Crystal > Crystal's Quotes

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  • #1
    “Mirrors on the ceiling,
    The pink champagne on ice
    And she said 'We are all just prisoners here, of our own device'
    And in the master's chambers,
    They gathered for the feast
    They stab it with their steely knives,
    But they just can't kill the beast

    Last thing I remember, I was
    Running for the door
    I had to find the passage back
    To the place I was before
    'Relax,' said the night man,
    'We are programmed to receive.
    You can check out any time you like,
    But you can never leave ...”
    The Eagles, Hotel California

  • #2
    Charles Bukowski
    “I sit here
    drunk now.
    I am
    a series of
    small victories
    and large defeats
    and I am as
    amazed
    as any other
    that
    I have gotten
    from there to
    here
    without committing murder
    or being
    murdered;
    without
    having ended up in the
    madhouse.

    as I drink alone
    again tonight
    my soul despite all the past
    agony
    thanks all the gods
    who were not
    there
    for me
    then.”
    Charles Bukowski, The People Look Like Flowers at Last

  • #3
    Daphne du Maurier
    “We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the cracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass.

    And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how in that moment I have aged, and passed on, how I have advanced one step towards an unknown destiny.

    We smile, we choose our lunch, we speak of this and that, but - I say to myself-I am not she who left him five minutes ago. She has stayed behind. I am another woman, older, more mature…”
    Daphne du Maurier
    tags: time

  • #4
    William Stafford
    “A Ritual to Read to Each Other


    If you don’t know the kind of person I am
    and I don’t know the kind of person you are
    a pattern that others made may prevail in the world
    and following the wrong god home we may miss our star.

    For there is many a small betrayal in the mind,
    a shrug that lets the fragile sequence break
    sending with shouts the horrible errors of childhood
    storming out to play through the broken dyke.

    And as elephants parade holding each elephant’s tail,
    but if one wanders the circus won’t find the park,
    I call it cruel and maybe the root of all cruelty
    to know what occurs but not recognize the fact.

    And so I appeal to a voice, to something shadowy,
    a remote important region in all who talk:
    though we could fool each other, we should consider---
    lest the parade of our mutual life get lost in the dark.

    For it is important that awake people be awake,
    or a breaking line may discourage them back to sleep;
    the signals we give---yes or no, or maybe---
    should be clear: the darkness around us is deep.”
    William Stafford

  • #5
    Charlotte Brontë
    “They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger — look at his state when left alone; remember his headlong nature; consider the recklessness following on despair — soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for you? or who will be injured by what you do?"

    Still indomitable was the reply — "I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad — as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth — so I have always believed; and if I cannot believe it now, it is because I am quite insane — quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have this hour to stand by: there I plant my foot.”
    Charlotte Brontë, Jane Eyre

  • #6
    Neil Young
    “Once I thought I saw you
    in a crowded hazy bar,
    Dancing on the light
    from star to star.
    Far across the moonbeam
    I know that's who you are,
    I saw your brown eyes
    turning once to fire.

    You are like a hurricane
    There's calm in your eye.
    And I'm gettin' blown away
    To somewhere safer
    where the feeling stays.
    I want to love you but
    I'm getting blown away.

    I am just a dreamer,
    but you are just a dream,
    You could have been
    anyone to me.
    Before that moment
    you touched my lips
    That perfect feeling
    when time just slips
    Away between us
    on our foggy trip.

    You are like a hurricane
    There's calm in your eye.
    And I'm gettin' blown away
    To somewhere safer
    where the feeling stays.
    I want to love you but
    I'm getting blown away.

    You are just a dreamer,
    and I am just a dream.
    You could have been
    anyone to me.
    Before that moment
    you touched my lips
    That perfect feeling
    when time just slips
    Away between us
    on our foggy trip.

    You are like a hurricane
    There's calm in your eye.
    And I'm gettin' blown away
    To somewhere safer
    where the feeling stays.
    I want to love you but
    I'm getting blown away.

    The song was written in July 1975 after Young had just undergone an operation on his vocal chords after a cocaine-fueled night with friend. "We were all really high, fucked up. Been out partying. Wrote it sitting up at Vista Point on Skyline. Supposed to be the highest point in San Mateo County, which was appropriate. I wrote it when I couldn't sing. I was on voice rest. It was nuts - I was whistling it.

    I wrote a lot of songs when I couldn't talk.”
    Neil Young

  • #7
    Richard Kadrey
    “When you're facing down multiple attackers, you always want to make the first move. It lets them know that you're ready to fight and that you're crazy enough to get the party started. One rule of thumb in fighting is that crazy can often overcome skill and numbers, because, while a trained fighter might actually enjoy going up against another trained fighter, no one really wants to wrestle with crazy. Crazy doesn't know when it's winning. And crazy doesn't know when to stop. If you can't pull off crazy, if, for instance, you're handcuffed in a small van with six armed assailants, stupid is a decent substitute for crazy.”
    Richard Kadrey, Sandman Slim

  • #8
    Ellen Hopkins
    “My life is over.
    My one forever love has
    been snatched away,
    condemned by my own
    father's rules to die,
    just because he loved me.

