Landjonker > Landjonker's Quotes

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  • #1
    “Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it.

    “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible.

    “Yet consider.

    “Consider pain.

    “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.”
    Jesus Ignacio Aldapuerta, The Eyes: Emetic Fables from the Andalusian De Sade

  • #2
    Leonard Cohen
    “There is a crack in everything.
    That's how the light gets in.”
    Leonard Cohen, Selected Poems, 1956-1968

  • #3
    Leonard Cohen
    “And I'll dance with you in Vienna,
    I'll be wearing a river's disguise.
    The hyacinth wild on my shoulder
    my mouth on the dew of your thighs.
    And I'll bury my soul in a scrapbook,
    with the photographs there and the moss.
    And I'll yield to the flood of your beauty,
    my cheap violin and my cross.”
    Leonard Cohen, Stranger Music: Selected Poems and Songs

  • #4
    Leonard Cohen
    “Dance me to your beauty with a burning violin
    Dance me through the panic 'til I'm gathered safely in
    Lift me like an olive branch and be my homeward dove
    Dance me to the end of love ”
    Leonard Cohen

  • #5
    Leonard Cohen
    “Ring the bells that still can ring
    Forget your perfect offering
    There is a crack in everything
    That's how the light gets in.”
    Leonard Cohen

  • #6
    Karl Ove Knausgård
    “And it's a disquieting thought that not even the past is done with, even that continues to change, as if in reality there is only one time, for everything, one time for every purpose under heaven. One single second, one single landscape, in which what happens activates and deactivates what has already happened in endless chain reactions, like the processes that take place in the brain, perhaps, where cells suddenly bloom and die away, all according to the way the winds of consciousness are blowing.”
    Karl Ove Knausgård, A Time for Everything

  • #7
    Karl Ove Knausgård
    “The tree was so old, and stood there so alone, that his childish heart had been filled with compassion; if no one else on the farm gave it a thought, he would at least do his best to, even though he suspected that his child's words and child's deeds didn't make much difference. It had stood there before he was born, and would be standing there after he was dead, but perhaps, even so, it was pleased that he stroked its bark every time he passed, and sometimes, when he was sure he wasn't observed, even pressed his cheek against it.”
    Karl Ove Knausgård, A Time for Everything

  • #8
    Robert Graves
    “There's no money in poetry, but there's no poetry in money, either.”
    Robert Graves

  • #9
    Robert Graves
    “She tells her love while half asleep,
    In the dark hours,
    With half-words whispered low:
    As Earth stirs in her winter sleep
    And puts out grass and flowers
    Despite the snow,
    Despite the falling snow.”
    Robert Graves

  • #10
    Robert Graves
    “If I were a girl, I'd despair. The supply of good women far exceeds that of the men who deserve them.”
    Robert Graves

  • #11
    Karen Blixen
    “When you have a great and difficult task, something perhaps almost impossible, if you only work a little at a time, every day a little, suddenly the work will finish itself.”
    Isak Dinesen

  • #12
    Stefan Zweig
    “She was at that crucial age when a women begins to regret having stayed faithful to a husband she never really loved, when the glowing sunset colors of her beauty offer her one last, urgent choice between maternal and feminine love. At such a moment a life that seemed to have chosen its course long ago is questioned once again, for the last time the magic compass needle of the will hovers between final resignation and the hope of erotic experience.”
    Stefan Zweig, The Burning Secret and other stories

  • #13
    Ian McEwan
    “The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.”
    Ian McEwan, Atonement
    tags: love

  • #14
    Milan Kundera
    “But deep down she said to herself, Franz maybe strong, but his strength is directed outward; when it comes to the people he lives with, the people he's loves, he's weak. Franz's weakness is called goodness. Franz would never give Sabina orders. He would never command her, as Tomas had, to lay the mirror on the floor and walk back and forth on it naked. Not that he lacks sensuality; he simply lacks the strength to give orders.

