Jack > Jack's Quotes

Showing 1-30 of 95
« previous 1 3 4
sort by

  • #1
    Helen Garner
    “I realised I had a stream of thoughts about him which ran for the most part below conscious level. I noticed jets spurting up from this stream: comparisons with other relationships I knew of which had weathered massive changes and shifts of balance; small crumbs of hope he would find he missed the familiarity of my company, or that his gestures of comfort meant more than a gentle goodbye. I grieved for these hopes, and their hopelessness.”
    Helen Garner, Monkey Grip

  • #2
    Mark Twain
    “I have never let my schooling interfere with my education.”
    Mark Twain

  • #3
    Helen Garner
    “Do we identify with a criminal in that we too secretly long to be judged? Popularly, being ‘judgemental’ is ill thought of and resented. But what if we want our deeds, our natures, our very souls to be summed up and evaluated? A line to be drawn under our acts to date? A punishment declared, amends made, the slate wiped clean? A born-again Christian, trying to explain his new sense of freedom, once said to me, "All my debts are paid".”
    Helen Garner, Joe Cinque's Consolation: A True Story of Death, Grief and the Law

  • #4
    Helen Garner
    “But does psychological sophistication override a sense that some actions are just plain bad? How much of human behaviour, in the end, can one understand?”
    Helen Garner

  • #5
    Helen Garner
    “I had always thought that sorrow was the most exhausting of the emotions. Now I knew that it was anger.”
    Helen Garner, The Spare Room

  • #6
    Helen Garner
    “It was early summer. And everything, as it always does, began to heave and change.”
    Helen Garner, Monkey Grip

  • #7
    Dorothea Mackellar
    “I love a sunburnt country,
    A land of sweeping plains,
    Of ragged mountain ranges,
    Of droughts and flooding rains.
    I love her far horizons,
    I love her jewel-sea,
    Her beauty and her terror –
    The wide brown land for me!”
    Dorothea Mackellar, The Poems of Dorothea Mackellar

  • #8
    “The people are immensely likable— cheerful, extrovert, quick-witted, and unfailingly obliging. Their cities are safe and clean and nearly always built on water. They have a society that is prosperous, well ordered, and instinctively egalitarian. The food is excellent. The beer is cold. The sun nearly always shines. There is coffee on every corner. Life doesn't get much better than this.”
    Bill Bryson, In a Sunburned Country

  • #9
    Helen Garner
    “The two big cities of Australia are tonally as distinct from each other as Boston is from L.A. or Lyon from Marseilles.”
    Helen Garner

  • #10
    Helen Garner
    “Australians used to love to joke about the awfulness of their capital city, its social bleakness, its provinciality, its grandiose, curvaceous street design in which the visitor strives in vain to orient himself. But because I had spent many happy student holidays in Canberra in the 1960s, as the guest of a family I was deeply fond of, I had always loved the place, found it beautiful with its cloudless skies and dry air, and looked forward to every visit; but now, with my new sombre purpose, it seemed to change its nature.”
    Helen Garner, Joe Cinque's Consolation: A True Story of Death, Grief and the Law

  • #11
    Elizabeth Harrower
    “For five days the city had wilted under a hard sky, sweltering in a temperature that stayed fixed in the middle nineties. Even at night there was no relief from the heat. Pyjamas and nighties stuck clammily to damp skin. Half-clad, self-pitying figures rose, exasperated by insomnia, to stumble through darkened rooms in search of a cooler plot than their bed, hoping that, all accidentally, they might waken any gross sleeper the house contained. Cold water ran hot from the taps, and the roads turned to tar.”
    Elizabeth Harrower, Down in the City

  • #12
    Helen Garner
    “I remembered only the good and loveable things about him, not the wretchedness he caused me, and the dope, and the resentments and silence and the half-crazy outbursts. I remembered his smell and the colour of his eyes and his head thrown back to laugh; these things were a second away, in time, but the others I dredged up dutifully, knowing that I must, for the sake of truth and sanity, try to keep a balance.”
    Helen Garner, Monkey Grip

  • #13
    Elizabeth Harrower
    “So they had all had more troubles than she. Did that really make them superior? If two men were walking along the street and a brick fell on one, missing the other, did that make the injured one a better person?”
    Elizabeth Harrower

  • #14
    Elizabeth Harrower
    “What I do understand is that at any point in a woman’s life she may come across something like a cement pyramid in the middle of the road. Another person. People. She’s capable of sitting there, convinced that it would be impossible to forsake her position, till it becomes a private Thermopylae. This sort of block was probably designed for the survival of our species, but the cost’s high. What makes men superior is that they don’t – on the whole – stop functioning forever because of another person . . . .”
    Elizabeth Harrower, In Certain Circles

  • #15
    “So it went, a step at a time. And since we saw each other every night; since each increment of change was unspectacular in itself; since he made love very, very well; since I was soon crazy about him, not just physically, but especially so, it came about that I found myself – after the time span of a mere two weeks – in a setup that would be judged, by the people I know, as pathological.

