Wendy > Wendy's Quotes

“Be yourself; everyone else is already taken.”
― Oscar Wilde

“Be kind, for everyone you meet is fighting a harder battle.”
― Plato

“Make your mistakes, take your chances, look silly, but keep on going. Don’t freeze up.”
― Thomas Wolfe, You Can't Go Home Again

“The Eyes of the Future are looking back at us and they are praying for us to see beyond our own time.”
― Terry Tempest Williams, Red: Passion and Patience in the Desert

“I write to make peace with the things I cannot control. I write to create red in a world that often appears black and white. I write to discover. I write to uncover. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. I write to honor beauty. I write to correspond with my friends. I write as a daily act of improvisation. I write because it creates my composure. I write against power and for democracy. I write myself out of my nightmares and into my dreams. I write in a solitude born out of community. I write to the questions that shatter my sleep. I write to the answers that keep me complacent. I write to remember. I write to forget….

I write because I believe in words. I write because I do not believe in words. I write because it is a dance with paradox. I write because you can play on the page like a child left alone in sand. I write because it belongs to the force of the moon: high tide, low tide. I write because it is the way I take long walks. I write as a bow to wilderness. I write because I believe it can create a path in darkness….

write as ritual. I write because I am not employable. I write out of my inconsistencies. I write because then I do not have to speak. I write with the colors of memory. I write as a witness to what I have seen. I write as a witness to what I imagine….

I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient we are. I write as though I am whispering in the ear of the one I love.”
― Terry Tempest Williams, Red: Passion and Patience in the Desert

“When one of us says, “Look, there's nothing out there,” what we are really saying is, “I cannot see.”
― Terry Tempest Williams, Red: Passion and Patience in the Desert

“I believe we need wilderness in order to be more complete human beings, to not be fearful of the animals that we are, an animal who bows to the incomparable power of natural forces when standing on the north rim of the Grand Canyon, an animal who understands a sense of humility when watching a grizzly overturn a stump with its front paw to forage for grubs in the lodgepole pines of the northern Rockies, an animal who weeps over the sheer beauty of migrating cranes above the Bosque del Apache in November, an animal who is not afraid to cry with delight in the middle of a midnight swim in a phospherescent tide, an animal who has not forgotten what it means to pray before the unfurled blossom of the sacred datura, remembering the source of all true visions.

As we step over the threshold of the twenty-first century, let us acknowledge that the preservation of wilderness is not so much a political process as a spiritual one, that the language of law and science used so successfully to define and defend what wilderness has been in the past century must now be fully joined with the language of the heart to illuminate what these lands mean to the future.”
― Terry Tempest Williams, Red: Passion and Patience in the Desert

“Is it possible to make a living by simply watching light? Monet did. Vermeer did. I believe Vincent did too. They painted light in order to witness the dance between revelation and concealment, exposure and darkness. Perhaps this is what I desire most, to sit and watch the shifting shadows cross the cliff face of sandstone or simply to walk parallel with a path of liquid light called the Colorado River. In the canyon country of southern Utah, these acts of attention are not merely the pastimes of artists, but daily work, work that matters to the whole community.

This living would include becoming a caretaker of silence, a connoisseur of stillness, a listener of wind where each dialect is not only heard but understood.”
― Terry Tempest Williams, Red: Passion and Patience in the Desert

“I want my life to be a celebration of slowness.

Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend.

On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space.

Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness.

Hand on stone -- patience.

Hand on water -- music.”
― Terry Tempest Williams, Red: Passion and Patience in the Desert

“When I look in the mirror, I see a woman with secrets. When we don’t listen to our intuition, we abandon our souls. And we abandon our souls because we are afraid if we don’t, others will abandon us.”
― Terry Tempest Williams, When Women Were Birds: Fifty-four Variations on Voice

“Today, I feel stronger, learning to live within the natural cycles of a day and to not expect too much of myself. As women, we hold the moon in our bellies. It is too much to ask to operate on full-moon energy three hundred and sixty-five days a year. I am in a crescent phase.”
― Terry Tempest Williams, Refuge: An Unnatural History of Family and Place

“Faith is not about finding meaning in the world, there may be no such thing -- faith is the belief in our capacity to create meaningful lives.”
― Terry Tempest Williams, Leap

“The imagination needs moodling,--long, inefficient happy idling, dawdling and puttering. ”
― Brenda Ueland

“Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves

“The doors to the world of the wild Self are few but precious. If you have a deep scar, that is a door, if you have an old, old story, that is a door. If you love the sky and the water so much you almost cannot bear it, that is a door. If you yearn for a deeper life, a full life, a sane life, that is a door.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves

“There is a time in our lives, usually in mid-life, when a woman has to make a decision - possibly the most important psychic decision of her future life - and that is, whether to be bitter or not. Women often come to this in their late thirties or early forties. They are at the point where they are full up to their ears with everything and they've "had it" and "the last straw has broken the camel's back" and they're "pissed off and pooped out." Their dreams of their twenties may be lying in a crumple. There may be broken hearts, broken marriages, broken promises.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves

“I learned about the sacred art of self decoration with the monarch butterflies perched atop my head, lightning bugs as my night jewelry, and emerald-green frogs as bracelets.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves

“Go out in the woods, go out. If you don't go out in the woods nothing will ever happen and your life will never begin.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves

“I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures. She simply must put her foot down and say no to half of what she believes she "should" be doing. Art is not meant to be created in stolen moments only.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves

“The rich, noisy city, fat with food and drink, is a spent thing; it's chief concern is its digestion and its little game of hide-and-seek with the undertaker. Money and office and success are the consolations of impotence. Fortune turns kind to such solid people and lets them suck their bone in peace. She flecks her whip upon flesh that is more alive, upon that stream of hungry boys and girls who tramp the streets of every city, recognizable by their pride and discontent, who are the Future, and who possess the treasure of creative power.”
― Willa Cather, The Song of the Lark

“As democracy is perfected, the office of president represents, more and more closely, the inner soul of the people. On some great and glorious day the plain folks of the land will reach their heart's desire at last and the White House will be adorned by a downright moron.”
― H.L. Mencken, On Politics: A Carnival of Buncombe