J. Todd > J.'s Quotes

“Meditation is a balancing act between attention and relaxation.”
― B. Alan Wallace, The Attention Revolution, Unlocking the Power of the Focused Mind

“Imagine walking along a sidewalk with your arms full of groceries, and someone roughly bumps into you so that you fall and your groceries are strewn over the ground. As you rise up from the puddle of broken eggs and tomato juice, you are ready to shout out, 'You idiot! What's wrong with you? Are you blind?' But just before you can catch your breath to speak, you see that the person who bumped into you is actually blind. He, too, is sprawled in the spilled groceries, and your anger vanishes in an instant, to be replaced by sympathetic concern: 'Are you hurt? Can I help you up?' Our situation is like that. When we clearly realize that the source of disharmony and misery in the world is ignorance, we can open the door of wisdom and compassion.”
― B. Alan Wallace, Tibetan Buddhism from the Ground Up: A Practical Approach for Modern Life

“A Tibetan aphorism states, “Let your mind be a gracious host in the midst of unruly guests.”
― B. Alan Wallace, The Attention Revolution: Unlocking the Power of the Focused Mind

“The process of liberation brings with it a profound conflict. Having the project be clear is not enough. What is necessary is a spirituality of resistance and of renewed hope to turn ever back to the struggle in the face of the defeats of the oppressed.”
― Leonardo Boff, Introducing Liberation Theology

“The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image. If in loving them we do not love what they are, but only their potential likeness to ourselves, then we do not love them: we only love the reflection of ourselves we find in them”
― Thomas Merton, No Man Is an Island

“Art enables us to find ourselves and lose ourselves at the same time.”
― Thomas Merton , No Man Is an Island

“The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image.”
― Thomas Merton, The Way of Chuang Tzu

“We have to recognise that there cannot be relationships unless there is commitment, unless there is loyalty, unless there is love, patience, persistence.”
― Cornel West, Breaking Bread: Insurgent Black Intellectual Life

“Never forget that justice is what love looks like in public.”
― Cornel West

“You can't lead the people if you don't love the people. You can't save the people if you don't serve the people.”
― Cornel West

“[Writing is] like driving a car at night: you never see further than your headlights, but you can make the whole trip that way.”
― E.L. Doctorow

“Fantasy is escapist, and that is its glory. If a soldier is imprisioned by the enemy, don't we consider it his duty to escape?. . .If we value the freedom of mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can!”
― J.R.R. Tolkien

“All fiction has ethical, political, and social weight, and sometimes the works that weigh the heaviest are those apparently fluffy or escapist fictions whose authors declare themselves "above politics," "just entertainers," and so on.”
― Ursula K. Le Guin, Dancing at the Edge of the World: Thoughts on Words, Women, Places

“SCIENCE FICTION IS OFTEN DESCRIBED, AND EVEN DEFINED, as extrapolative. The science fiction writer is supposed to take a trend or phenomenon of the here-and-now, purify and intensify it for dramatic effect, and extend it into the future. “If this goes on, this is what will happen.” A prediction is made. Method and results much resemble those of a scientist who feeds large doses of a purified and concentrated food additive to mice, in order to predict what may happen to people who eat it in small quantities for a long time. The outcome seems almost inevitably to be cancer. So does the outcome of extrapolation. Strictly extrapolative works of science fiction generally arrive about where the Club of Rome arrives: somewhere between the gradual extinction of human liberty and the total extinction of terrestrial life.

This may explain why many people who do not read science fiction describe it as “escapist,” but when questioned further, admit they do not read it because “it’s so depressing.”
― Ursula K. Le Guin, The Left Hand of Darkness

“I doubt that the imagination can be suppressed. If you truly eradicated it in a child, he would grow up to be an eggplant.”
― Ursula K. Le Guin, The Language of the Night: Essays on Fantasy and Science Fiction

“It's a rare gift, to know where you need to be, before you've been to all the places you don't need to be.”
― Ursula K. Le Guin, Tales from Earthsea

“The use of imaginative fiction is to deepen your understanding of your world, and your fellow men, and your own feelings, and your destiny.”
― Ursula K. Le Guin, The Language of the Night: Essays on Fantasy and Science Fiction

“We like to think we live in daylight, but half the world is always dark, and fantasy, like poetry, speaks the language of the night.”
― Ursula Le Guin

“War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to “a war against” whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the “right” side and therefore will win. Right makes might.”
― Ursula K. Le Guin, A Wizard of Earthsea

“Her concern with landscapes and living creatures was passionate. This concern, feebly called, "the love of nature" seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus. It was strange to see Takver take a leaf into her hand, or even a rock. She became an extension of it, it of her.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.”
― Ursula K. Le Guin

“Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby. No hitchhiking. And if you want to strike out in any new direction — you go alone. With a machete in your hand and the fear of God in your heart.”
― Ursula K. Le Guin, The Language of the Night: Essays on Fantasy and Science Fiction

“In so far as one denies what is, one is possessed by what is not, the compulsions, the fantasies, the terrors that flock to fill the void.”
― Ursula K. Le Guin, The Lathe of Heaven

“In many college English courses the words “myth” and “symbol” are given a tremendous charge of significance. You just ain’t no good unless you can see a symbol hiding, like a scared gerbil, under every page. And in many creative writing course the little beasts multiply, the place swarms with them. What does this Mean? What does that Symbolize? What is the Underlying Mythos? Kids come lurching out of such courses with a brain full of gerbils. And they sit down and write a lot of empty pomposity, under the impression that that’s how Melville did it.”
― Ursula K. Le Guin, The Language of the Night: Essays on Fantasy and Science Fiction

“...[T]he only means I have to stop ignorant snobs from behaving towards genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn't SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my arguments by writing well.”
― Ursula K. Le Guin, Wild Girls

“The exercise of imagination is dangerous to those who profit from the way things are because it has the power to show that the way things are is not permanent, not universal, not necessary. Having that real though limited power to put established institutions into question, imaginative literature has also the responsibility of power. The storyteller is the truthteller.”
― Ursula K. Le Guin, The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination

“A lot of people still maintain genre prejudice. I still meet matrons who tell me kindly that their children enjoyed my books but of course they never read them, and people who make sure I know they don’t read that space-ship stuff. No, no, they read Literature—realism. Like The Help, or Fifty Shades of Grey.”
― Ursula K. Le Guin

“For discipline is the channel in which our acts run strong and deep; where there is no direction, the deeds of men run shallow and wander and are wasted.”
― Ursula K. Le Guin, The Farthest Shore

“I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”
― Marilyn Monroe

“Be yourself; everyone else is already taken.”
― Oscar Wilde