Julia Provost > Julia's Quotes

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  • #1
    Suzanne Collins
    “Peeta, how come I never know when you're having a nightmare?” I say.

    “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says.

    “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.

    “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.”
    Suzanne Collins, Catching Fire

  • #2
    Suzanne Collins
    “At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?"
    "That's right." Then I think of something to add. "And yours is orange."
    "Orange?" He seems unconvinced.
    "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."
    "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."
    But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces."
    Then I dive into my tent before I do something stupid like cry.”
    Suzanne Collins, Mockingjay

  • #3
    Suzanne Collins
    “You love me. Real or not real?"
    I tell him, "Real.”
    Suzanne Collins, Mockingjay

  • #4
    Suzanne Collins
    “I wish I could freeze this moment, right here, right now and live in it forever.”
    Suzanne Collins, Catching Fire

  • #5
    Suzanne Collins
    “I realize only one person will be damaged beyond repair if Peeta dies. Me.”
    Suzanne Collins, Catching Fire

  • #6
    Suzanne Collins
    “One more time? For the audience?" he says. His voice isn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me.
    I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.”
    Suzanne Collins, The Hunger Games

  • #7
    Suzanne Collins
    “Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.”
    Suzanne Collins, Mockingjay

  • #8
    Suzanne Collins
    “I think....you still have no idea. The effect you can have.”
    Suzanne Collins, Mockingjay

  • #9
    Suzanne Collins
    “You have a... remarkable memory."
    "I remember everything about you. You're the one who wasn't paying attention.”
    Suzanne Collins, The Hunger Games

  • #10
    Suzanne Collins
    “I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock.

    “Let me go!” I snarl at him, trying to wrest my arm from his grasp.

    “I can’t,” he says.”
    Suzanne Collins, Mockingjay

  • #11
    Suzanne Collins
    “Katniss. I remember about the bread.”
    Suzanne Collins, Mockingjay

  • #12
    Suzanne Collins
    “No. Now, shut up and eat your pears.”
    Suzanne Collins, The Hunger Games

  • #13
    Suzanne Collins
    “You're still trying to protect me. Real or not real," he whispers.
    "Real," I answer. "Because that's what you and I do, protect each other.”
    Suzanne Collins, Mockingjay

  • #14
    Suzanne Collins
    “You here to finish me off, Sweetheart?”
    Suzanne Collins, The Hunger Games

  • #15
    Suzanne Collins
    “To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed.”
    Suzanne Collins, The Hunger Games

  • #16
    Suzanne Collins
    “Maybe I'd think that, too, Caesar," says Petta bitterly, "if it weren't for the baby."
    There. He's done it again.”
    Suzanne Collins, Catching Fire

  • #17
    Suzanne Collins
    “Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him, "Real.”
    Suzanne Collins, Mockingjay

  • #18
    Suzanne Collins
    “Stay with me." As the tendrils of sleep syrup pull me down, I hear him whisper a word back, but I don't quite catch it.”
    Suzanne Collins, Catching Fire

  • #19
    Karen M. McManus
    “I stand and hold out my hand. She gives me a skeptical look, but takes it and lets me pull her to her feet. I put my other hand in the air. 'Bronwyn Rojas, I solemnly swear not to murder you today or at any point in the future. Deal?'
    'You're ridiculous,' she mutters, going even redder.
    'It concerns me you're avoiding a promise not to murder me.”
    Karen M. McManus, One of Us Is Lying

  • #20
    Karen M. McManus
    “I want to kiss her more than I want air.”
    Karen M. McManus, One of Us Is Lying

  • #21
    Karen M. McManus
    “She's a princess and you're a jock," he says. He thrusts his chin toward Bronwyn, then at Nate. "And you're a brain. And you're a criminal. You're all walking teen-movie stereotypes.”
    Karen M. McManus, One of Us Is Lying

  • #22
    Karen M. McManus
    “Bronwyn: Well, I'd like to try. I f you want to. Not because we're thrown together in this weird situation and I think you're hot, altough I do. But because you're smart, and funny, and you do the right thing more often than you give youerself credit for. I like your horrible taste in movies and the way you never sugarcoat anything and the fact that you have an actual lizard. I'd be proud to be your girlfriend, even in a nonoffical capacity while we're, you know, being investigated for murder. Plus, I can't go more than a few minutes without wanting to kis you, so - there's that.

    Nate: You're doing better than me. I never stop thinking about kissing you.”
    Karen M. McManus, One of Us Is Lying

  • #23
    Stephen  King
    “We lie best when we lie to ourselves.”
    Stephen King, It

  • #24
    Stephen  King
    “Maybe there aren't any such things as good friends or bad friends - maybe there are just friends, people who stand by you when you're hurt and who help you feel not so lonely. Maybe they're always worth being scared for, and hoping for, and living for. Maybe worth dying for too, if that's what has to be. No good friends. No bad friends. Only people you want, need to be with; people who build their houses in your heart.”
    Stephen King, It

  • #25
    Stephen  King
    “Calling it a simple schoolgirl crush was like saying a Rolls-Royce was a vehicle with four wheels, something like a hay-wagon. She did not giggle wildly and blush when she saw him, nor did she chalk his name on trees or write it on the walls of the Kissing Bridge. She simply lived with his face in her heart all the time, a kind of sweet, hurtful ache. She would have died for him..”
    Stephen King, It

  • #26
    Stephen  King
    “What can be done when you’re eleven can often never be done again.”
    Stephen King, It

  • #27
    Stephen  King
    “Everything's a lot tougher when it's for real. That's when you choke. When it's for real.”
    Stephen King, It

  • #28
    Stephen  King
    “He thrusts his fists against the posts and still insists he sees the ghosts”
    Stephen King, It



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