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  • #1
    Anne Truitt
    “What could my work [as an artist] ever mean to this man? A kind touch of my hand in a moment of fear or pain would have been more in his service than the endeavour of my whole lifetime. This incontrovertible fact stuck in my craw for weeks … he remains in my mind, central to my thoughts about my life. And to my recognition of limitation. In the range of my character at any given moment, I have acted in the only way it seemed to be that I could have acted. This in no way means that I have done what was right; only what was possible for me … It takes kindness to forgive oneself for one’s life.”
    Anne Truitt, Daybook: The Journal of an Artist

  • #2
    Anne Truitt
    “The first birth is documented. A doctor stands by; physical facts are readily available; literature abounds in accounts of birth. Folk knowledge hammocks the pregnant woman; she sways in the gentle wind of attention.
    Not so with the second birth into adulthood. That is a solitary business for the parent. The course of events is not documented--cannot be, as each child tears the connective tissue differently.”
    Anne Truitt, Daybook: The Journal of an Artist

  • #3
    Anne Truitt
    “It is as if I had to take Sam back into the uterus to protect him, to reestablish the placental connection in order to nourish him through his crisis. Perhaps because of this primitive reaction, his recovery is marked by an increasing independence for both of us, a feeling of health and ease as if, in some mysterious way, he had accomplished his second birth, into adulthood, by means of this violent accident.”
    Anne Truitt, Daybook: The Journal of an Artist

  • #4
    Haruki Murakami
    “Memories and thoughts age, just as people do. But certain thoughts can never age, and certain memories can never fade.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #5
    Haruki Murakami
    “I realize full well how hard it must be to go on living alone in a place from which someone has left you, but there is nothing so cruel in this world as the desolation of having nothing to hope for.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #6
    Haruki Murakami
    “The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there's no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #7
    Haruki Murakami
    “Hatred is like a long, dark shadow. Not even the person it falls upon knows where it comes from, in most cases. It is like a two-edged sword. When you cut the other person, you cut yourself. The more violently you hack at the other person, the more violently you hack at yourself. It can often be fatal. But it is not easy to dispose of. Please be careful, Mr.Okada. It is very dangerous. Once it has taken root in your heart, hatred is the most difficult think in the world to shake off.”
    Haruki Murakami, The Wind-Up Bird Chronicle
    tags: hate

  • #8
    Haruki Murakami
    “I'd be smiling and chatting away, and my mind would be floating around somewhere else, like a balloon with a broken string.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #9
    Haruki Murakami
    “Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #10
    Haruki Murakami
    “Kumiko and I felt something for each other from the beginning. It was not one of those strong, impulsive feelings that can hit two people like an electric shock when they first meet, but something quieter and gentler, like two tiny lights traveling in tandem through a vast darkness and drawing imperceptibly closer to each other as they go. As our meetings grew more frequent, I felt not so much that I had met someone new as that I had chanced upon a dear old friend.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #11
    Haruki Murakami
    “It’s like when you put instant rice pudding mix in a bowl in the microwave and push the button, and you take the cover off when it rings, and there you’ve got ricing pudding. I mean, what happens in between the time when you push the switch and when the microwave rings? You can’t tell what’s going on under the cover. Maybe the instant rice pudding first turns into macaroni gratin in the darkness when nobody’s looking and only then turns back into rice pudding. We think it’s only natural to get rice pudding after we put rice pudding mix in the microwave and the bell rings, but to me, that is just a presumption. I would be kind of relieved if, every once in a while, after you put rice pudding mix in the microwave and it rang and you opened the top, you got macaroni gratin. I suppose I’d be shocked, of course, but I don’t know, I think I’d be kind of relieved too. Or at least I think I wouldn’t be so upset, because that would feel, in some ways, a whole lot more real.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #12
    Haruki Murakami
    “What we see before us is just one tiny part of the world. We get in the habit of thinking, this is the world, but that's not true at all. The real world is a much darker and deeper place than this, and much of it is occupied by jellyfish and things.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #13
    Haruki Murakami
    “Somewhere, far, far away, there's a shitty island. An island without a name. An island not worth giving a name. A shitty island with a shitty shape. On this shitty island grow palm trees that also have shitty shapes. And the palm trees produce coconuts that give off a shitty smell. Shitty monkeys live in the trees, and they love to eat these shitty-smelling coconuts, after which they shit the world's foulest shit. The shit falls on the ground and builds up shitty mounds, making the shitty palm trees that grown on them even shittier. It's an endless cycle.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #14
    Haruki Murakami
    “I laughed. “You’re too young to be so … pessimistic,” I said, using the English word.
    “Pessi-what?”
    “Pessimistic. It means looking only at the dark side of things.”
    “Pessimistic … pessimistic …” She repeated the English to herself over and over, and then she looked up at me with a fierce glare. “I’m only sixteen,” she said, “and I don’t know much about the world, but I do know one thing for sure. If I’m pessimistic, then the adults in this world who are not pessimistic are a bunch of idiots.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #15
    Fredrik Backman
    “We always think there's enough time to do things with other people. Time to say things to them. And then something happens and then we stand there holding on to words like 'if'.”
    Fredrik Backman, A Man Called Ove

