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  • #1
    Jean-Paul Sartre
    “I am alone in the midst of these happy, reasonable voices. All these creatures spend their time explaining, realizing happily that they agree with each other. In Heaven's name, why is it so important to think the same things all together. ”
    Jean-Paul Sartre, Nausea

  • #2
    Jean-Paul Sartre
    “My thought is me: that's why I can't stop. I exist because I think… and I can't stop myself from thinking. At this very moment - it's frightful - if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire.”
    Jean-Paul Sartre, Nausea

  • #3
    Jean-Paul Sartre
    “I am going to outlive myself. Eat, sleep, sleep, eat. Exist slowly, softly, like these trees, like a puddle of water, like the red bench in the streetcar.”
    Jean-Paul Sartre, Nausea

  • #4
    Sylvia Plath
    “How we need that security. How we need another soul to cling to, another body to keep us warm. To rest and trust; to give your soul in confidence: I need this, I need someone to pour myself into.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #5
    Sylvia Plath
    “Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #6
    Sylvia Plath
    “Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #7
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #8
    Sylvia Plath
    “And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #9
    Sylvia Plath
    “Yes, I was infatuated with you: I am still. No one has ever heightened such a keen capacity of physical sensation in me. I cut you out because I couldn't stand being a passing fancy. Before I give my body, I must give my thoughts, my mind, my dreams. And you weren't having any of those.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #10
    Clarice Lispector
    “How was she to tie herself to a man without permitting him to imprison her? And was there some means of acquiring things without those things possessing her?”
    Clarice Lispector, Near to the Wild Heart

  • #11
    Vladimir Nabokov
    “My sweetheart, my love, my love, my love—do you know what—all the happiness of the world, the riches, power and adventures, all the promises of religions, all the enchantment of nature and even human fame are not worth your two letters. It was a night of horror, terrible anguish, when I imagined that your undelivered letter, stuck at some unknown post office, was being destroyed like a sick little stray dog . . . But today it arrived—and now it seems to me that in the mailbox where it was lying, in the sack where it was shaking, all the other letters absorbed, just by touching it, your unique charm and that that day all Germans received strange wonderful letters—letters that had gone mad because they had touched your handwriting. The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation—a week’s, ten days’—what does it matter? since my whole life belongs to you. I wake at night and know that you are together with me,—I sense your sweet long legs, your neck through your hair, your trembling eyelashes—and then such happiness, such simmering bliss follows me in my dreams that I simply suffocate . . .”
    Vladimir Nabokov, Letters to Vera

  • #12
    Charles Bukowski
    “Find what you love and let it kill you.”
    Charles Bukowski

  • #13
    Charles Bukowski
    “You have to die a few times before you can really
    live.”
    Charles Bukowski, The People Look Like Flowers at Last

  • #14
    Anne Sexton
    “I feel unspeakably lonely. And I feel - drained. It is a blank state of mind and soul I cannot describe to you as I think it would not make any difference. Also it is a very private feeling I have - that of melting into a perpetual nervous breakdown. I am often questioning myself what I further want to do, who I further wish to be; which parts of me, exactly, are still functioning properly. No answers, darling. At all.”
    Anne Sexton, Anne Sexton: A Self-Portrait in Letters

  • #15
    Anaïs Nin
    “I spell ‘god’ with a small ‘g’ because I do not believe in him, but I love to swear by him.”
    Anaïs Nin, A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953

  • #16
    Emil M. Cioran
    “Having always lived in fear of being surprised by the worst, I have tried in every circumstance to get a head start, flinging myself into misfortune long before it occurred.”
    Emil Cioran, The Trouble With Being Born

  • #17
    Lana Del Rey
    “I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with visions of myself dancing and laughing and crying with them. Three years down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not a very popular one, who once had dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.

    When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lay your head.

    I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiveness that was as wide as wavering as the ocean. And if I said that I didn't plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obsession for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me.

    Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.”
    Lana Del Rey

  • #18
    Frida Kahlo
    “i am my own muse, i am the subject i know best. the subject i want to know better.”
    Frida Kahlo

  • #19
    Anthony Bourdain
    “Travel changes you. As you move through this life and this world you change things slightly, you leave marks behind, however small. And in return, life - and travel - leaves marks on you. Most of the time, those marks - on your body or on your heart - are beautiful. Often, though, they hurt.”
    Anthony Bourdain, The Nasty Bits: Collected Varietal Cuts, Usable Trim, Scraps, and Bones

  • #20
    Ottessa Moshfegh
    “Oh, sleep. Nothing else could ever bring me such pleasure, such freedom, the power to feel and move and think and imagine, safe from the miseries of my waking consciousness.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #21
    Ottessa Moshfegh
    “It was proof that I had not always been completely alone in this world. But I think I was also holding on to the loss, to the emptiness of the house itself, as though to affirm that it was better to be alone than to be stuck with people who were supposed to love you, yet couldn’t.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #22
    Ottessa Moshfegh
    “Nothing seemed really real. Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn't talk to myself in my head. There wasn't much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I'd disappear completely, then reappear in some new form. This was my hope. This was my dream.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #23
    Ottessa Moshfegh
    “I hated them for not worshiping me. Had they no idea of my sacrifice? There I was, perfectly wonderful, and nobody would see that.”
    Ottessa Moshfegh, Homesick for Another World

  • #24
    James Baldwin
    “The aim of the dreamer, after all, is merely to go on dreaming and not to be molested by the world. His dreams are his protection against the world. But the aims of life are antithetical to those of the dreamer, and the teeth of the world are sharp.”
    James Baldwin, Another Country

  • #25
    Thomas Mann
    “Nothing is stranger or more ticklish than a relationship between people who know each other only by sight, who meet and observe each other daily - no hourly - and are nevertheless compelled to keep up the pose of an indifferent stranger, neither greeting nor addressing each other, whether out of etiquette or their own whim.”
    Thomas Mann, Death in Venice

  • #26
    Thomas Mann
    “The observations and encounters of a solitary, taciturn man are vaguer and at the same times more intense than those of a sociable man; his thoughts are deeper, odder and never without a touch of sadness. Images and perceptions that could be dismissed with a glance, a laugh, an exchange of opinions, occupy him unduly, become more intense in the silence, become significant, become an experience, an adventure, an emotion. Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd and the forbidden.”
    Thomas Mann, Death in Venice



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