Duarte Cunha > Duarte's Quotes

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  • #1
    J.D. Salinger
    “I'm quite illiterate, but I read a lot. ”
    J.D. Salinger, The Catcher in the Rye

  • #2
    Albert Camus
    “It was as if that great rush of anger had washed me clean, emptied me of hope, and, gazing up at the dark sky spangled with its signs and stars, for the first time, the first, I laid my heart open to the benign indifference of the universe.
    To feel it so like myself, indeed, so brotherly, made me realize that I'd been happy, and that I was happy still. For all to be accomplished, for me to feel less lonely, all that remained to hope was that on the day of my execution there should be a huge crowd of spectators and that they should greet me with howls of execration.”
    Albert Camus, The Stranger

  • #3
    Michel Houellebecq
    “People often say that the English are very cold fish, very reserved, that they have a way of looking at things – even tragedy – with a sense of irony. There’s some truth in it; it’s pretty stupid of them, though. Humor won’t save you; it doesn’t really do anything at all. You can look at life ironically for years, maybe decades; there are people who seem to go through most of their lives seeing the funny side, but in the end, life always breaks your heart. Doesn’t matter how brave you are, how reserved, or how much you’ve developed a sense of humor, you still end up with your heart broken. That’s when you stop laughing. In the end there’s just the cold, the silence and the loneliness. In the end, there’s only death.”
    Michel Houellebecq, The Elementary Particles

  • #4
    Julian Barnes
    “How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but—mainly—to ourselves.”
    Julian Barnes, The Sense of an Ending

  • #5
    Milan Kundera
    “There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.”
    Milan Kundera, The Unbearable Lightness of Being

  • #6
    Albert Camus
    “Mother died today. Or maybe yesterday; I can't be sure.”
    Albert Camus, The Stranger

  • #7
    J.D. Salinger
    “I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.”
    J.D. Salinger, The Catcher in the Rye

  • #8
    J.D. Salinger
    “I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.”
    J.D. Salinger, The Catcher in the Rye

  • #9
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #10
    J.D. Salinger
    “And I have one of those very loud, stupid laughs. I mean if I ever sat behind myself in a movie or something, I'd probably lean over and tell myself to please shut up.”
    J.D. Salinger, The Catcher in the Rye

  • #11
    J.D. Salinger
    “When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.”
    J.D. Salinger, The Catcher in the Rye

  • #12
    J.D. Salinger
    “If a girl looks swell when she meets you, who gives a damn if she's late?”
    J.D. Salinger, The Catcher in the Rye

  • #13
    J.D. Salinger
    “All morons hate it when you call them a moron.”
    J.D. Salinger, The Catcher in the Rye

  • #14
    J.D. Salinger
    “Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.”
    J.D. Salinger

  • #15
    Machado de Assis
    “Marcela amou-me durante quinze meses e onze contos de réis”
    Machado de Assis, Memórias póstumas de Brás Cubas

  • #16
    Machado de Assis
    “Ao verme que primeiro roeu as frias carnes do meu cadáver dedico como saudosa lembrança estas memórias póstumas”
    Machado de Assis, Memórias póstumas de Brás Cubas

  • #17
    Machado de Assis
    “Este último capítulo é todo de negativas. Não alcancei a celebridade do emplasto, não fui ministro, não fui califa, não conheci o casamento. Verdade é que, ao lado dessas faltas, coube-me a boa fortuna de não comprar o pão com o suor do meu rosto. Mais; não padeci a morte de D. Plácida, nem a semidemência do Quincas Borba. Somadas umas coisas e outras, qualquer pessoa imaginará que não houve míngua nem sobra, e conseguintemente que saí quite com a vida. E imaginará mal; porque ao chegar a este outro lado do mistério, achei-me com um pequeno saldo, que é a derradeira negativa deste capítulo de negativas: — Não tive filhos, não transmiti a nenhuma criatura o legado da nossa miséria.”
    Machado de Assis, Memórias póstumas de Brás Cubas

