Bango > Bango's Quotes

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  • #2
    Paul Valéry
    “Power without abuse loses its charm.”
    Paul Valery

  • #3
    Paul Valéry
    “To enter into your own mind you need to be armed to the teeth.”
    Paul Valery

  • #3
    Paul Valéry
    “Latent in every man is a venom of amazing bitterness, a black resentment; something that curses and loathes life, a feeling of being trapped, of having trusted and been fooled, of being helpless prey to impotent rage, blind surrender, the victim of a savage, ruthless power that gives and takes away, enlists a man, drops him, promises and betrays, and -crowning injury- inflicts on him the humiliation of feeling sorry for himself.”
    Paul Valéry

  • #4
    F. Scott Fitzgerald
    “To daughter Scotty Oct. 20, 1936 p. 313

    Don't be a bit discouraged about your story not being tops. At the same time, I am not going to encourage you about it, because, after all, if you want to get into the big time, you have to have your own fences to jump and learn from experience. Nobody ever became a writer just by wanting to be one. If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter - as indissolubly as if they were conceived together.

    Let me preach again for a moment: I mean that what you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought. It is an awfully lonesome business, and as you know, I never wanted you to go into it, but if you are going into it at all I want you to go into it knowing the sort of things that took me years to learn.”
    F. Scott Fitzgerald, A Life in Letters

  • #5
    John Updike
    “It is easy to love people in memory; the hard thing is to love them when they are there in front of you.”
    John Updike, My Father's Tears and Other Stories

  • #6
    John Updike
    “Celebrity is a mask that eats into the face.”
    John Updike, Self-Consciousness

  • #7
    George Eliot
    “But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
    George Eliot, Middlemarch

  • #8
    George Eliot
    “Will was not without his intentions to be always generous, but our tongues are little triggers which have usually been pulled before general intentions can be brought to bear.”
    George Eliot, Middlemarch

  • #9
    Thomas Hardy
    “Though a good deal is too strange to be believed, nothing is too strange to have happened.”
    Thomas Hardy, The Personal Notebooks Of Thomas Hardy

  • #10
    Thomas Hardy
    “Love is a possible strength in an actual weakness.”
    Thomas Hardy, Far From the Madding Crowd
    tags: love

  • #11
    Thomas Hardy
    “Did it never strike your mind that what every woman says, some women may feel?”
    Thomas Hardy, Tess of the D’Urbervilles

  • #12
    Thomas Hardy
    “Why is it that a woman can see from a distance what a man cannot see close?”
    Thomas Hardy, The Return of the Native

  • #13
    Thomas Hardy
    “A man's silence is wonderful to listen to.”
    thomas hardy

  • #14
    Lewis Carroll
    “Well, it’s no use your talking about waking him, said Tweedledum, when you’re only one of the things in his dream. You know very well you’re not real.

    I am real! said Alice, and began to cry.

    You won’t make yourself a bit realer by crying, Tweedledee remarked: there’s nothing to cry about.

    If I wasn’t real, Alice said– half laughing through her tears, it all seemed so ridiculous– I shouldn’t be able to cry.

    I hope you don’t think those are real tears? Tweedledee interrupted in a tone of great contempt.”
    Lewis Carroll, Alice’s Adventures in Wonderland / Through the Looking-Glass

  • #15
    Lewis Carroll
    “If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn't. And contrary wise, what is, it wouldn't be. And what it wouldn't be, it would. You see?”
    Lewis Carroll, Alice’s Adventures in Wonderland / Through the Looking-Glass

  • #16
    Thomas Hardy
    “Men thin away to insignificance and oblivion quite as often by not making the most of good spirits when they have them as by lacking good spirits when they are indispensable. Gabriel lately, for the first time since his prostration by misfortune, had been independent in thought and vigorous in action to a marked extent-conditions which, powerless without an opportunity as an opportunity without them is barren, would have given him a sure lift upwards when the favourable conjunction should have occurred. But this incurable loitering beside Bathsheba Everdene stole his time ruinously. The spring tides were going by without floating him off, and the neap might soon come which could not.”
    Thomas Hardy, Far From the Madding Crowd

  • #17
    André Aciman
    “We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!”
    Andre Aciman, Call Me by Your Name

  • #18
    William Shakespeare
    “Between the acting of a dreadful thing
    And the first motion, all the interim is
    Like a phantasm or a hideous dream.
    The genius and the moral instruments
    Are then in council, and the state of a man,
    Like to a little kingdom, suffers then
    The nature of an insurrection.”
    William Shakespeare, Julius Caesar

