sri > sri's Quotes

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  • #1
    “She walked with darkness dripping off her shoulders, I've seen ghosts brighter than her soul.”
    VaZaki Nada

  • #2
    Elisabeth Hewer
    “Look to your kingdoms—
    I am coming for them all.”
    Elisabeth Hewer, Wishing for Birds

  • #3
    Arundhati Roy
    “She wore flowers in her hair and carried magic secrets in her eyes. She spoke to no one. She spent hours on the riverbank. She smoked cigarettes and had midnight swims...”
    Arundhati Roy, The God of Small Things

  • #4
    James Baldwin
    “All of us know, whether or not we are able to admit it, that mirrors can only lie, that death by drowning is all that awaits one there. It is for this reason that love is so desperately sought and so cunningly avoided. Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word "love" here not merely in the personal sense but as a state of being, or a state of grace--not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
    James Baldwin, The Fire Next Time

  • #5
    Amal El-Mohtar
    “But when I think of you, I want to be alone together. I want to strive against and for. I want to live in contact. I want to be a context for you, and you for me.

    I love you, and I love you, and I want to find out what that means together.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #6
    Amal El-Mohtar
    “I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #7
    Amal El-Mohtar
    “At the end as at the start, and through all the in-betweens, I love you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #8
    Ocean Vuong
    “& remember, loneliness is still time spent with the world.”
    Ocean Vuong, Night Sky with Exit Wounds

  • #9
    Ocean Vuong
    “When they ask you where you’re from, tell them your name was fleshed from the toothless mouth of a war-woman. That you were not born but crawled, headfirst— into the hunger of dogs. My son, tell them the body is a blade that sharpens by cutting.”
    Ocean Vuong, Night Sky with Exit Wounds

  • #10
    Ocean Vuong
    “what becomes of the shepherd / when the sheep are cannibals?”
    Ocean Vuong, Night Sky with Exit Wounds

  • #11
    Frantz Fanon
    “In the World through which I travel, I am endlessly creating myself.”
    Frantz Fanon

  • #12
    Frantz Fanon
    “O my body, make of me always a man who questions!”
    Frantz Fanon, Black Skin, White Masks

  • #13
    Frantz Fanon
    “Imperialism leaves behind germs of rot which we must clinically detect and remove from our land but from our minds as well.”
    Frantz Fanon

  • #14
    Frantz Fanon
    “What matters is not to know the world but to change it.”
    Frantz Fanon, Black Skin, White Masks

  • #15
    Frantz Fanon
    “Each generation must, out of relative obscurity, discover its mission, fulfill it, or betray it.

    Frantz Fanon

  • #16
    Frantz Fanon
    “Violence is man re-creating himself. ”
    Frantz Fanon

  • #17
    Frantz Fanon
    “Mastery of language affords remarkable power.”
    Frantz Fanon

  • #18
    Ursula K. Le Guin
    “Love doesn't just sit there, like a stone, it has to be made, like bread; remade all the time, made new.”
    Ursula K. Le Guin, The Lathe of Heaven

  • #19
    Fariha Róisín
    “The greatest scam is colonization. The greatest scam is us believing that you’re better than us, when you stole all that we were and sold it back, convincing us of our inferiority, spitting on our graves.”
    Fariha Roisin, How to Cure a Ghost

  • #20
    Ilya Kaminsky
    “At the trial of God, we will ask: why did you allow all this?
    And the answer will be an echo: why did you allow all this?”
    Ilya Kaminsky, Deaf Republic

  • #21
    Peng Shepherd
    “There’s a difference between when the mind forgets and the heart does.”
    Peng Shepherd

  • #22
    Ursula K. Le Guin
    “Modernist manuals of writing often conflate story with conflict. This reductionism reflects a culture that inflates aggression and competition while cultivating ignorance of other behavioral options. No narrative of any complexity can be built on or reduced to a single element. Conflict is one kind of behavior. There are others, equally important in any human life, such as relating, finding, losing, bearing, discovering, parting, changing. Change is the universal aspect of all these sources of story. Story is something moving, something happening, something or somebody changing.”
    Ursula K. Le Guin



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