Marzie > Marzie's Quotes

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  • #1
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #2
    Vladimir Nabokov
    “Some people—and I am one of them—hate happy ends. We feel cheated. Harm is the norm. Doom should not jam. The avalanche stopping in its tracks a few feet above the cowering village behaves not only unnaturally but unethically.”
    Vladimir Nabokov, Pnin

  • #3
    J.D. Salinger
    “And I have one of those very loud, stupid laughs. I mean if I ever sat behind myself in a movie or something, I'd probably lean over and tell myself to please shut up.”
    J.D. Salinger, The Catcher in the Rye

  • #4
    Woody Allen
    “Life doesn't imitate art, it imitates bad television.”
    Woody Allen

  • #5
    Woody Allen
    “In my next life I want to live my life backwards. You start out dead and get that out of the way. Then you wake up in an old people's home feeling better every day. You get kicked out for being too healthy, go collect your pension, and then when you start work, you get a gold watch and a party on your first day. You work for 40 years until you're young enough to enjoy your retirement. You party, drink alcohol, and are generally promiscuous, then you are ready for high school. You then go to primary school, you become a kid, you play. You have no responsibilities, you become a baby until you are born. And then you spend your last 9 months floating in luxurious spa-like conditions with central heating and room service on tap, larger quarters every day and then Voila! You finish off as an orgasm!”
    Woody Allen

  • #6
    Woody Allen
    “What if nothing exists and we're all in somebody's dream?”
    Woody Allen

  • #7
    John Updike
    “You do things and do things and nobody really has a clue.”
    John Updike, Rabbit, Run

  • #8
    J.D. Salinger
    “I thought what I'd do was I'd pretend I was one of those deaf-mutes.”
    J.D. Salinger, The Catcher in the Rye

  • #9
    Woody Allen
    “Interestingly, according to modern astronomers, space is finite. This is a very comforting thought-particularly for people who can never remember where they have left things.”
    Woody Allen

  • #10
    Woody Allen
    “If God exists, I hope he has a good excuse.”
    Woody Allen

  • #11
    William Faulkner
    “It takes two people to make you, and one people to die. That's how the world is going to end.”
    William Faulkner, As I Lay Dying

  • #12
    William Faulkner
    “That was when I learned that words are no good; that words dont ever fit even what they are trying to say at. When he was born I knew that motherhood was invented by someone who had to have a word for it because the ones that had the children didn't care whether there was a word for it or not. I knew that fear was invented by someone that had never had the fear; pride, who never had the pride.”
    William Faulkner, As I Lay Dying

  • #13
    William Faulkner
    “I notice how it takes a lazy man, a man that hates moving, to get set on moving once he does get started off, the same as when he was set on staying still, like it aint the moving he hates so much as the starting and the stopping. And like he would be kind of proud of whatever come up to make the moving or the setting still look hard. He set there on the wagon hunched up, blinking, listening to us tell about how quick the bridge went and how high the water was, and I be durn if he didn't act like he was proud of it, like he had made the river rise himself.”
    William Faulkner, As I Lay Dying

  • #14
    William Faulkner
    “I could just remember how my father used to say that the reason for living was to get ready to stay dead a long time. And when I would have to look at them day after day, each with his and her secret and selfish thought, and blood strange to each other blood and strange to mine, and think that this seemed to be the only way I could get ready to stay dead, I would hate my father for having ever planted me. I would look forward to the times when they faulted, so I could whip them. When the switch fell I could feel it upon my flesh; when it welted and ridged it was my blood that ran, and I would think with each blow of the switch: Now you are aware of me! Now I am something in your secret and selfish life, who have marked your blood with my own for ever and ever.”
    William Faulkner, As I Lay Dying

  • #15
    Fyodor Dostoevsky
    “I say let the world go to hell, but I should always have my tea.”
    Fyodor Dostoevsky, Notes from Underground

  • #16
    Gabriel García Márquez
    “It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #17
    Gabriel García Márquez
    “a process of aging had taken place in him that was so rapid and critical that soon he was being treated as one of those useless great-grandfathers who wander about the bedroom like shades, dragging their feet, remembering better times aloud, and whom no one bother about or remembers really until the morning they find them dead in their bed.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #18
    Miguel de Cervantes Saavedra
    “All I know is that while I’m asleep, I’m never afraid, and I have no hopes, no struggles, no glories — and bless the man who invented sleep, a cloak over all human thought, food that drives away hunger, water that banishes thirst, fire that heats up cold, chill that moderates passion, and, finally, universal currency with which all things can be bought, weight and balance that brings the shepherd and the king, the fool and the wise, to the same level. There’s only one bad thing about sleep, as far as I’ve ever heard, and that is that it resembles death, since there’s very little difference between a sleeping man and a corpse.”
    Miguel de Cervantes Saavedra

