

  • #8
    Joseph Heller
    “He knew everything there was to know about literature, except how to enjoy it”
    Joseph Heller, Catch-22

  • #9
    Joseph Heller
    “[They] agreed that it was neither possible nor necessary to educate people who never questioned anything.”
    Joseph Heller, Catch-22

  • #10
    Joseph Heller
    “The country was in peril; he was jeopardizing his traditional rights of freedom and independence by daring to exercise them.”
    Joseph Heller, Catch-22

  • #11
    Joseph Heller
    “There's nothing mysterious about it, He's not working at all. He's playing. Or else He's forgotten all about us. That's the kind of God you people talk about, a country bumpkin, a clumsy, bungling, brainless, conceited, uncouth hayseed. Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of Creation? What in the world was running through that warped, evil, scatological mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain?”
    Joseph Heller, Catch-22

  • #12
    Joseph Heller
    “He was a self-made man who owed his lack of success to nobody.”
    Joseph Heller, Catch-22

  • #13
    Joseph Heller
    “-You have no respect for excessive authority or obsolete traditions. You're dangerous and depraved, and you ought to be taken outside and shot!”
    Joseph Heller, Catch-22

  • #14
    Joseph Heller
    “She was the epitome of stately sorrow each time she smiled. ”
    Joseph Heller, Catch-22

  • #15
    Joseph Heller
    “History did not demand Yossarian's premature demise, justice could be satisfied without it, progress did not hinge upon it, victory did not depend on it. That men would die was a matter of necessity; WHICH men would die, though, was a matter of circumstance, and Yossarian was willing to be the victim of anything but circumstance. But that was war. Just about all he could find in its favor was that it paid well and liberated children from the pernicious influence of their parents.”
    Joseph Heller, Catch-22
    tags: death, war

  • #16
    Joseph Heller
    “You're an intelligent person of great moral character who has taken a very courageous stand. I'm an intelligent person with no moral character at all, so I'm in an ideal position to appreciate it.”
    Joseph Heller, Catch-22

  • #17
    Joseph Heller
    “The chaplain had mastered, in a moment of divine intuition, the handy technique of protective rationalization, and he was exhilarated by his discovery. It was miraculous. It was almost no trick at all, he saw, to turn vice into virtue and slander into truth, impotence into abstinence, arrogance into humility, plunder into philanthropy, thievery into honor, blasphemy into wisdom, brutality into patriotism, and sadism into justice. Anybody could do it; it required no brains at all. It merely required no character.”
    Joseph Heller, Catch-22

  • #18
    Oscar Wilde
    “Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?”
    Oscar Wilde, The Picture of Dorian Gray

  • #19
    Oscar Wilde
    “There is no such thing as a moral or an immoral book.
    Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray

  • #20
    Ray Bradbury
    “You don't have to burn books to destroy a culture. Just get people to stop reading them.”
    Ray Bradbury

  • #21
    Ray Bradbury
    “Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

    It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”
    Ray Bradbury, Fahrenheit 451

  • #22
    Ray Bradbury
    “We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?”
    Ray Bradbury, Fahrenheit 451

  • #23
    Joe Abercrombie
    “Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice.
    Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it?
    Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?
    Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?”
    Joe Abercrombie, The Blade Itself

  • #24
    Joe Abercrombie
    “That was the difference between a hero and a villain, a soldier and a murderer, a victory and a crime. Which side of a river you called home.”
    Joe Abercrombie, Best Served Cold

  • #25
    Joe Abercrombie
    “Evil turned out not to be a grand thing. Not sneering Emperors with their world-conquering designs. Not cackling demons plotting in the darkness beyond the world. It was small men with their small acts and their small reasons. It was selfishness and carelessness and waste. It was bad luck, incompetence, and stupidity. It was violence divorced from conscience or consequence. It was high ideals, even, and low methods.”
    Joe Abercrombie, Red Country

  • #26
    Joe Abercrombie
    “Strange, how the best moments of our lives we scarcely notice except in looking back.”
    Joe Abercrombie, Red Country

  • #27
    Joe Abercrombie
    “That's what courage is. Taking your disappointments and your failures, your guilt and your shame, all the wounds received and inflicted, and sinking them in the past. Starting again. Damning yesterday and facing tomorrow with your head held high. Times change. It's those that see it coming, and plan for it, and change themselves to suit that prosper.”
    Joe Abercrombie, Red Country

  • #28
    Mikhail Bulgakov
    “But would you kindly ponder this question: What would your good do if
    evil didn't exist, and what would the earth look like if all the shadows
    disappeared? After all, shadows are cast by things and people. Here is the
    shadow of my sword. But shadows also come from trees and living beings.
    Do you want to strip the earth of all trees and living things just because
    of your fantasy of enjoying naked light? You're stupid.”
    Mikhail Bulgakov, The Master and Margarita

  • #29
    Mikhail Bulgakov
    “You're not Dostoevsky,' said the citizeness, who was getting muddled by Koroviev. Well, who knows, who knows,' he replied.
    'Dostoevsky's dead,' said the citizeness, but somehow not very confidently.
    'I protest!' Behemoth exclaimed hotly. 'Dostoevsky is immortal!”
    Mikhail Bulgakov, The Master and Margarita

  • #30
    Mikhail Bulgakov
    “But what can be done, the one who loves must share the fate of the one he loves.”
    Mikhail Bulgakov, The Master and Margarita



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