  • #19
    “Then you can blame it on your parents,' I said, smiling. 'Won't that be a relief?”
    Richard Bachman, Rage

  • #20
    Fyodor Dostoevsky
    “There is nothing so annoying as to be fairly rich, of a fairly good family,
    pleasing presence, average education, to be "not stupid," kindhearted,
    and yet to have no talent at all, no originality, not a single idea
    of one's own—to be, in fact, "just like everyone else."
    Of such people there are countless numbers in this world—far more
    even than appear. They can be divided into two classes as all men
    can—that is, those of limited intellect, and those who are much cleverer.
    The former of these classes is the happier.
    To a commonplace man of limited intellect, for instance, nothing is
    simpler than to imagine himself an original character, and to revel in that
    belief without the slightest misgiving.
    Many of our young women have thought fit to cut their hair short, put
    on blue spectacles, and call themselves Nihilists. By doing this they have
    been able to persuade themselves, without further trouble, that they
    have acquired new convictions of their own. Some men have but felt
    some little qualm of kindness towards their fellow-men, and the fact has
    been quite enough to persuade them that they stand alone in the van of
    enlightenment and that no one has such humanitarian feelings as they.
    Others have but to read an idea of somebody else's, and they can immediately
    assimilate it and believe that it was a child of their own brain.
    The "impudence of ignorance," if I may use the expression, is developed
    to a wonderful extent in such cases;—unlikely as it appears, it is met
    with at every turn.
    ... those belonged to the other class—to the "much cleverer"
    persons, though from head to foot permeated and saturated with
    the longing to be original. This class, as I have said above, is far less
    happy. For the "clever commonplace" person, though he may possibly
    imagine himself a man of genius and originality, none the less has within
    his heart the deathless worm of suspicion and doubt; and this doubt
    sometimes brings a clever man to despair. (As a rule, however, nothing
    tragic happens;—his liver becomes a little damaged in the course of time,
    nothing more serious. Such men do not give up their aspirations after
    originality without a severe struggle,—and there have been men who,
    though good fellows in themselves, and even benefactors to humanity,
    have sunk to the level of base criminals for the sake of originality)”
    Fyodor Dostoyevsky, The Idiot

  • #21
    Louis-Ferdinand Céline
    “One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.”
    Louis-Ferdinand Céline, Journey to the End of the Night

  • #22
    Louis-Ferdinand Céline
    “There's no tyrant like a brain. ”
    Louis-Ferdinand Céline, Journey to the End of the Night

  • #23
    Louis-Ferdinand Céline
    “The sadness of the world has different ways of getting to people, but it seems to succeed almost every time.”
    Louis-Ferdinand Céline, Journey to the End of the Night

  • #24
    D.H. Lawrence
    “There was nothing now but this empty treadmill of what Clifford called the integrated life, the long living together of two people, who are in the habit of being in the same house with one another.

    Nothingness! To accept the great nothingness of life seemed to be the one end of living. All the many busy and important little things that make up the grand sum-total of nothingness!”
    D.H. Lawrence, Lady Chatterley's Lover

  • #25
    D.H. Lawrence
    “A woman has to live her life, or live to repent not having lived it.”
    D.H. Lawrence, Lady Chatterley's Lover

  • #26
    Anthony  Powell
    “Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says,

    “...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."

    Anthony Powell, A Dance to the Music of Time: 1st Movement

  • #27
    William Shakespeare
    “The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. Mark the music.”
    Shakespeare, The Merchant of Venice

  • #28
    William Shakespeare
    “Cowards die many times before their deaths;
    The valiant never taste of death but once.
    Of all the wonders that I yet have heard,
    It seems to me most strange that men should fear;
    Seeing that death, a necessary end,
    Will come when it will come.”
    William Shakespeare, Julius Caesar

  • #29
    William Shakespeare
    “The course of true love never did run smooth; But, either it was different in blood,
    O cross! too high to be enthrall’d to low.
    Or else misgraffed in respect of years,
    O spite! too old to be engag’d to young.
    Or else it stood upon the choice of friends,
    O hell! to choose love by another’s eye.”
    William Shakespeare, A Midsummer Night’s Dream

  • #30
    William Shakespeare
    “With mirth and laughter let old wrinkles come.”
    William Shakespeare, The Merchant of Venice



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