RealityCheck > RealityCheck's Quotes

Showing 1-30 of 52
« previous 1
sort by

  • #1
    Liu Cixin
    “It’s a wonder to be alive. If you don’t understand that, how can you search for anything deeper?”
    Liu Cixin, The Dark Forest

  • #2
    Iain M. Banks
    “Can I cuddle up with you when you sleep?”

    Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?”

    “Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.”

    Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—”

    “Xeny.”

    “Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—”

    “But I’m demilitarized!”

    “Even without your principle armament, I bet you could waste planets if you wanted to—”

    “Aw, come on; any silly GCU can do that!”

    “So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered.

    “It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?”

    “I don’t know. Do you appreciate being drop-kicked back to the accommodation area?”

    “Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.”

    Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.”

    “I can keep this shape?”

    “By all means.”

    “Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?”

    “Cuddle.” Sma cuddled it, patted its back.

    She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.”
    Iain M. Banks, Use of Weapons

  • #3
    Ursula K. Le Guin
    “How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one mustn't make a virtue of it, or a profession... Insofar as I love life, I love the hills of the Domain of Estre, but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #4
    Tacitus
    “It is no use trying to escape their arrogance by submission or good behaviour. They have pillaged the world: when the land has nothing left for men who ravage everything, they scour the sea. If an enemy is rich, they are greedy, if he is poor, they crave glory. Neither East nor West can sate their appetite. They are the only people on earth to covet wealth and poverty with equal craving. They plunder, they butcher, they ravish, and call it by the lying name of “empire”. They make a desert and call it “peace”.”
    Tacitus, The Agricola and the Germania

  • #5
    Neil Gaiman
    “There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelery; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.”
    Neil Gaiman, Neverwhere

  • #6
    Fyodor Dostoevsky
    “Do you know that one day I'll kill you? I won't do it because I'm no longer in love with you, or because I'm jealous, but—I'll just kill you for no better reason that I sometimes long to devour you.”
    Fyodor Dostoevsky, The Gambler

  • #7
    Joe Haldeman
    “Science fiction as a genre has the benefit of being able to act as parable, to set up a story at a remove so you can make a real-world point without people throwing up a wall in front of it.”
    Joe Haldeman, The Forever War

  • #8
    Liu Cixin
    “The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life—another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod—there’s only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It’s the explanation for the Fermi Paradox.”
    Liu Cixin, The Dark Forest

  • #9
    Ursula K. Le Guin
    “You gave me a gift, the killing of one’s kind, murder. Now, as well as I can, I give you my people’s gift, which is not killing. I think we each find each other’s gift heavy to carry. However, you must carry it alone.”
    Ursula K. Le Guin, The Word for World Is Forest

  • #10
    Liu Cixin
    “If I destroy you, what business is it of yours?”
    Liu Cixin, The Dark Forest

  • #11
    Ursula K. Le Guin
    “The unknown," said Faxe's soft voice in the forest, "the unforetold, the unproven, that is what life is based on. Ignorance is the ground of thought. Unproof is the ground of action. If it were proven that there is no God there would be no religion. No Handdara, no Yomesh, no hearthgods, nothing. But also if it were proven that there is a God, there would be no religion. ... Tell me, Genry, what is known? What is sure, unpredictable, inevitable -- the one certain thing you know concerning your future, and mine?"

    That we shall die."

    Yes, There's really only one question that can be answered, Genry, and we already know the answer. ... The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #12
    Ursula K. Le Guin
    “Well, we come here to the Fastnesses mostly to learn what questions not to ask."

    "But you're the Answerers!"

    "You don't see yet, Genry, why we perfected and practice Foretelling?"

    "No––"

    "To exhibit the perfect uselessness of knowing the answer to the wrong question.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #13
    Frank Herbert
    “The prescience, he realized, was an illumination that incorporated the limits of what it revealed- at once a source of accuracy and meaningful error. A kind of Heisenberg indeterminacy intervened: the expenditure of energy that revealed what he saw, changed what he saw.

    And what he saw was a time nexus within this cave, a boiling of possibilities focused here, wherein the most minute action - the wink of an eye, a careless word, a misplaced grain of sand - moved a gigantic lever across the known universe. He saw violence with the outcome subject to so many variables that his slightest movement created vast shiftings in the patterns.

    The vision made him want to freeze into immobility, but this, too was action with its consequences.”
    Frank Herbert, Dune

  • #14
    Frank Herbert
    “No more terrible disaster could befall your people than for them to fall into the hands of a Hero”
    Frank Herbert, Dune

  • #15
    Frank Herbert
    “I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”
    Frank Herbert, Dune

  • #16
    Ursula K. Le Guin
    “We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.”
    Ursula K. LeGuinn

  • #17
    Iain M. Banks
    “Zakalwe, in all human societies we have ever reviewed, in every age and every state, there has seldom if ever been a shortage of eager young males prepared to kill and die to preserve the security, comfort and prejudices of their elders, and what you call heroism is just an expression of this simple fact; there is never a scarcity of idiots.”
    Iain M. Banks, Use of Weapons

  • #18
    Ursula K. Le Guin
    “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.”
    Ursula K. Le Guin

  • #19
    Iain M. Banks
    “A guilty system recognizes no innocents.”
    Iain M. Banks, The Player of Games