    I am without a home,
    without a single person to love.
    And after having
    discovered love, lived for a short
    while surrounded by love,
    that is to much to bear.

    I am a pariah, at church,
    at school. The few people
    I once called friends have
    betrayed me and caused
    the death of my husband,
    our innocent child.

    And so they should die too.
    All of them. Dad. Bishop
    Crandall. Trevor, Becca, Emily.
    With the pull of a 10mm hair
    trigger, their lives will end at sacrament meeting.
    Such lovely irony!

    And when I finish there,
    I'll hide in the desert,
    reload, and go in search
    of Carmen and Tiffany,
    who started the rumors.
    And Derek, just because.”
    Ellen Hopkins

  • #9
    Hermann Hesse
    “For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

    Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

    A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

    A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.

    When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.

    A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.

    So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
    Herman Hesse, Bäume: Betrachtungen und Gedichte

  • #10
    Nicholas Sparks
    “Who am I? And how I wonder, will this story end? . . .
    My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough.
    The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way.
    Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . .
    There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible.
    I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail.
    And maybe, just maybe, it will.”
    Nicholas Sparks, The Notebook

  • #11
    Neil Gaiman
    “A voice from the creature, smooth as buttered oil. "He-llo," is said. "Ding-dong. You look remarkably like dinner."
    I'm Charlie Nancy," said Charlie Nancy. "Who are you?"
    I am Dragon," said the dragon. "And I shall devour you in one slow mouthful, little man in a hat."
    Charlie blinked. What would my father do? He wondered. What would Spider have done?...
    Er. You’re bored with talking to me now, and you’re going to let me pass unhindered,” he told the dragon, with as much conviction as he was able to muster.
    Gosh. Good try. But I’m afraid I’m not,” said the dragon, enthusiastically.
    Actually, I’m going to eat you.”
    You aren’t scared of limes, are you?” asked Charlie, before remembering that he’d given the lime to Daisy.
    The creature laughed, scornfully. “I,” it said, “am frightened of nothing.”
    Nothing?”
    Nothing,” it said.
    Charlie said “Are you extremely frightened of nothing?”
    Absolutely terrified of it,” admitted the Dragon.
    You know,” said Charlie, “Have nothing in my pockets. Would you like to see it?”
    No,” said the dragon, uncomfortably, “I most definitely would not.”
    There was a flapping of wings like sails, and Charlie was alone on the beach. “That,” he said, “was much too easy.”
    Neil Gaiman, Anansi Boys

  • #12
    Jean-Paul Sartre
    “But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one. Nothing has changed and yet everything is different. I can't describe it, it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits in the night, I am as happy as the hero of a novel.”
    Jean-Paul Sartre

  • #13
    Sarah Kane
    “And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your

    and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.”
    Sarah Kane, Crave

  • #14
    Chuck Palahniuk
    “Fuck me. I'm so tired of being me. Me beautiful. Me ugly. Blonde. Brunette. A million fucking fashion makeovers that only leave me trapped being me.
    Who I was before the accident is just a story now. Everything before now, before now, before now, is just a story I carry around. I guess that would apply to anybody in the world. What I need is a new story about who I am.
    What I need to do is fuck up so bad I can't save myself.”
    Chuck Palahniuk, Invisible Monsters

  • #15
    Anaïs Nin
    “I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them.”
    Anais Nin

  • #16
    Richard Kadrey
    “...playing with the Barbie-size keyboard on my new phone. Phones are like toys now. They fit in your pocket, light up and vibrate like joy buzzers. Plus, you can get-I mean, "access"-the Internet and find anything you want. Music. Maps. Porn. Anything. If cell phones came with a cigarette dispenser, they'd be the greatest stupid invention ever.”
    Richard Kadrey, Sandman Slim

  • #17
    Jodi Picoult
    “You were in business making meth? Do you have any idea what that drug does to people?"

    We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem."

    I shake my head, disgusted. "If you build it, they will come."

    If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up."

    It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me."

    Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read."

    It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.”
    Jodi Picoult, Vanishing Acts

  • #18
    Libba Bray
    “We fall into the great continuing circle of dancers. Some leave the floor, tired but giddy; others have only just arrived. They are eager to wear their new status as ladies, to be paraded about and lauded until they see themselves with new eyes. The fathers beam at their daughters, thinking them perfect flowers in need of their protection, while the mothers watch from the margins, certain this moment is their doing. We create illusions we need to go on. And one day, when they no longer dazzle or comfort, we tear them down, brick by glittering brick, until we are left with nothing but the bright light of honesty. The light is liberating. Necessary. Terrifying. We stand naked and emptied before it. Adn when it is too much for our eyes to take, we build a new illusion to shield us from its relentless truth.
    But the girls! Their eyes glow with the fever dream of all they might become. They tell themselves this is the beginning of everything. And who am I to say it isn't? ”
    Libba Bray, The Sweet Far Thing

