Mr.garfield > Mr.garfield's Quotes

“The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.”
― Jane Austen, Northanger Abbey

“For he that does good, having the unlimited power to do evil, deserves praise not only for the good which he performs, but for the evil which he forbears.”
― Walter Scott, Ivanhoe

“...the air so still it aches like the place where the tooth was on the morning after you’ve been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened.”
― Robert Penn Warren, All the King's Men

“A spider lives inside my head
Who weaves a strange and wondrous web
Of silken threads and silver strings
To catch all sorts of flying things,
Like crumbs of thoughts and bits of smiles
And specks of dried-up tears,
And dust of dreams that catch and cling
For years and years and years...”
― Shel Silverstein, Every Thing on It

“It is only a novel... or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language”
― Jane Austen, Northanger Abbey

“Absence diminishes small loves and increases great ones, as the wind blows out the candle and fans the bonfire.”
― Francois Duc de la Rochefoucauld, Maxims

“When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others. That is what the world calls a romance.”
― Oscar Wilde, The Picture of Dorian Gray

“Critics who treat 'adult' as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.”
― C.S. Lewis

“Who can know how much of his most inward life is made up of the thoughts he believes other men to have about him, until that fabric of opinion is threatened with ruin?”
― George Eliot, Middlemarch

“The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.”
― Ray Bradbury, Fahrenheit 451

“But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
― George Eliot, Middlemarch

“When one sees a perfect woman, one never thinks of her attributes--one is conscious of her presence.”
― George Eliot, Middlemarch

“He stepped down, trying not to look long at her, as if she were the sun, yet he saw her, like the sun, even without looking.”
― Leo Tolstoy, Anna Karenina

“Facts do not find their way into the world in which our beliefs reside; they did not produce our beliefs, they do not destroy them; they may inflict on them the most constant refutations without weakening them, and an avalanche of afflictions or ailments succeeding one another without interruption in a family will not make it doubt the goodness of its God or the talent of its doctor.”
― Marcel Proust, Swann’s Way

“I loved her [Gilberte]; I was sorry not to have had the time and the inspiration to insult her, to hurt her, to force her to keep some memory of me. I thought her so beautiful that I should have liked to be able to retrace my steps so as to shake my fist at her and shout, "I think you're hideous, grotesque; how I loathe you!"_”
― Marcel Proust, Swann’s Way

“But, when nothing subsists of an old past, after the death of people, after the destruction of things, alone, frailer but more enduring, more immaterial, more persistent, more faithful, smell and taste still remain for a long time, like souls, remembering, waiting, hoping, on the ruin of all the rest, bearing without giving way, on their almost impalpable droplet, the immense edifice of memory.”
― Marcel Proust, Swann’s Way

“People who, not being in love themselves, feel that a clever man should only be unhappy about a person who is worth his while; which is rather like being astonished that anyone should condescend to die of cholera at the bidding of so insignificant a creature as the comma bacillus.”
― Marcel Proust, Swann’s Way

“Her dark eyes shone, and since I did not know then, nor have I learned since, how to reduce a strong impression to its objective elements, since I did not have enough “power of observation,” as they say, to isolate the notion of their color, for a long time afterward, whenever I thought of her again, the memory of their brilliance would immediately present itself to me as that of a vivid azure, since she was blonde: so that, perhaps if she had not had such dark eyes—which struck one so the first time one saw her—I would not have been, as I was, in love most particularly with her blue eyes.”
― Marcel Proust, Swann’s Way

“But all the feelings we are made to experience by the joy or the misfortune of a real person are produced in us only through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist consisted in understanding that in the apparatus of our emotions, the image being the only essential element, the simplification that would consist in purely and simply abolishing real people would be a decisive improvement. A real human being, however profoundly we sympathize with him, is in large part perceived by our senses, that is to say, remains opaque to us, presents a dead weight which our sensibility cannot lift. If a calamity should strike him, it is only in a small part of the total notion we have of him that we will be able to be moved by this; even more, it is only in a part of the total notion he has of himself that he will be able to be moved himself. The novelist’s happy discovery was to have the idea of replacing these parts, impenetrable to the soul, by an equal quantity of immaterial parts, that is to say, parts which our soul can assimilate. What does it matter thenceforth if the actions, and the emotions, of this new order of creatures seem to us true, since we have made them ours, since it is within us that they occur, that they hold within their control, as we feverishly turn the pages of the book, the rapidity of our breathing and the intensity of our gaze. And once the novelist has put us in that state, in which, as in all purely internal states, every emotion is multiplied tenfold, in which his book will disturb us as might a dream but a dream more lucid than those we have while sleeping and whose memory will last longer, then see how he provokes in us within one hour all possible happinesses and all possible unhappinesses just a few of which we would spend years of our lives coming to know and the most intense of which would never be revealed to us because the slowness with which they occur prevents us from perceiving them (thus our heart changes, in life, and it is the worst pain; but we know it only through reading, through our imagination: in reality it changes, as certain natural phenomena occur, slowly enough so that, if we are able to observe successively each of its different states, in return we are spared the actual sensation of change).”
― Marcel Proust, Swann’s Way

“I always deserve the best treatment because I never put up with any other.”
― Jane Austen, Emma

“There are people, who the more you do for them, the less they will do for themselves.”
― Jane Austen, Emma

“The theatre of all my actions is fallen," said an antique personage when his chief friend was dead; and they are fortunate who get a theatre where the audience demands their best.”
― George Eliot, Middlemarch

“I don't make myself disagreeable; it is you who find me so. Disagreeable is a word that describes your feelings and not my actions.”
― George Eliot, Middlemarch

“He distrusted her affection; and what loneliness is more lonely than distrust.”
― George Eliot, Middlemarch

“But indefinite visions of ambition are weak against the ease of doing what is habitual or beguilingly agreeable; and we all know the difficulty of carrying out a resolve when we secretly long that it may turn out to be unnecessary. In such states of mind the most incredulous person has a private leaning towards miracle: impossible to conceive how our wish could be fulfilled, still - very wonderful things have happened!”
― George Eliot, Middlemarch

“....whatever else remained the same, the light had changed, and you cannot find the pearly dawn at noonday. The fact is unalterable, that a fellow-mortal with whose nature you are acquainted solely through the brief entrances and exits of a few imaginative weeks called courtship, may, when seen in the continuity of married companionship, be disclosed as something better or worse than what you have preconceived, but will certainly not appear altogether the same.”
― George Eliot, Middlemarch

“For in the multitude of middle-aged men who go about their vocations in a daily course determined for them much in the same way as the tie of their cravats, there is always a good number who once meant to shape their own deeds and alter the world a little. The story of their coming to be shapen after the average and fit to be packed by the gross, is hardly ever told even in their consciousness; for perhaps their ardour in generous unpaid toil cooled as imperceptibly as the ardour of other youthful loves, till one day their earlier self walked like a ghost in its old home and made the new furniture ghastly.”
― George Eliot, Middlemarch

“So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea.”
― Virginia Woolf, To the Lighthouse

“He smiled the most exquisite smile, veiled by memory, tinged by dreams.”
― Virginia Woolf, To the Lighthouse

“The process which had begun in her - and in he a little earlier only than it must come to all of us - was the great renunciation of old age as it prepared for death, wraps itself up in its chrysalis, which may be observed at the end of lives that are at all prolonged, even in old lovers who have lived for one another, in old friends bound by the closest ties of mutual sympathy, who, after a certain year, cease to make the necessary journey or even to cross the street to see one another, cease to correspond, and know that they will communicate no more in this world.”
― Marcel Proust, Swann’s Way