PaolaSahe > PaolaSahe's Quotes

“It was as if the demise of the owner had lent the flat a physical void it hadn't had before. At the same time he had the feeling that he wasn't alone. Harry believed in the existence of the soul. Not that he was particularly religious as such, but it was one thing which always struck him when he saw a dead body: the body was bereft of something...the creature had gone, the light had gone,there was not the illusory afterglow that long-since burned-out stars have. The body was missing its soul and it was the absence of the soul that made Harry believe.”
― Jo Nesbo, The Devil's Star

“Well, Espen, you're no drug addict, so why do you beg?"

"Because it's my mission to be mirror for mankind so that they can see which actions are great and which are small."

"And which are great?"

Espen sighed in despair, as though weary of repeating the obvious. "Charity. Sharing and helping your neighbor. The Bible deals with nothing else. In fact, you have to search extremely hard to find anything about sex before marriage, abortion, homosexuality, or a woman's right to speak in public. But, of course, it is easier for Pharisees to talk aloud about subordinate clauses than to describe and perform the great actions the Bible leaves us in no doubt about: You have to give half of what you own to someone who has nothing. Thousands of people are dying every day without hearing the words of God because these Christians will not let go of their earthly goods. I'm giving them a chance to reflect.”
― Jo Nesbø, Frelseren

“And I didn’t want you to expose me as a deserter, someone who disappears. But things happened as they did anyway. What I wanted to say was that even if I wasn’t there for you, that doesn’t mean you weren’t important to me. We can’t live the lives we would like to. We’re prisoners of … things. Of who we are.” Oleg lifted his chin. “Of junk and shit.” “That, too.”
― Jo Nesbø, Phantom

“[Rakel] It feels a bit like jumping out of a burning house. Falling is better than burning.

[Harry] At least until you land.

[Rakel] I've come to realize that falling and living have certain things in common. For a start, both are very temporary states of being.”
― Jo Nesbø, The Devil's Star

“Can you feel it? The vibration? It’s the energy from everyone around us. It’s in the air. If you’re dying and you think no one can save you, just go out and stretch your arms into the air and absorb some of the energy. You can have eternal life. It’s true!

- Runa Molnes”
― Jo Nesbø, Cockroaches

“was going to drown. Woo had attached him to the drain at the bottom of the pool with his own handcuffs. He looked up. The moon was shining down on him through a filter of water. He stretched his free arm up and out of the water. Hell, the pool was only one meter deep here! Harry crouched and tried to stand up, stretched with all his might. The handcuff cut into his thumb, but still his mouth was twenty centimeters below the surface. He noticed the shadow at the edge of the pool moving away. Shit! Don’t panic, he thought. Panic uses up oxygen. He sank to the bottom and examined the grille with his fingers. It was made of steel and was totally immovable, it didn’t budge even when he grabbed it with both hands and pulled. How long could he hold his breath? One minute? Two? All his muscles ached, his temples throbbed and red stars were dancing in front of his eyes. He tried to jerk himself loose. His mouth was dry with fear, his brain had started producing”
― Jo Nesbø, Cockroaches

“—Claro que a lo mejor por eso nos hacemos fotos —continuó Harry—. Para obtener pruebas falsas con las que poder fundamentar la afirmación falsa de que éramos felices. Porque pensar que nunca hemos sido felices se nos hace insoportable. Los adultos obligan a los niños a sonreír cuando les hacen fotos, los incluyen en la mentira; por eso sonreímos, fingimos felicidad. Pero Oleg nunca fue capaz de sonreír si no lo sentía, no era capaz de mentir, no tenía ese don.”
― Jo Nesbø, Fantasma

“So I punished myself instead. I gave myself the worst punishment I could think of: I decided to live and I decided to stop drinking.” “And afterward?” “I got to my feet again and started working. Worked longer days than all the others. Trained. Went on long walks. Read books. Some on law. Stopped meeting bad friends. Good ones too, by the way. The ones I had left after all the boozing. I don’t know why in fact, it was like a big cleanup. Everything in my old life had to go, good as well as bad. One day I sat down and rang round all those I thought I had known in my former life and said: ‘Hi, we can’t meet anymore. It was nice knowing”
― Jo Nesbø, The Bat

“…the girl he loved, but wished he didn't love, because he didn't want to love someone who was just like him, imperfect, with faults and failings, another self-sacrificing, pathetic slave to love, who obediently read people's lips but never spoke herself, who subordinated herself and found her reward in that. But at the same time, he couldn't manage not to love her. She was everything he wished he didn't want. She was his own humiliation. And the best, the most human, the most beautiful thing he knew.”
― Jo Nesbø

