Gokcen Eylul > Gokcen's Quotes

“For the two of us, home isn't a place. It is a person. And we are finally home.”
― Stephanie Perkins, Anna and the French Kiss

“I trail my fingers across his cheek. He stays perfectly still for me. “Please stop apologizing, Étienne.”
“Say my name again,” he whispers.
I close my eyes and lean forward. “Étienne.”
He takes my hands into his.Those perfect hands, that fit mine just so. “Anna?”
Our foreheads touch. “Yes?”
“Will you please tell me you love me? I’m dying here.”
And then we’re laughing. And then I’m in his arms, and we’re kissing, at first quickly—to make up for lost time—and then slowly, because we have all
the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I
taste, too.
And in between kisses, I tell him I love him.
Again and again and again.”
― Stephanie Perkins, Anna and the French Kiss

“Is it possible for home to be a person and not a place?”
― Stephanie Perkins, Anna and the French Kiss

“I wish friends held hands more often, like the children I see on the streets sometimes. I'm not sure why we have to grow up and get embarrassed about it.”
― Stephanie Perkins, Anna and the French Kiss

“I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons.”
― Stephanie Perkins, Anna and the French Kiss

“Please. The boy gets a boner every time you walk into the room."
My eyes pop back open. Does she mean that figuratively or has she actually seen something? No. Focus, Anna.”
― Stephanie Perkins, Anna and the French Kiss

“I'm like you,' he said. 'I remember everything.'

I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name”
― André Aciman, Call Me by Your Name

“We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!”
― Andre Aciman, Call Me by Your Name

“We had the stars, you and I. And this is given once only.”
― André Aciman, Call Me by Your Name

“He came. He left. Nothing else had changed. I had not changed. The world hadn't changed. Yet nothing would be the same. All that remains is dreammaking and strange remembrance.”
― André Aciman, Call Me by Your Name

“People who read are hiders. They hide who they are. People who hide don’t always like who they are.”
― André Aciman, Call Me by Your Name

“And on that evening when we grow older still we'll speak about these two young men as though they were two strangers we met on the train and whom we admire and want to help along. And we'll want to call it envy, because to call it regret would break our hearts.”
― André Aciman, Call Me by Your Name

“If I could have him like this in my dreams every night of my life, I'd stake my entire life on dreams and be done with the rest.”
― André Aciman, Call Me by Your Name

“Is it better to speak or die?”
― André Aciman, Call Me by Your Name

“We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything—what a waste!”
― André Aciman, Call Me by Your Name

“Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)”
― André Aciman, Call Me by Your Name

“Did I want him to act? Or would I prefer a lifetime of longing provided we both kept this little Ping-Pong game going: not knowing, not-not-knowing, not-not-not-knowing? Just be quiet, say nothing, and if you can't say "yes," don't say "no," say "later." Is this why people say "maybe" when they mean "yes," but hope you'll think it's "no" when all they really mean is, Please, just ask me once more, and once more after that?”
― André Aciman, Call Me by Your Name

“We are not written for one instrument alone; I am not, neither are you.”
― André Aciman, Call Me by Your Name

“I suddenly realized that we were on borrowed time, that time is always borrowed, and that the lending agency exacts its premium precisely when we are least prepared to pay and need to borrow more...”
― André Aciman, Call Me by Your Name

“Call me by your name and I'll call you by mine.”
― André Aciman, Call Me by Your Name

“Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist.”
― André Aciman, Call Me by Your Name