  • #16
    Fredrik Backman
    “Now you listen to me," says Ove calmly while he carefully closes the door. "You've given birth to two children and quite soon will be squeezing out a third. You've come here from a land far away and most likely you fled war and persecution and all sorts of other nonsense. You've learned a new language and got yourself an education and you're holding together a family of obvious incompetents. And I'll be damned if I've seen you afraid of a single bloody thing in this world before now....I'm not asking for brain surgery. I'm asking you to drive a car. It's got an accelerator, a brake and a clutch. Some of the greatest twits in world history have sorted out how it works. And you will as well." And then he utters seven words, which Parvaneh will always remember as the loveliest compliment he'll ever give her. "Because you are not a complete twit.”
    Fredrik Backman, A Man Called Ove

  • #17
    Umberto Eco
    “Books are not made to be believed, but to be subjected to inquiry. When we consider a book, we mustn't ask ourselves what it says but what it means...”
    Umberto Eco, The Name of the Rose

  • #18
    Aysegül Savas
    “There are many ways of hurting without words. It is silence that shapes us.”
    Aysegül Savas, Walking on the Ceiling

  • #19
    Émile Zola
    “The past was but the cemetery of our illusions: one simply stubbed one's toes on the gravestones.”
    Émile Zola, The Masterpiece

  • #20
    Sayaka Murata
    “I find the shape of people’s eyes particularly interesting when they’re being condescending. I see a wariness or a fear of being contradicted or sometimes a belligerent spark ready to jump on any attack.”
    Sayaka Murata, Convenience Store Woman

  • #21
    Fredrik Backman
    “The truth of course is that if people really were as happy as they look on the Internet, they wouldn’t spend so much damn time on the Internet, because no one who’s having a really good day spends half of it taking pictures of themselves. Anyone can nurture a myth about their life if they have enough manure, so if the grass looks greener on the other side of the fence, that’s probably because it’s full of shit.”
    Fredrik Backman, Anxious People

  • #22
    Fredrik Backman
    “Nothing is easier for people who never do anything themselves than to criticize someone who actually makes an effort.”
    Fredrik Backman, Anxious People

  • #23
    “I survived because I remained soft, because I listened, because I wrote. Because I huddled close to my truth, protected it like a tiny flame in a terrible storm. Hold up your head when the tears come, when you are mocked, insulted, questioned, threatened, when they tell you you are nothing, when your body is reduced to openings. The journey will be longer than you imagined, trauma will find you again and again. Do not become the ones who hurt you. Stay tender with your power. Never fight to injure, fight to uplift. Fight because you know that in this life, you deserve safety, joy, and freedom. Fight because it is your life. Not anyone else’s. I did it, I am here. Looking back, all the ones who doubted or hurt or nearly conquered me faded away, and I am the only one standing. So now, the time has come. I dust myself off, and go on.”
    Chanel Miller, Know My Name: A Memoir

  • #24
    W.G. Sebald
    “The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.”
    W.G. Sebald, Vertigo

  • #25
    Mieko Kawakami
    “her voice was amazing, like a 6B pencil”
    Mieko Kawakami, Heaven

  • #26
    Mieko Kawakami
    “Even if something happens to us, even if we die and never have to deal with them again, the same thing will happen to someone, somewhere. The same thing. The weak always go through this, and there’s nothing we can do about it. Because the strong never go away. That’s why you want to pretend to be like them, isn’t it? You want to join them.”
    Mieko Kawakami, Heaven

  • #27
    Mieko Kawakami
    “In the cold December air, all the leaves, thousands upon thousands of them, flashed against the sky, drenched in gold. Every leaf rang with its own light, and all the light poured into me without end.”
    Mieko Kawakami, Heaven

  • #28
    Mieko Kawakami
    “The paintings here were mystifying. In the reds and greens of the canvases, maidens danced with animals, a goat or something carried a violin in its mouth, and a man and a woman embraced under a gigantic blazing bouquet. This swarm of unrelated images was like a glimpse into a dream. But not a good one. The joy I saw there was ferocious, and the sadness suffocatingly cold. Blues thrown onto the canvas warred with yellows approaching like tornadoes. People gathered round aghast to watch a circus spin to life.”
    Mieko Kawakami, Heaven

  • #29
    Haruki Murakami
    “Things like this happen sometimes in our lives,” I told him. “Inexplicable, illogical events that nevertheless are deeply disturbing. I guess we need to not think about them, just close our eyes and get through them. As if we were passing under a huge wave.”
    Haruki Murakami, First Person Singular: Stories

  • #30
    Bernhard Schlink
    “History is not the past as it really was. It's the shape we give it.”
    Bernhard Schlink, Olga



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