“There's a strange sensation - you recall it from childhood - about sleeping in the afternoon. You rise into a different world from the one in which you lay down. The shadows have been rearranged. There's a sensation of sad sweetness, as if something has been overlooked. I used to feel it coming out of the movies just before dinnertime, after the matinee. How, I wondered, did Broadway actors face it, this bittersweet sense of time's slipping past.”
― Jacquelyn Mitchard, The Breakdown Lane

“You have that syndrome that chronically sick kids get, like overdeveloped conscience syndrome," she announced.
"You made that up."
Juliet laughed. "I did. You have it though. You always feel like you're inconveniencing somebody."
"I am always inconveniencing somebody. I'm an inconvenient person."
"But you're not. We didn't ask to be born this way, Allie. The world owes you one. Not the other way around.”
― Jacquelyn Mitchard, What We Saw at Night

“I’ll always remember our first night together, you so flushed and shy, me knowing what I know but scared too because you are the first one I loved.

We poured our loneliness into each other and filled the emptiness and dark corners of this place with joy.

I think of your long straight back, your strong legs, your hair on the pillow, your dark eyes close, and say your name over and over...it is the sound of bells.”
― Jacquelyn Mitchard, The Most Wanted

“When I was fourteen, I thought a lot about killing myself—it’s a hobby today, but at age fourteen it was a vocation. On a September morning, just after school started, I’d gotten Diane’s .44 Magnum and held it, babylike, in my lap for hours. What an indulgence it would be, to just blow off my head, all my mean spirits disappearing with a gun blast, like blowing a seedy dandelion apart. But I thought about Diane, and her coming home to my small torso and a red wall, and I couldn’t do it. It’s probably why I was so hateful to her, she kept me from what I wanted the most.”
― Gillian Flynn, Dark Places

“I felt hollowed out. My mom's death was not useful. I felt a shot of rage at her, and then imagined those last bloody moments in the house, when she realized it had gone wrong, when Debby lay dying, and it was all over, her unsterling life.
My anger gave way to a strange tenderness, what a mother might feel for her child, and I thought, At least she tried. She tried, on that final day, as hard as anyone could have tried.
And I would try to find peace in that.”
― Gillian Flynn, Dark Places

“Whenever I see news stories about children who were killed by their parents, I think: But how could it be? They cared enough to give this kid a name, they had a moment—at least one moment—when they sifted through all the possibilities and picked one specific name for their child, decided what they would call their baby. How could you kill something you cared enough to name?”
― Gillian Flynn, Dark Places

“I always feel as if I'm struggling to become someone else. As if I'm trying to find a new place, grab hold of a new life, a new personality. I suppose it's part of growing up, yet it's also an attempt to re-invent myself. By becoming a different me, I could free myself of everything. I seriously believed I could escape myself - as long as I made the effort. But I always hit a dead end. No matter where I go, I still end up me. What's missing never changes. The scenery may change, but I'm still the same old incomplete person. The same missing elements torture me with a hunger that I can never satisfy. I think that lack itself is as close as I'll come to defining myself.”
― Haruki Murakami, South of the Border, West of the Sun

“I am always amazed that so many people are concerned with wanting to be what they are not;What is the point of making yourself look ridiculous?

You don't always have to pretend to be strong,there is no need to prove all the time that everything is going well,you shouldn't be concerned about what other people are thinking.

Cry if you need to,it's good to cry out all your tears,because only then you will be able to smile again...”
― Paulo Coelho, Like the Flowing River

“I remember a friend of mine once telling me that we hate what we fear in ourselves,”
― John Boyne, The Heart's Invisible Furies

“I turned to leave and was exiting the gates when I heard the sound of feet running quickly along the gravel behind me. I turned and saw Alexei, who showed no sign of slowing down, so I opened my arms and he ran into them, embracing me tightly, his arms wrapped around my neck as I lifted him off the ground.

