Thomas > Thomas's Quotes

“It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.”
― Hilary Mantel, Wolf Hall

“The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.”
― Hilary Mantel, Bring Up the Bodies

“Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again.

His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend.

Beneath every history, another history.”
― Hilary Mantel, Wolf Hall

“But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.”
― Hilary Mantel, Wolf Hall

“Those who are made can be unmade.”
― Hilary Mantel, Bring Up the Bodies

“When it was time to write, and he took his pen in his hand, he never thought of consequences; he thought of style. I wonder why I ever bothered with sex, he thought; there's nothing in this breathing world so gratifying as an artfully placed semicolon.”
― Hilary Mantel, A Place of Greater Safety

“When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them.”
― Hilary Mantel, Wolf Hall

“Arrange your face”
― Hilary Mantel, Wolf Hall

“She is very plain. What does Henry see in her?'"
“He thinks she's stupid. He finds it restful.”
― Hilary Mantel, Bring Up the Bodies

“He once thought it himself, that he might die with grief: for his wife, his daughters, his sisters, his father and master the cardinal. But pulse, obdurate, keeps its rhythm. You think you cannot keep breathing, but your ribcage has other ideas, rising and falling, emitting sighs. You must thrive in spite of yourself; and so that you may do it, God takes out your heart of flesh, and gives you a heart of stone.”
― Hilary Mantel, Bring Up the Bodies

“You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws.”
― Hilary Mantel, Bring Up the Bodies

“Let's say I will rip your life apart. Me and my banker friends."
How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.”
― Hilary Mantel, Wolf Hall

“The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.”
― Hilary Mantel, Wolf Hall

“There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.”
― Hilary Mantel, Wolf Hall

“Fortitude. ... It means fixity of purpose. It means endurance. It means having the strength to live with what constrains you.”
― Hilary Mantel, Wolf Hall

“I was always desired. But now i am valued. And that is a different thing, i find.”
― Hilary Mantel, Wolf Hall

“You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.”
― Hilary Mantel, Wolf Hall

“He never sees More – a star in another firmament, who acknowledges him with a grim nod – without wanting to ask him, what's wrong with you? Or what's wrong with me? Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, ‘Purgatory’. Show me where it says relics, monks, nuns. Show me where it says ‘Pope’.”
― Hilary Mantel, Wolf Hall

“Rafe asks him, could the king's freedom be obtained, sir, with more economy of means? Less bloodshed?

Look, he says: once you have exhausted the process of negotiation and compromise, one you have fixed on the destruction of an enemy, that destruction must be swift and it must be perfect. Before you even glance in his direction, you should have his name on a warrant, the ports blocked, his wife and friends bought, his heir under your protection, his money in your strong room and his dog running to your whistle. Before he wakes in the morning, you should have the axe in your hand.”
― Hilary Mantel, Bring Up the Bodies

“As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire.”
― Hilary Mantel, A Place of Greater Safety

“A statute is written to entrap meaning, a poem to escape it.”
― Hilary Mantel, Bring Up the Bodies

“She lives on the fumes of whiskey and the iron in the blood of her prey.”
― Hilary Mantel, The Assassination of Margaret Thatcher

“...an elegant woman, with a refinement that makes mere prettiness seem redundant.”
― Hilary Mantel, Bring Up the Bodies

“Erasmus says that you should praise a ruler even for qualities he does not have. For the flattery gives him to think. And the qualities he presently lacks, he might go to work on them.”
― Hilary Mantel, Bring Up the Bodies

“92, '93, '94. Liberty, Equality, Fraternity or Death.”
― Hilary Mantel, A Place of Greater Safety

“Your love of glory must conquer your will to survive; or why fight at all? Why not be a smith, a brewer, a wool merchant? Why are you in the contest, if not to win, and if not to win, then to die?”
― Hilary Mantel, Bring Up the Bodies

“He never lives in a single reality, but in a shifting shadow-mesh of diplomatic possibilities.”
― Hilary Mantel, Wolf Hall

“His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.”
― Hilary Mantel, Wolf Hall

“They claim they're living the vita apostolica; but you didn't find the apostles feeling each other's bollocks.”
― Hilary Mantel, Bring Up the Bodies

“Edward Seymour says, ‘You should have been a bishop, Cromwell.’
‘Edward,’ he says, ‘I should have been Pope.”
― Hilary Mantel, Bring Up the Bodies