Margaret > Margaret's Quotes

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  • #1
    Enid Bagnold
    “Who wants to become a writer? And why? ... It's the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go down the drain, to make something, to make a great flower of life, even if it's a cactus.”
    Enid Bagnold

  • #2
    Alasdair Gray
    “Glasgow is a magnificent city,” said McAlpin. “Why do we hardly ever notice that?”

    “Because nobody imagines living here…think of Florence, Paris, London, New York. Nobody visiting them for the first time is a stranger because he’s already visited them in paintings, novels, history books and films. But if a city hasn’t been used by an artist not even the inhabitants live there imaginatively.”
    Alasdair Gray, Lanark

  • #3
    Jonathan Safran Foer
    “The end of suffering does not justify the suffering, and so there is no end to suffering.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #4
    Jonathan Safran Foer
    “She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one:

    Please marry me

    I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time:

    Help”
    Jonathan Safran Foer

  • #5
    Douglas   Stuart
    “Rain was a natural state of Glasgow. It kept the grass green and the people pale and bronchial.”
    Douglas Stuart, Shuggie Bain

  • #6
    Jonathan Safran Foer
    “Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #7
    Lorrie Moore
    “I missed him. Love, I realized, was something your spine memorized. There was nothing you could do about that.”
    Lorrie Moore, Anagrams

  • #8
    George Saunders
    “He came out of nothingness, took form, was loved, was always bound to return to nothingness. Only I did not think it would be so soon. Or that he would precede us. Two passing temporarinesses developed feelings for one another. Two puffs of smoke became mutually fond. I mistook him for a solidity, and now must pay. I am not stable and Mary not stable and the very buildings and monuments here not stable and the greater city not stable and the wide world not stable. All alter, are altering, in every instant. (Are you comforted?) No. (It”
    George Saunders, Lincoln in the Bardo

  • #9
    Louis Sachar
    “Bradley Chalkers
    Homework
    Book Report
    My Parents Didn’t
    Steal an Elephant
    By Uriah C. Lasso
    Mrs. Ebbel’s class
    Room 12
    Red Hill School
    Last seat, last row
    Next to Jeff”
    Louis Sachar, There's a Boy in the Girls' Bathroom

  • #10
    Henry David Thoreau
    “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.”
    Henry David Thoreau

  • #11
    Harlan Ellison
    “I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within. Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance. Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better. At least the four of them are safe at last. AM will be all the madder for that. It makes me a little happier. And yet ... AM has won, simply ... he has taken his revenge ...

    I have no mouth. And I must scream.”
    Harlan Ellison, I Have No Mouth & I Must Scream

  • #12
    Jeff Vandermeer
    “I am walking forever on the path from the border to base camp. It is taking a long time, and I know it will take even longer to get back. There is no one with me. I am all by myself. The trees are not trees the birds are not birds and I am not me but just something that has been walking for a very long time…”
    Jeff VanderMeer, Annihilation

  • #13
    Salman Rushdie
    “To understand just one life, you have to swallow the world.”
    Salman Rushdie, Midnight’s Children

  • #14
    Kurt Vonnegut Jr.
    “It is so short and jumbled and jangled, Sam, because there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again. Everything is supposed to be very quiet after a massacre, and it always is, except for the birds. And what do the birds say? All there is to say about a massacre, things like "Poo-tee-weet?”
    Kurt Vonnegut, Slaughterhouse-Five

  • #15
    Jandy Nelson
    “His soul might be a sun. I’ve never met anyone who had the sun for a soul.”
    Jandy Nelson, I'll Give You the Sun

  • #16
    J.D. Salinger
    “Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.”
    J.D. Salinger

  • #17
    Yann Martel
    “I've never forgotten him. Dare I say I miss him? I do. I miss him. I still see him in my dreams. They are nightmares mostly, but nightmares tinged with love. Such is the strangeness of the human heart. I still cannot understand how he could abandon me so unceremoniously, without any sort of goodbye, without looking back even once. The pain is like an axe that chops my heart. ”
    Yann Martel, Life of Pi

  • #18
    Jackie Kay
    “Loss isn't an absence after all. It is a presence. A strong presence right next to me. I look at it. It doesn't look like anything, that's what is so strange. It just fits in.”
    Jackie Kay, Trumpet

  • #19
    Thomas Pynchon
    “I came," she said, "hoping you could talk me out of a fantasy."
    Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by it's little tentacle, don't let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be.”
    Thomas Pynchon, The Crying of Lot 49

  • #20
    Louis Sachar
    “He sat at his desk – last seat, last row – and looked at the chart on the wall next to him. Of course there was no gold star next to his name. He had already done three things wrong: First, he had knocked over a girl and made her cry. Second, he was late getting back to class. And third and worst of all, his name was Bradley Chalkers. As long as his name was Bradley Chalker's, he'd never get a gold star. They don't give gold stars to monsters.”
    Louis Sachar, There's a Boy in the Girls' Bathroom

  • #21
    Jonathan Safran Foer
    “You cannot protect yourself from sadness without protecting yourself from happiness.”
    Jonathan Safran Foer

  • #22
    Jonathan Safran Foer
    “Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #23
    Jonathan Safran Foer
    “It was not the feeling of completeness I so needed, but the feeling of not being empty.”
    Jonathan Safran Foer, Everything is Illuminated

  • #24
    Jonathan Safran Foer
    “I regret that it takes a life to learn how to live.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #25
    Jonathan Safran Foer
    “If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.”
    Jonathan Safran Foer, Everything Is Illuminated

  • #26
    Jonathan Safran Foer
    “Time was passing like a hand waving from a train I wanted to be on.
    I hope you never have to think about anything as much as I think about you.”
    jonathan safran foer

  • #27
    Jonathan Safran Foer
    “I hope that one day you will have the experience of doing something you do not understand for someone you love.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #28
    Jonathan Safran Foer
    “Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #29
    Jonathan Safran Foer
    “I think and think and think, I‘ve thought myself out of happiness one million times, but never once into it.”
    Jonathan Safran Foer

  • #30
    Jonathan Safran Foer
    “One day you will do things for me that you hate. That is what it means to be family.”
    Jonathan Safran Foer, Everything is Illuminated



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