  • #18
    Machado de Assis
    “Talvez espante ao leitor a franqueza com que lhe exponho e realço a minha mediocridade; advirta que a franqueza é a primeira virtude de um defunto. Na vida, o olhar da opinião, o contraste dos interesses, a luta das cobiças obrigam a gente a calar os trapos velhos, a disfarçar os rasgões e os remendos, a não estender ao mundo as revelações que faz à consciência; e o melhor da obrigação é quando, à força de embaçar os outros, embaça-se um homem a si mesmo, porque em tal caso poupa-se o vexame, que é uma sensação penosa, e a hipocrisia, que é um vício hediondo. Mas, na morte, que diferença! Que desabafo! Que liberdade! Como a gente pode sacudir fora a capa, deitar ao fosso as lentejoulas, despregar-se, despintar-se, desafeitar-se, confessar lisamente o que foi e o que deixou de ser!”
    Machado de Assis, Memórias Póstumas de Brás Cubas

  • #19
    David Foster Wallace
    “Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly.”
    David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

  • #20
    Machado de Assis
    “eu, prestes a deixar o mundo, sentia um prazer satânico em mofar dele, em persuadir-me que não deixava nada.”
    Joaquim Machado de Assis, Memórias Póstumas de Brás Cubas

  • #21
    Flann O'Brien
    “When a man sleeps, he is steeped and lost in a limp toneless happiness: awake he is restless, tortured by his body and the illusion of existence. Why have men spent the centuries seeking to overcome the awakened body? Put it to sleep, that is a better way. Let it serve only to turn the sleeping soul over, to change the blood-stream and thus make possible a deeper and more refined sleep.”
    Flann O'Brien, At Swim-Two-Birds

  • #22
    Flann O'Brien
    “When things go wrong and will not come right,
    Though you do the best you can,
    When life looks black as the hour of night,
    A PINT OF PLAIN IS YOUR ONLY MAN.”
    Flann O'Brien, At Swim-Two-Birds

  • #23
    John  Williams
    “The love of literature, of language, of the mystery of the mind and heart showing themselves in the minute, strange, and unexpected combinations of letters and words, in the blackest and coldest print—the love which he had hidden as if it were illicit and dangerous, he began to display, tentatively at first, and then boldly, and then proudly.”
    John Williams, Stoner

  • #24
    John  Williams
    “He had, in odd ways, given it to every moment of his life, and had perhaps given it most fully when he was unaware of his giving. It was a passion neither of the mind nor of the flesh; rather, it was a force that comprehended them both, as if they were but the matter of love, its specific substance. To a woman or to a poem, it said simply: Look! I am alive.”
    John Williams, Stoner

  • #25
    John  Williams
    “It's for us that the University exists, for the dispossessed of the world; not for the students, not for the selfless pursuit of knowledge, not for any of the reasons that you hear. We give out the reasons, and we let a few of the ordinary ones in, those that would do in the world; but that's just protective coloration. Like the church in the Middle Ages, which didn't give a damn about the laity or even about God, we have our pretenses in order to survive. And we shall survive—because we have to.”
    John Williams, Stoner

  • #26
    John  Williams
    “Sometimes, immersed in his books, there would come to him the awareness of all that he did not know, of all that he had not read; and the serenity for which he labored was shattered as he realized the little time he had in life to read so much, to learn what he had to know.”
    John Williams, Stoner

  • #27
    Bohumil Hrabal
    “Because when I read, I don't really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.”
    Bohumil Hrabal, Too Loud a Solitude

  • #28
    Bohumil Hrabal
    “No book worth its salt is meant to put you to sleep, it's meant to make you jump out of your bed in your underwear and run and beat the author's brains out.”
    Bohumil Hrabal, Dancing Lessons for the Advanced in Age

  • #29
    Bohumil Hrabal
    “My education has been so unwitting I can't quite tell which of my thoughts come from me and which from my books, but that's how I've stayed attuned to myself and the world around me for the past thirty-five years. Because when I read, I don't really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.”
    Bohumil Hrabal, Too Loud a Solitude

  • #30
    Bohumil Hrabal
    “I was always lucky in my bad luck.”
    Bohumil Hrabal I Served The King of England



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