  • #19
    رضا قاسمی
    “هیچ شکنجه ای برای یک لحظه تحمل ناپذیر نیست. اگر فقط اقتدار لحظه می بود و بس، اگر "همین حالا" بود، اگر فقط "همین حالا" چه رازها که در دل خاک مدفون نمی شد. اگر فقط "همین حالا" بود و نه بعد، هیچ کس جلاد دیگری نبود. ... این گذشته است که شب می خزد زیر شمدت. پشت می کنی می بینی روبروی توست. سر در بالش فرو می کنی می بینی میان بالش توست. مثل سایه است و از آن بدتر. سایه، نور که نباشد، دیگر نیست. اما "گذشته" در خموشی و ظلمت با توست ... ”
    رضا قاسمی, همنوایی شبانه ارکستر چوبها

  • #20
    J.D. Salinger
    “Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.”
    J.D. Salinger

  • #21
    Richard Brautigan
    “In Watermelon Sugar the deeds were done and done again as my life is done in watermelon sugar.”
    Richard Brautigan, In Watermelon Sugar

  • #22
    Flann O'Brien
    “Hell goes round and round. In shape it is circular, and by nature it is interminable, repetitive, and nearly unbearable.”
    Flann O'Brien, The Third Policeman

  • #23
    Flann O'Brien
    “Here I had a strange idea not unworthy of de Selby. Why was Joe so disturbed at the suggestion that he had a body? What if he had a body? A body with another body inside it in turn, thousands of such bodies within each other like the skins of an onion, receding to some unimaginable ultimum? Was I in turn merely a link in a vast sequence of imponderable beings, the world I knew merely the interior of the being whose inner voice I myself was? Who or what was the core and what monster in what world was the final uncontained colossus? God? Nothing? Was I receiving these wild thoughts from Lower Down or were they brewing newly in me to be transmitted Higher Up?”
    Flann O'Brien, The Third Policeman

  • #24
    Robert Musil
    “A man matters, his experiences matter, but in a city, where experiences come by the thousands, we can no longer relate them to ourselves, and this is of course the beginning of life’s notorious turning into abstraction.“

    „There is always something ghostly about living constantly in a well-ordered state. You cannot step into the street or drink a glass of water or get on a streetcar without touching the balanced lever of gigantic apparatus of laws and interrelations, setting them in motion or letting them maintain you in your peaceful existence; one knows hardly any of these levers, which reach deep into the inner workings and, coming out of the other side, lose themselves in a network whose structure has never yet been unraveled by anyone. So one denies their existence, just as the average citizen denies the air, maintaining that it is empty space. But all these things that one denied, these colorless, odorless,tasteless, weightless, and morally indefinable things such as water, air, space, money, and the passing of time, turn out in truth to be the most important things of all, and this gives life a certain spooky quality.”
    Robert Musil, The Man Without Qualities

  • #25
    Dr. Seuss
    “When beetles fight these battles in a bottle with their paddles
    and the bottle's on a poodle and the poodle's eating noodles...
    ...they call this a muddle puddle tweetle poodle beetle noodle
    bottle paddle battle.”
    Dr. Seuss, Fox in Socks

  • #26
    Ali Smith
    “What would happen if you did just shut a door and stop speaking? Hour after hour after hour of no words. Would you speak to yourself? Would words just stop being useful? Would you lose language altogether? Or would words mean more, would they start to mean in every direction, all somersault and assault, like a thuggery of fireworks? Would they proliferate, like untended plantlife? Would the inside of your head overgrow with every word that has ever come into it, every word that has ever silently taken seed or fallen dormant? Would your own silence make other things noisier? Would all the things you’d ever forgotten, all layered there inside you, come bouldering up and avalanche you?”
    Ali Smith, There But For The

  • #27
    Joshua Ferris
    “It was madness to leave without your useless shit. You came in with it, you left with it--that was how it worked. What would you use to clutter a new office with if not your useless shit? We could remember Old Brizz with this box of useless shit, shifting the box from arm to arm as he talked with the building guy. Of course, Old Brizz never had an office again. His useless shit really was useless. He had cause to leave his useless shit behind. But his was a rare case. All things considered, it was better to take your useless shit with you.”
    Joshua Ferris, Then We Came to the End
    tags: satire

  • #28
    Melina Marchetta
    “I can't believe I said it out loud. The truth doesn't set you free, you know. It makes you feel awkward and embarrassed and defenseless and red in the face and horrified and petrified and vulnerable. But free? I don't feel free. I feel like shit.”
    Melina Marchetta, Saving Francesca

  • #29
    Marsha Norman
    “Family is just accident, Jessie. It's nothing personal, hon. They don't mean to get on your nerves. They don't even mean to be your family, they just are.”
    Marsha Norman, 'night, Mother

  • #30
    Marsha Norman
    “Mama, I know you used to ride the bus. Riding the bus and it’s hot and bumpy and crowded and too noisy and more than anything in the world you want to get off and the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going? Well, I can get off right now if I want to, because even if I ride fifty more years and get off then, it’s the same place when I step down to it. Whenever I feel like it, I can get off. As soon as I’ve had enough, it’s my stop. I’ve had enough.”
    Marsha Norman, 'night, Mother



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