    There are things that can be accomplished only by violence. Physical love is unthinkable without violence.”
    Milan Kundera, The Unbearable Lightness of Being

  • #15
    John Updike
    “Any activity becomes creative when the doer cares about doing it right, or better.”
    John Updike

  • #16
    John Updike
    “Dreams come true. Without that possibility, nature would not incite us to have them. ”
    John Updike

  • #17
    William S. Burroughs
    “There is no intensity of love or feeling that does not involve the risk of crippling hurt. It is a duty to take this risk, to love and feel without defense or reserve.”
    William S. Burroughs

  • #18
    William S. Burroughs
    “Your mind will answer most questions if you learn to relax and wait for the answer.”
    William S. Burroughs

  • #19
    William S. Burroughs
    “You were not there for the beginning. You will not be there for the end. Your knowledge of what is going on can only be superficial and relative”
    William S. Burroughs, Naked Lunch: The Restored Text

  • #20
    André Brink
    “In love, no question is ever preposterous.”
    Andre Brink, Before I Forget

  • #21
    E.M. Forster
    “It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.”
    E.M. Forster, A Room with a View

  • #22
    Ovid
    “I grabbed a pile of dust, and holding it up, foolishly asked for as many birthdays as the grains of dust, I forgot to ask that they be years of youth. ”
    Ovid, Metamorphoses

  • #23
    Leonard Cohen
    “-You know how to call me
    although such a noise now
    would only confuse the air
    Neither of us can forget
    the steps we danced
    the words you stretched
    to call me out of dust
    Yes I long for you
    not just as a leaf for weather
    or vase for hands
    but with a narrow human longing
    that makes a man refuse
    any fields but his own
    I wait for you at an
    unexpected place in your journey
    like the rusted key
    or the feather you do not pick up.-

    -I WILL NEVER FIND THE FACES
    FOR ALL GOODBYES I'VE MADE.-


    For Anyone Dressed in Marble
    The miracle we all are waiting for
    is waiting till the Parthenon falls down
    and House of Birthdays is a house no more
    and fathers are unpoisoned by renown.
    The medals and the records of abuse
    can't help us on our pilgrimage to lust,
    but like whips certain perverts never use,
    compel our flesh in paralysing trust.
    I see an orphan, lawless and serene,
    standing in a corner of the sky,
    body something like bodies that have been,
    but not the scar of naming in his eye.
    Bred close to the ovens, he's burnt inside.
    Light, wind, cold, dark -- they use him like a bride.


    I Had It for a Moment

    I had it for a moment
    I knew why I must thank you
    I saw powerful governing men in black suits
    I saw them undressed
    in the arms of young mistresses
    the men more naked than the naked women
    the men crying quietly
    No that is not it
    I'm losing why I must thank you
    which means I'm left with pure longing
    How old are you
    Do you like your thighs
    I had it for a moment
    I had a reason for letting the picture
    of your mouth destroy my conversation
    Something on the radio
    the end of a Mexican song
    I saw the musicians getting paid
    they are not even surprised
    they knew it was only a job
    Now I've lost it completely
    A lot of people think you are beautiful
    How do I feel about that
    I have no feeling about that
    I had a wonderful reason for not merely
    courting you
    It was tied up with the newspapers
    I saw secret arrangements in high offices
    I saw men who loved their worldliness
    even though they had looked through
    big electric telescopes
    they still thought their worldliness was serious
    not just a hobby a taste a harmless affectation
    they thought the cosmos listened
    I was suddenly fearful
    one of their obscure regulations
    could separate us
    I was ready to beg for mercy
    Now I'm getting into humiliation
    I've lost why I began this
    I wanted to talk about your eyes
    I know nothing about your eyes
    and you've noticed how little I know
    I want you somewhere safe
    far from high offices
    I'll study you later
    So many people want to cry quietly beside you”
    Leonard Cohen, Flowers for Hitler

  • #24
    Gabriel García Márquez
    “He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves.”
    Gabriel García Márquez, Love in the Time of Cholera

  • #25
    Robert Frost
    “In three words I can sum up everything I've learned about life: it goes on.”
    Robert Frost

  • #26
    Elie Wiesel
    “The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it's indifference.”
    Elie Wiesel

  • #27
    Maya Angelou
    “You may not control all the events that happen to you, but you can decide not to be reduced by them.”
    Maya Angelou, Letter to My Daughter

  • #28
    Honoré de Balzac
    “The more one judges, the less one loves.”
    Honoré de Balzac, Physiologie Du Mariage: Ou Meditations De Philosophie Eclectique, Sur Le Bonheur Et Le Malheur Conjugal

  • #29
    Ernest Hemingway
    “All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.”
    Ernest Hemingway

  • #30
    Ernest Hemingway
    “The best way to find out if you can trust somebody is to trust them.”
    Ernest Hemingway



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