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  • #1
    Jean-Paul Sartre
    “I suppose it is out of laziness that the world is the same day after day. Today it seemed to want to change. And then anything, anything could happen.”
    Jean-Paul Sartre, Nausea

  • #2
    Jean-Paul Sartre
    “I am going to outlive myself. Eat, sleep, sleep, eat. Exist slowly, softly, like these trees, like a puddle of water, like the red bench in the streetcar.”
    Jean-Paul Sartre, Nausea

  • #3
    Jean-Paul Sartre
    “My thought is me: that's why I can't stop. I exist because I think… and I can't stop myself from thinking. At this very moment - it's frightful - if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire.”
    Jean-Paul Sartre, Nausea

  • #4
    Jean-Paul Sartre
    “Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up; I forget them almost immediately.”
    Jean-Paul Sartre, Nausea

  • #5
    Jean-Paul Sartre
    “You must be like me; you must suffer in rhythm.”
    Jean-Paul Sartre, Nausea

  • #6
    Jean-Paul Sartre
    “People who live in society have learnt how to see themselves, in mirrors, as they appear to their friends. I have no friends: is that why my flesh is so naked?”
    Jean-Paul Sartre, Nausea

  • #7
    Jean-Paul Sartre
    “I think that is the big danger in keeping a diary: you exaggerate everything.”
    Jean-Paul Sartre, Nausea

  • #8
    Jean-Paul Sartre
    “I exist. It is soft, so soft, so slow. And light: it seems as though it suspends in the air. It moves.”
    Jean-Paul Sartre, Nausea

  • #9
    Anaïs Nin
    “You don’t know how I marvel at your ability to absorb quickly and then turn about, rain down the spears, nail it, penetrate it, envelop it with your intellect.”
    Anaïs Nin, A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953

  • #10
    Jean-Paul Sartre
    “It's quite an undertaking to start loving somebody. You have to have energy, generosity, blindness. There is even a moment right at the start where you have to jump across an abyss: if you think about it you don't do it.”
    Jean-Paul Sartre, Nausea

  • #11
    Jean-Paul Sartre
    “But I must finally realize that I am subject to these sudden transformations. The thing is that I rarely think; a crowd of small metamorphoses accumulate in me without my noticing it, and then, one fine day, a veritable revolution takes place.”
    Jean-Paul Sartre, Nausea

  • #12
    Jean-Paul Sartre
    “Existence is not something which lets itself be thought of from a distance; it must invade you suddenly, master you, weigh heavily on your heart like a great motionless beast - or else there is nothing at all.”
    Jean-Paul Sartre, Nausea

  • #13
    Jean-Paul Sartre
    “Time is too large, it can't be filled up. Everything you plunge into it is stretched and disintegrates.”
    Jean-Paul Sartre, Nausea

  • #15
    Jean-Paul Sartre
    “What is there to fear in such a regular world?”
    Jean-Paul Sartre, Nausea

  • #16
    James Joyce
    “I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #17
    James Joyce
    “Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #18
    Algernon Blackwood
    “Great revelations of nature, of course, never fail to impress in one way or another, and I was no stranger to moods of the kind. Mountains overawe and oceans terrify, while the mystery of great forests exercises a spell peculiarly its own. But all these, at one point or another, somewhere link on intimately with human life and human experience. They stir comprehensible, even if alarming, emotions. They tend on the whole to exalt.”
    Algernon Blackwood, The Willows

  • #19
    Algernon Blackwood
    “The loneliness of the place had entered our very bones, and silence seemed natural, for after a bit the sound of our voices became a trifle unreal and forced; whispering would have been the fitting mode of communication, I felt, and the human voice, always rather absurd amid the roar of the elements, now carried with it something almost illegitimate. It was like talking out loud in church, or in some place where it was not lawful, perhaps not quite safe, to be overheard.”
    Algernon Blackwood, The Willows

  • #20
    “I think about dying but I dont want to die. Not even close. In fact my problem is the complete opposite. I want to live, I want to escape. I feel trapped and bored and claustrophobic. There’s so much to see and so much to do but I somehow still find myself doing nothing at all. I’m still here in this metaphorical bubble of existence and I can’t quite figure out what the hell I’m doing or how to get out of it.”
    Matty Healy

  • #21
    “The idea of losing something is toying with the idea of having it in the first place, so I suppose I’ll be alright.”
    Matty Healy

  • #22
    Julie Delpy
    “I believe if there's any kind of God it wouldn't be in any of us, not you or me but just this little space in between. If there's any kind of magic in this world it must be in the attempt of understanding someone sharing something. I know, it's almost impossible to succeed but who cares really? The answer must be in the attempt.”
    Julie Delpy, Before Sunrise & Before Sunset: Two Screenplays

  • #23
    Anaïs Nin
    “I walk into the fire always, and come out more alive.”
    Anaïs Nin, The Diary of Anaïs Nin Volume 4 1944-1947
    tags: fire

  • #24
    Anaïs Nin
    “Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.”
    Anaïs Nin

  • #25
    Pablo Neruda
    “Sonnet XVII

    I do not love you as if you were salt-rose, or topaz,
    or the arrow of carnations the fire shoots off.
    I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.

    I love you as the plant that never blooms
    but carries in itself the light of hidden flowers;
    thanks to your love a certain solid fragrance,
    risen from the earth, lives darkly in my body.

    I love you without knowing how, or when, or from where.
    I love you straightforwardly, without complexities or pride;
    so I love you because I know no other way than this:

    where I does not exist, nor you,
    so close that your hand on my chest is my hand,
    so close that your eyes close as I fall asleep. ”
    Pablo Neruda

  • #26
    Mary MacLane
    “I am not good. I am not virtuous. I am not sympathetic. I am not generous. I am merely and above all a creature of intense passionate feeling. I feel—everything. It is my genius. It burns me like fire.”
    Mary MacLane, I Await the Devil's Coming

  • #27
    Virginia Woolf
    “Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.”
    Virginia Woolf

  • #28
    Virginia Woolf
    “Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.”
    Virginia Woolf, The Waves

  • #29
    Virginia Woolf
    “To look life in the face, always, to look life in the face, and to know it for what it is...at last, to love it for what it is, and then, to put it away...”
    Virginia Woolf

  • #30
    Virginia Woolf
    “For it would seem - her case proved it - that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.”
    Virginia Woolf, Orlando

  • #31
    Virginia Woolf
    “Arrange whatever pieces come your way.”
    Virginia Woolf, A Writer's Diary



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