  • #20
    Iain M. Banks
    “It was a warship, after all. It was built, designed to glory in destruction, when it was considered appropriate. It found, as it was rightly and properly supposed to, an awful beauty in both the weaponry of war and the violence and devastation which that weaponry was capable of inflicting, and yet it knew that attractiveness stemmed from a kind of insecurity, a sort of childishness. It could see that—by some criteria—a warship, just by the perfectly articulated purity of its purpose, was the most beautiful single artifact the Culture was capable of producing, and at the same time understand the paucity of moral vision such a judgment implied. To fully appreciate the beauty of the weapon was to admit to a kind of shortsightedness close to blindness, to confess to a sort of stupidity. The weapon was not itself; nothing was solely itself. The weapon, like anything else, could only finally be judged by the effect it had on others, by the consequences it produced in some outside context, by its place in the rest of the universe. By this measure the love, or just the appreciation, of weapons was a kind of tragedy.”
    Iain M. Banks, Excession

  • #21
    Osamu Dazai
    “As long as I can make them laugh, it doesn’t matter how, I’ll be alright. If I succeed in that, the human beings probably won’t mind it too much if I remain outside their lives. The one thing I must avoid is becoming offensive in their eyes: I shall be nothing, the wind, the sky.”
    Osamu Dazai, No Longer Human

  • #22
    Osamu Dazai
    “What, I wondered, did he mean by “society”? The plural of human beings? Where was the substance of this thing called “society”? I had spent my whole life thinkng that society must certainly be something powerful, harsh and severe, but to hear Horiki talk made the words “Don’t you mean yourself?” come to the tip of my tongue. But I held the words back, reluctant to anger him.
    ‘Society won’t stand for it.’
    ‘It’s not society. You’re the one who won’t stand for it - right?’
    ‘If you do such a thing society will make you suffer for it’
    ‘It’s not society. It’s you, isn’t it?’
    ‘Before you know it, you’ll be ostracized by society.’
    ‘It’s not society. You’re going to do the ostracizing, aren’t you?’
    Words, words of every kind went flitting through my head. “Know thy particular fearsomeness, thy knavery, cunning and witchcraft!” What I said, however, as I wiped the perspiration from my face with a handkerchief was merely, “You’ve put me in a cold sweat!” I smiled.
    From then on, however, I came to hold, almost as a philosophical conviction, the belief: What is society but an individual?”
    Osamu Dazai, No Longer Human

  • #23
    Fyodor Dostoevsky
    “The people who have nothing to lock up are the happy ones, aren't they?”
    Fyodor Dostoyevsky, Crime and Punishment

  • #24
    “Young man, there are two cringe-worthy phrases in one’s life that must be said, no matter what.”

    “Which two?”

    “‘Thank you’, and 'I’m sorry’.”

    “What can anybody do to me if I don’t say them?”

    “Someday, you’ll say those words in tears.”
    Mo Xiang Tong Xiu, 魔道祖师 [Mó Dào Zǔ Shī]

  • #25
    Iain M. Banks
    “Most people are not prepared to have their minds changed," he said. "And I think they know in their hearts that other people are just the same, and one of the reasons people become angry when they argue is that they realize just that, as they trot out their excuses."

    "Excuses, eh?" Well, if this ain't cynicism, what is?" Erens snorted.

    "Yes, excuses," he said, with what Erens thought might just have been a trace of bitterness. "I strongly suspect the things people believe in are usually just what they instinctively feel is right; the excuses, the justifications, the things you're supposed to argue about, come later. They're the least important part of the belief. That's why you can destroy them, win an argument, prove the other person wrong, and still they believe what they did in the first place." He looked at Erens. "You've attacked the wrong thing.”
    Iain M. Banks, Use of Weapons

  • #26
    Iain M. Banks
    “It gripped her hand gently. 'Regret is for humans,' it said.
    She laughed. 'Really?'
    The machine shrugged and let go of her hand. 'Oh, no. It's just something we tell ourselves.”
    Iain M. Banks, Against a Dark Background

  • #27
    “Walking ahead, looking ahead, even though the road ahead was a blank, even though you could only rely on force of habit to keep walking ahead—
    One day, you would find direction in your own endless steps.
    It just took a little patience.”
    Priest, 默读 [Mo Du] The Light in the Night

  • #28
    “Staring at the boat sailing farther away from sight, Zhou Zishu deliberately muttered a regard of absolute literary excellence, "Fuck you."

    For most of his life he had mingled with the cultured but degenerate side of society; all they did was spout Confucius this and Confucius that, never did a rude word escape their mouth. He felt incredibly delighted after blurting out that curse, as if years of pent-up frustrations had vanished completely with it.

    And to his surprised revelation, cursing turned out to be such an enjoyable thing to do. He was all smiles, whispering once more, "Eat shit, bastard, got my money and couldn't even do his job right.”
    Priest, 天涯客 [Tiān Yá Kè] Faraway Wanderers

  • #29
    “I hold all the world’s famous mountains and rivers in my hand, but what of it? They’re nothing but a bunch of rocks and wild waters. Of all that I am, the only part worth anything may be my heart. If you want it, it’s yours.”
    Priest, Guardian: Zhen Hun (Novel) Vol. 3

  • #30
    “Who knows, perhaps after I've seen your true face, we develop passionate, torrid emotions for each other, have a one night stand, and I won't think of you afterwards again. But the way you are now...makes me want to live out the rest of my life with you instead.”
    Priest, 天涯客 [Tiān Yá Kè] Faraway Wanderers



Rss
« previous 1