Elvy > Elvy's Quotes

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  • #2
    Markus Zusak
    “She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers...She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on...”
    Markus Zusak, The Book Thief

  • #3
    Markus Zusak
    “How about a kiss, Saumensch?"

    He stood waist-deep in the water for a few moments longer before climbing out and handing her the book. His pants clung to him, and he did not stop walking. In truth, I think he was afraid. Rudy Steiner was scared of the book thief's kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.”
    Markus Zusak, The Book Thief

  • #4
    Rainbow Rowell
    “In new situations, all the trickiest rules are the ones nobody bothers to explain to you. (And the ones you can't Google.)”
    Rainbow Rowell, Fangirl

  • #5
    Rainbow Rowell
    “Underneath this veneer of slightly crazy and mildly socially retarded, I'm a complete disaster.”
    Rainbow Rowell, Fangirl

  • #6
    John Fowles
    “I hate the uneducated and the ignorant. I hate the pompous and the phoney. I hate the jealous and the resentful. I hate the crabbed and mean and the petty. I hate all ordinary dull little people who aren't ashamed of being dull and little.”
    John Fowles, The Collector

  • #7
    Erin Morgenstern
    “Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours.”
    Erin Morgenstern, The Night Circus

  • #8
    Erin Morgenstern
    “The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not.”
    Erin Morgenstern, The Night Circus

  • #9
    J.R.R. Tolkien
    “All that is gold does not glitter,
    Not all those who wander are lost;
    The old that is strong does not wither,
    Deep roots are not reached by the frost.

    From the ashes a fire shall be woken,
    A light from the shadows shall spring;
    Renewed shall be blade that was broken,
    The crownless again shall be king.”
    J.R.R. Tolkien, The Fellowship of the Ring

  • #10
    Bret Easton Ellis
    “…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….”
    Bret Easton Ellis, American Psycho

  • #11
    Bret Easton Ellis
    “I stare into a thin, web-like crack above the urinal's handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone. No... one... would... care. In fact some, if they noticed my absence, might feel an odd, indefinable sense of relief. This is true: the world is better off with some people gone. Our lives are not all interconnected. That theory is crock. Some people truly do not need to be here.”
    Bret Easton Ellis, American Psycho

  • #12
    Bret Easton Ellis
    “Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s own taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface, was all that anyone found meaning in…this was civilization as I saw it, colossal and jagged…”
    Bret Easton Ellis, American Psycho

  • #13
    Bret Easton Ellis
    “This is not an exit.”
    Bret Easton Ellis, American Psycho

  • #14
    Bret Easton Ellis
    “There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.”
    Bret Easton Ellis, American Psycho

  • #15
    Bret Easton Ellis
    “I like to dissect girls. Did you know I'm utterly insane?”
    Bret Easton Ellis, American Psycho

  • #16
    Bret Easton Ellis
    “Everything failed to subdue me. Soon everything seemed dull: another sunrise, the lives of heroes, falling in love, war, the discoveries people made about each other. The only thing that didn't bore me, obviously enough, was how much money Tim Price made, and yet in its obviousness it did. There wasn't a clear, identifiable emotion within me, except for greed and, possibly, total disgust. I had all the characteristics of a human being - flesh, blood, skin, hair - but my depersonalization was so intense, had gone so deep, that the normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning. Something horrible was happening and yet I couldn't figure out why - I couldn't put my finger on it.”
    Bret Easton Ellis, American Psycho

  • #17
    Ray Bradbury
    “Death doesn't exist. It never did, it never will. But we've drawn so many pictures of it, so many years, trying to pin it down, comprehend it, we've got to thinking of it as an entity, strangely alive and greedy. All it is, however, is a stopped watch, a loss, an end, a darkness. Nothing.”
    Ray Bradbury, Something Wicked This Way Comes

  • #18
    Ray Bradbury
    “Too late, I found you can't wait to become perfect, you got to go out and fall down and get up with everybody else.”
    Ray Bradbury, Something Wicked This Way Comes

  • #19
    Ray Bradbury
    “Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead – And wasn’t it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time...”
    Ray Bradbury, Something Wicked This Way Comes

  • #20
    Ray Bradbury
    “Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men envy and often hate these warm clocks, these wives, who know they will live forever.”
    Ray Bradbury, Something Wicked This Way Comes

  • #21
    Ray Bradbury
    “Everything that happens before Death is what counts.”
    Ray Bradbury, Something Wicked This Way Comes

  • #22
    Ray Bradbury
    “Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.”
    Ray Bradbury, Something Wicked This Way Comes

  • #23
    Ray Bradbury
    “Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience.”
    Ray Bradbury, Something Wicked This Way Comes

  • #24
    Albert Camus
    “I explained to him, however, that my nature was such that my physical needs often got in the way of my feelings.”
    Albert Camus, The Stranger

  • #25
    Albert Camus
    “He wasn’t even sure he was alive, because he was living like a dead man. Whereas it looked as if I was the one who’d come up emptyhanded. But I was sure about me, about everything, surer than he could ever be, sure of my life and sure of my death I had waiting for me… I had been right, I was still right, I was always right. I had lived my life one way and I could just as well have lived it another. I had done this and I hadn’t done that… Nothing, nothing mattered, and I knew why. So did he. Throughout the whole absurd life I’ve lived, a dark wind had been rising toward me from somewhere deep in my future, across years that were still to come, and as it passed, this wind leveled whatever was offered to me at the time, in years no more real than the ones I was living. What did other people’s deaths or a mother’s love matter to me; what did his God or the lives people choose or the fate they think they elect matter to me when we’re all elected by the same fate, me and billions of privileged people like him who also called themselves my brothers?”
    Albert Camus, The Stranger

  • #26
    Albert Camus
    “In the midst of winter, I found there was, within me, an invincible summer.

    And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.”
    Albert Camus

  • #27
    Albert Camus
    “Don’t walk in front of me… I may not follow
    Don’t walk behind me… I may not lead
    Walk beside me… just be my friend”
    Albert Camus

  • #28
    Neil Gaiman
    “Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up.”
    Neil Gaiman, The Sandman, Vol. 9: The Kindly Ones

  • #29
    Mark Twain
    “Never put off till tomorrow what may be done day after tomorrow just as well.”
    Mark Twain

  • #30
    Leigh Bardugo
    “The water hears and understands. The ice does not forgive.”
    Leigh Bardugo, Six of Crows

  • #31
    Leigh Bardugo
    “No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.”
    Leigh Bardugo, Crooked Kingdom



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