Jess Bae > Jess's Quotes

“Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.”
― Harper Lee, To Kill a Mockingbird

“The point of marriage is not to create a quick commonality by tearing down all boundaries; on the contrary, a good marriage is one in which each partner appoints the other to be the guardian of his solitude, and thus they show each other the greatest possible trust. A merging of two people is an impossibility, and where it seems to exist, it is a hemming-in, a mutual consent that robs one party or both parties of their fullest freedom and development. But once the realization is accepted that even between the closest people infinite distances exist, a marvelous living side-by-side can grow up for them, if they succeed in loving the expanse between them, which gives them the possibility of always seeing each other as a whole and before an immense sky.”
― Rainer Maria Rilke, Letters to a Young Poet

“I think you can only make statements like ‘She was pathological’ if you are absolutely sure of your own sanity, which I consider a morally unacceptable position.”
― Jacqueline Rose

“It is only in pain that a woman is capable of rising above mediocrity. Her resistance to pain is infinite; one can use and abuse it without any fear that she will die, as long as some childish physical cowardice or some religious hope keeps her from the suicide that offers her a way out.”
― Colette

“A woman claims as many native lands as she had happy love affairs, Likewise, she is born under every sky where she recovers from the pain of loving.”
― Colette

“To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy.

To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp.

To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower.

To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.”
― Colette, The Vagabond

“You know what charm is: a way of getting the answer yes without having asked any clear question.”
― Albert Camus, The Fall

“She gazed over at her mother and took a deep breath. Perhaps her mother had never shown Abby affection, not really, but she had given her a knack for solitude, with its terrible lurches outward, and its smooth glide back to peace. Abby would toast her for that. It was really the world that was one’s brutal mother, the one that nursed and neglected you, and your own mother was only your sibling in that world. Abby lifted her glass. “May the worst always be behind you. May the sun daily warm your arms.…” She looked down at her cocktail napkin for assistance, but there was only a cartoon of a big-chested colleen, two shamrocks over her breasts. Abby looked back up. God’s word is quick! “May your car always start—” But perhaps God might also begin with tall, slow words; the belly bloat of a fib; the distended tale. “And may you always have a clean shirt,” she continued, her voice growing gallant, public and loud, “and a holding roof, healthy children and good cabbages—and may you be with me in my heart, Mother, as you are now, in this place; always and forever—like a flaming light.”
― Lorrie Moore, Birds of America: Stories

“It must be pleasant to be occasionally guilty of a small abomination.”
― Éliphas Lévi, Transcendental Magic: Its Doctrine and Ritual

“Do you think any of us know how to love?! Do you think anybody would ever do anything if they waited until they knew how to love?! Do you think that babies would ever get made or meals cooked or crops planed or books written or what God-damn-have-you? Do you think people would even get out of bed in the morning if they waited until they knew how to love? You have had too much therapy. Or not enough. God knows how to love, kiddo. The rest of us are only good actors.

Forget love. Try good manners.”
― Rebecca Wells, Divine Secrets of the Ya-Ya Sisterhood

“Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionizing themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes in order to present this new scene in world history in time-honored disguise and borrowed language.”
― Karl Marx, The Eighteenth Brumaire of Louis Bonaparte