"I wanted you to know," he said, his voice choked up as if he was trying to stop himself from crying, "I wanted you to know that you can be my brother if you like. As long as you let me be yours.”
― John Boyne, The House of Special Purpose

“The problem with today’s young people’, I said, ‘isn’t that they do things which are bad for them, as so much of the media likes to think. It’s that they don’t do these things right. You’re all so intent on getting off your heads on drugs that you don’t think about the fact that you could overdose and, to put it plainly, die. You drink until your liver explodes. You smoke until your lungs collapse beneath the rot. You create diseases which threaten to wipe you out. Have fun, by all means. Be debauched, it’s your duty. But be wise about it. All things in excess, but just know how to cope with them, that’s all I ask.”
― John Boyne, The Thief of Time

“I realize I'm crying a little, too. I remember. Sometimes pain is so unmanageable that the idea of spending another day with it seems impossible. Other times pain acts as a compass to help you through the messier tunnels of growing up. But pain can only help you find happiness if you remember it.”
― Adam Silvera, More Happy Than Not

“People have their time stamps on how long you should know someone before earning the right to say it, but I wouldn't like to you no matter how little time we have. People waste time and wait for the right moment and we don't have that luxury. If we had our entire lives ahead of us I bet you'd get tired of me telling you how much I love you because I'm positive that's thepath we were heading on. But because we're about to die, I want to say it as many times as I want--I love you, I love you, I love you, I love you.”
― Adam Silvera, They Both Die at the End

“I think we’re already dead, dude. Not everyone, just Deckers. The whole Death-Cast thing seems too fantasy to be true. Knowing when our last day is going down so we can live it right? Straight-up fantasy. The first afterlife kicks off when Death-Cast tells us to live out our day knowing it’s our last; that way we’ll take full advantage of it, thinking we’re still alive. Then we enter the next and final afterlife without any regrets”
― Adam Silvera, They Both Die at the End

“Jackson’s crying wakes me up. He’s trying to suppress it, but it keeps slipping out. He sounds a lot like me the past few days, how I’d give in to the grief but make sure I wasn’t loud enough to draw attention from those who think words will make me feel better. I can’t turn around because if the bed creaks, he’ll know I’m awake. I don’t know how to comfort this outsider. Jackson,”
― Adam Silvera, History Is All You Left Me

“I know Dad killed himself because of me. Mom thinks that his recent jail stint tipped him over the edge, that his many chemical imbalances caught up with him. Now I keep searching for happiness so I don’t end up like he did. I learn about this town called Happy in Texas and think about how that must be the greatest place to live. I teach myself how to say and read and write happy in Spanish, German, Italian, and even Japanese but I would have to draw that last one out. I discover the happiest animal in the world, the quokka. He’s a cheeky little bastard that’s always smiling. But it’s not enough. The memories are still rattling around my head, twisting into me like a knife. I don’t want to wait around to see what comes next for me in this tragic story I’m living. I open up one of my father’s unused razors and cut into my wrist like he did, slit in a curve until it smiles so everyone will know I died for happiness. I was expecting relief but instead it’s the saddest pain I’ve ever experienced. I never once stop feeling empty or unworthy of anyone’s rescue, not even when the thin line on my wrist makes everything go red. I”
― Adam Silvera, More Happy Than Not

“My mom guards me. Dad wraps his big hands around her throat, shaking her. “Huh, you still think he’s making the right choice?” I run over, grab his TV remote, and hit him so hard in the back of his head with it that the batteries pop out. He shoves my mom into the intercom phone and she falls to the floor, desperately trying to catch her breath. Before I can check on her, my dad—the man who fucking played catch with me—punches me in the back of my head, and I crash into a tower of Eric’s used games. He drags me by my shirt collar and leaves me outside the apartment door. “I’ll be damned if I’m alive the day you bring a boy home, you fucking faggot.” I hear the door lock and I cry harder than I ever have in my entire life because I can’t change the way I am, not as fast and as easily as my father just stopped being Dad. Last night I was left out in the hallway”
― Adam Silvera, More Happy Than Not

“And this was perhaps the first time in my life that death occurred to me as a reality. I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it—it, the physical act. I had thought of suicide when I was much younger, as, possibly, we all have, but then it would have been for revenge, it would have been my way of informing the world how awfully it had made me suffer. But the silence of the evening, as I wandered home, had nothing to do with that storm, that far off boy. I simply wondered about the dead because their days had ended and I did not know how I would get through mine.”
― James Baldwin, Giovanni’s Room

“You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?”
― James Baldwin, Giovanni’s Room

“What are you doing all the time? And why do you say nothing? You are evil, you know, and sometimes when you smiled at me I hated you. I wanted to strike you. I wanted to make you bleed. You smiled at me the way you smiled at everyone, you told me what you told everyone— and you tell nothing but lies. What are you always hiding? And do you think I did not know when you made love to me, you were making love to no one? No one! Or everyone—but not me, certainly. I am nothing to you, nothing, and you bring me fever but no delight.”
― James Baldwin, Giovanni’s Room

“recant, v.

I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.”
― David Levithan, The Lover's Dictionary