    It never occurred to me to call it pathological. I never called “it” anything. I told no one about it. That it was me who lived through this period seems, in retrospect, unthinkable. I dare only look back on those weeks as on an isolated phenomenon, now in the past; a segment of my life as unreal as a dream, lacking all implication.”
    Elizabeth McNeill, Nine and a Half Weeks: A Memoir of a Love Affair

  • #16
    André Aciman
    “We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!”
    Andre Aciman, Call Me by Your Name

  • #17
    Philip Roth
    “There is no life without patience.”
    Philip Roth, The Ghost Writer

  • #18
    Hugh Mackay
    “Our own brand of democracy has reached a point in its evolution where we expect ruthless, self-protective pragmatism from our politicians, rather than idealism; where noble sentiments are likely to be dismissed as the 'vision thing'; where winning is everything, civility is in short supply, and the lack of respect between political opponents - sometimes amounting almost to loathing - only serves to reinforce voters' cynicism about all of them (a cynicism deepened when voters occasionally learn that some of these combatants are actually quite friendly with each other offstage).”
    Hugh Mackay, Australia Reimagined: Towards a More Compassionate, Less Anxious Society

  • #19
    Hugh Mackay
    “Socrates said that personal fame counts for nothing if your life isn't itself of virtue, and the same goes for political power. We could certainly demand more virtue from our politicians, starting with a more respectful attitude towards each other as legitimately elected members of parliament, and an inflexible commitment to always telling the truth.”
    Hugh Mackay, Australia Reimagined: Towards a More Compassionate, Less Anxious Society

  • #20
    Thomas Hardy
    “He had, he verily believed, overcome all tendency to fly to liquor - which, indeed, he had never done from taste, but merely as an escape from intolerable misery of the mind.”
    Thomas Hardy

  • #21
    George Orwell
    “For, after all, how do we know that two and two make four? Or that the force of gravity works? Or that the past is unchangeable? If both the past and the external world exist only in the mind, and if the mind itself is controllable – what then?”
    George Orwell, 1984

  • #22
    George Orwell
    “Under the spreading chestnut tree I sold you and you sold me:
    There lie they, and here lie we
    Under the spreading chestnut tree.”
    George Orwell, 1984

  • #23
    Mark Fisher
    “Capitalist realism insists on treating mental health as if it were a natural fact, like weather (but, then again, weather is no longer a natural fact so much as a political-economic effect). In the 1960s and 1970s, radical theory and politics (Laing, Foucault, Deleuze and Guattari, etc.) coalesced around extreme mental conditions such as schizophrenia, arguing, for instance, that madness was not a natural, but a political, category. But what is needed now is a politicization of much more common disorders. Indeed, it is their very commonness which is the issue: in Britain, depression is now the condition that is most treated by the NHS. In his book The Selfish Capitalist, Oliver James has convincingly posited a correlation between rising rates of mental distress and the neoliberal mode of capitalism practiced in countries like Britain, the USA and Australia. In line with James’s claims, I want to argue that it is necessary to reframe the growing problem of stress (and distress) in capitalist societies. Instead of treating it as incumbent on individuals to resolve their own psychological distress, instead, that is, of accepting the vast privatization of stress that has taken place over the last thirty years, we need to ask: how has it become acceptable that so many people, and especially so many young people, are ill?”
    Mark Fisher, Capitalist Realism: Is There No Alternative?

  • #24
    Thomas Mann
    “The observations and encounters of a solitary, taciturn man are vaguer and at the same times more intense than those of a sociable man; his thoughts are deeper, odder and never without a touch of sadness. Images and perceptions that could be dismissed with a glance, a laugh, an exchange of opinions, occupy him unduly, become more intense in the silence, become significant, become an experience, an adventure, an emotion. Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd and the forbidden.”
    Thomas Mann, Death in Venice

  • #25
    Neil Postman
    “We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.

    But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.

    What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us.

    This book is about the possibility that Huxley, not Orwell, was right.”
    Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

  • #26
    Camille Paglia
    “Everything is melting in nature. We think we see objects, but our eyes are slow and partial. Nature is blooming and withering in long puffy respirations, rising and falling in oceanic wave-motion. A mind that opened itself fully to nature without sentimental preconception would be glutted by nature’s coarse materialism, its relentless superfluity. An apple tree laden with fruit: how peaceful, how picturesque. But remove the rosy filter of humanism from our gaze and look again. See nature spuming and frothing, its mad spermatic bubbles endlessly spilling out and smashing in that inhuman round of waste, rot, and carnage. From the jammed glassy cells of sea roe to the feathery spores poured into the air from bursting green pods, nature is a festering hornet’s nest of aggression and overkill. This is the chthonian black magic with which we are infected as sexual beings; this is the daemonic identity that Christianity so inadequately defines as original sin and thinks it can cleanse us of. Procreative woman is the most troublesome obstacle to Christianity’s claim to catholicity, testified by its wishful doctrines of Immaculate Conception and Virgin Birth. The procreativeness of chthonian nature is an obstacle to all of western metaphysics and to each man in his quest for identity against his mother. Nature is the seething excess of being.”
    Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

  • #27
    Virginia Woolf
    “But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollow of the wave.”
    Virginia Woolf, To the Lighthouse

  • #28
    Camille Paglia
    “Eroticism is mystique; that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.”
    Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

  • #29
    Camille Paglia
    “Nature is always pulling the rug out from under our pompous ideals.”
    Camille Paglia, Sexual Personae

  • #30
    Camille Paglia
    “The idea that the stars literally influence men (by a falling fluid, an influenza) is plainly untenable. But that the movements of the constellations are a clock by which earthly changes can be measured is less easy to dismiss.”
    Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson



Rss
« previous 1 3 4