namnoc00 > namnoc00's Quotes

“. . . finally, I couldn't imagine how I could live without books, and I stopped dreaming about marrying that Chinese prince. . . .”
― Fyodor Dostoevsky, White Nights

“I like revisiting, at certain times, spots where I was once happy; I like to shape the present in the image of the irretrievable past.”
― Fyodor Dostoyevsky, White Nights

“May you be for ever blessed for that moment of bliss and happiness which you gave to another lonely and grateful heart. Isn't such a moment sufficient for the whole of one's life?”
― Fyodor Dostoyevsky, White Nights

“Part of the reason I actually preferred Twin Peaks's second season to its first was the fascinating spectacle of watching a narrative structure disintegrate and a narrative artist freeze up and try to shuck and jive when the plot reached a point where his own weaknesses as an artist were going to be exposed (just imagine the fear: this disintegration was happening on national TV).”
― David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

“When you don't know what you're living for, you don't care how you live from one day to the next. You're happy the day has passed and the night has come, and in your sleep you bury the tedious question of what you lived for that day and what you're going to live for tomorrow.”
― Ivan Goncharov, Oblomov

“Fiction is one of the few experiences where loneliness can be both confronted and relieved. Drugs, movies where stuff blows up, loud parties -- all these chase away loneliness by making me forget my name's Dave and I live in a one-by-one box of bone no other party can penetrate or know. Fiction, poetry, music, really deep serious sex, and, in various ways, religion -- these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.”
― David Foster Wallace

“If you worship money and things — if they are where you tap real meaning in life — then you will never have enough. Never feel you have enough. It’s the truth. Worship your own body and beauty and sexual allure and you will always feel ugly, and when time and age start showing, you will die a million deaths before they finally plant you. On one level, we all know this stuff already — it’s been codified as myths, proverbs, clichés, bromides, epigrams, parables: the skeleton of every great story. The trick is keeping the truth up-front in daily consciousness. Worship power — you will feel weak and afraid, and you will need ever more power over others to keep the fear at bay. Worship your intellect, being seen as smart — you will end up feeling stupid, a fraud, always on the verge of being found out. And so on.”
― David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

“Let everything that's been planned come true. Let them believe. And let them have a laugh at their passions. Because what they call passion actually is not some emotional energy, but just the friction between their souls and the outside world. And most important, let them believe in themselves. Let them be helpless like children, because weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it's tender and pliant. But when it's dry and hard, it dies. Hardness and strength are death's companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.”
― Andrei Tarkovsky

“When from out of error’s darkness
With a word both sure and ardent
I had drawn the fallen soul,
And you, filled with deepest torment,
Cursed the vice that had ensnared you
And so doing wrung your hands;
When, punishing with recollection
Forgetful conscience, you then told
The tale of all that went before me,
And suddenly you hid your face
In trembling hands and, filled with horror,
Filled with shame, dissolved in tears,
Indignant as you were, and shaken…
Etc., etc., etc.”
― Nikolay A. Nekrasov

“Il dort. Quoique le sort fut pour lui bien étrange,
Il vivait. Il mourut quand il n’eut plus son ange.
La choise simplement d’elle-même arriva.
Comme la nuit se fait lorsque le jour s’en va.

He is asleep. Though his mettle was sorely tried,
He lived, and when he lost his angel, died.
It happened calmly, on its own.
The way night comes when day is done.”
― Victor Hugo, Les Misérables

“What passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human [...] is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic.”
― David Foster Wallace, Infinite Jest

“If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.

You burn with hunger for food that does not exist.

A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.”
― David Foster Wallace

“[...] almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of 'psst' that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.”
― David Foster Wallace, Infinite Jest

“True heroism is minutes, hours, weeks, year upon year of the quiet, precise, judicious exercise of probity and care—with no one there to see or cheer. This is the world.”
― David Foster Wallace, The Pale King

“If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers—not all of whom are modern . . . I mean, if you are willing to make allowances for the way English has changed, you can go way, way back with this— becomes a source of unbelievable joy. It’s like eating candy for the soul. So probably the smart thing to say is that lucky people develop a relationship with a certain kind of art that becomes spiritual, almost religious, and doesn’t mean, you know, church stuff, but it means you’re just never the same.”
― David Foster Wallace, Quack This Way

“The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.
That is real freedom.
That is being taught how to think.
The alternative is unconsciousness, the default setting, the "rat race" — the constant, gnawing sense of having had and lost some infinite thing.”
― David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

“Verstiegenheit: Low-Bavarian for something like ‘wandering alone in blasted disorienting territory beyond all charted limits and orienting markers,’ supposedly.”
― David Foster Wallace, Infinite Jest

“Art should comfort the disturbed and disturb the comfortable.”
― Cesar A. Cruz

“Sometimes faith might just be a case of not havin nothin else left.”
― Cormac McCarthy, The Sunset Limited

“How does a man decide in what order to abandon his life?”
― Cormac McCarthy, No Country for Old Men

“A certain man once lost a diamond cuff-link in the wide blue sea, and twenty years later, on the exact day, a Friday apparently, he was eating a large fish - but there was no diamond inside. That’s what I like about coincidence.”
― Vladimir Nabokov, Laughter in the Dark

“I may not have amazing victories, but I can amaze you with the defeats that I came out of alive.”
― Anton Chekhov

“Where is the law that says people should do as they please?”
― Anton Chekhov, The Portable Chekhov

“From sunset she appeared,

Her cloak pierced by a bloom

Of unfamiliar climes.


She summoned me somewhere

Into the northern gloom

And aimless winter ice.


And bonfire burned 'mid night,

And with its tongues the blaze

Did lick the very skies.


The eyes flashed fiery light,

And falling as black snakes

The tresses were released.


And then the snakes encircled

My mind and lofty spirit

Lay spread upon the cross.


And in the snowdust's swirl

To black eyes I am true,

To beauty of the coils.

(untitled: "From sunset she appeared")”
― Alexander Blok, Silver Age of Russian Culture

“The mirror's light sparks in the eyes,

And horrified, my lids drawn tight,

I step back to that realm of night

Where not a single exit lies...

(Untitled: "I pass away this life of mine...")”
― Alexander Blok, Silver Age of Russian Culture

“How often we sit weeping — you
and I — over the life we lead!
My friends, if you only knew
the darkness of the days ahead!”
― Alexander Blok, Selected Poems

“Wings are freedom only when they are wide open in flight. On one's back they are a heavy weight.”
― Marina Tsvetaeva, Сводные тетради

“It is late now, I am a bit tired; the sky is irritated by stars. And I love you, I love you, I love you – and perhaps this is how the whole enormous world, shining all over, can be created – out of five vowels and three consonants.”
― Vladimir Nabokov, Letters to Vera

“The stars have not dealt me the worst they could do:
My pleasures are plenty, my troubles are two.
But oh, my two troubles they reave me of rest,
The brains in my head and the heart in my breast.

Oh, grant me the ease that is granted so free,
The birthright of multitudes, give it to me,
That relish their victuals and rest on their bed
With flint in the bosom and guts in the head.”
― A.E. Housman, A Shropshire Lad

“It’s tempting, emptiness.”
― Vladimir Nabokov, The Original of Laura