  • #19
    Stephen Chbosky
    “It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especially me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #20
    Sylvia Plath
    “I do not love; I do not love anybody except myself. That is a rather shocking thing to admit. I have none of the selfless love of my mother. I have none of the plodding, practical love. . . . . I am, to be blunt and concise, in love only with myself, my puny being with its small inadequate breasts and meager, thin talents. I am capable of affection for those who reflect my own world.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #21
    Jalal ad-Din Muhammad ar-Rumi
    “All day I think about it, then at night I say it.
    Where did I come from, and what am I supposed to be doing?
    I have no idea.
    My soul is from elsewhere, I'm sure of that,
    And I intend to end up there.

    This drunkenness began in some other tavern.
    When I get back around to that place,
    I'll be completely sober. Meanwhile,
    I'm like a bird from another continent, sitting in this aviary.
    The day is coming when I fly off,
    But who is it now in my ear who hears my voice?
    Who says words with my mouth?

    Who looks out with my eyes? What is the soul?
    I cannot stop asking.
    If I could taste one sip of an answer,
    I could break out of this prison for drunks.
    I didn't come here of my own accord, and I can't leave that way.
    Whoever brought me here will have to take me home.

    This poetry. I never know what I'm going to say.
    I don't plan it.
    When I'm outside the saying of it, I get very quiet and rarely speak at all.

    We have a huge barrel of wine, but no cups.
    That's fine with us. Every morning
    We glow and in the evening we glow again.”
    Mawlana Jalal-al-Din Rumi

  • #22
    Richard Kadrey
    “It doesn't matter if you and everyone else in the room are thinking it. You don't say the words. Words are weapons. They blast big bloody holes in the world. And words are bricks. Say something out loud and it starts turning solid. Say it loud enough and it becomes a wall you can't get through.”
    Richard Kadrey, Kill the Dead

  • #23
    Jeff Lindsay
    “I'm not sure what I am. I just know there's something dark in me. I hide it. I certainly don't talk about it, but it's there always, this Dark Passenger. And when he's driving, I feel alive, half sick with the thrill of complete wrongness. I don't fight him, I don't want to. He's all I've got. Nothing else could love me, not even... especially not me. Or is that just a lie the Dark Passenger tells me? Because lately there are these moments when I feel connected to something else... someone. It's like the mask is slipping and things... people... who never mattered before are suddenly starting to matter. It scares the hell out of me.”
    Jeff Lindsay, Darkly Dreaming Dexter

  • #24
    Richard Kadrey
    “Revenge is never what you think it's going to be. There's no pleasure and glory, and when it's done your grief remains. Once a man does the things you're talking about, he will never be the same, and he can never go back to who he was before. Worst of all, no matter how many enemies you kill, you are never satisfied. There is always one more who deserves it. When it becomes too easy to kill, it never ends.”
    Richard Kadrey, Sandman Slim

  • #25
    Richard Kadrey
    “Thanks for treating me like, you know, a person through all this shit. I know that isn't always easy. (Stark)
    You do have a habit of pissing on other people's welcome mats. But, when a gentleman gives you a booty call to a massacre, it's easy to forgive. Ciao. (Candy)”
    Richard Kadrey, Sandman Slim

  • #26
    Richard Kadrey
    “You're quite the humanitarian. By the way, thanks a fuck of a lot for leaving me off your who-to-save list.

    You're on it, Alfredo Garcia. I just didn't want to say it out loud and have you call me Nancy or Tinker Bell.

    Yeah, I would have done that.”
    Richard Kadrey, Aloha from Hell
    tags: humor

  • #27
    Nicholas Sparks
    “She was my dream. She made me who I am, and holding her in my arms was more natural to me than my own heartbeat. I think about her all the time. Even now, when I'm sitting here, I think about her. There could never have been another.”
    Nicholas Sparks, The Notebook

  • #28
    Cecelia Ahern
    “Finding someone you love and who loves you back is a wonderful, wonderful feeling. But finding a true soul mate is an even better feeling. A soul mate is someone who understands you like no other, loves you like no other, will be there for you forever, no matter what. They say that nothing lasts forever, but I am a firm believer in the fact that for some, love lives on even after we're gone.”
    Cecilia Ahern, P.S. I Love You

  • #29
    Eugene O'Neill
    “Why am I afraid to dance, I who love music and rhythm and grace and song and laughter? Why am I afraid to live, I who love life and the beauty of flesh and the living colors of the earth and sky and sea? Why am I afraid to love, I who love love?”
    Eugene O'Neill, The Great God Brown and Other Plays

  • #30
    J.M. Barrie
    “Why can't you fly now, mother?"
    "Because I am grown up, dearest. When people grow up they forget the way."
    "Why do they forget the way?"
    "Because they are no longer gay and innocent and heartless. It is only the gay and innocent and heartless who can fly.”
    J.M. Barrie



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