pyziot > pyziot's Quotes

“I'm sick of not having the courage to be an absolute nobody.”
― J.D. Salinger, Franny and Zooey

“I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.”
― J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

“The very last house stood all by itself under a dark green wall of fir-trees, and here the wild country really began. Snufkin walked faster and faster straight into the forst. Then the door of the last house opened a chink and a very old voice cried: 'Where are you off to?'
'I don't know,' Snufkin replied.
The door shut again and Snufkin entered his forest, with a hundred miles of silence ahead of him.”
― Tove Jansson, Moominland Midwinter

“The most beautiful part of your body
is where it’s headed. & remember,
loneliness is still time spent
with the world.”
― Ocean Vuong

“I don't care where an actor acts. It can be in summer stock, it can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret — Are you listening to me? There isn't anyone out there who isn't Seymour's Fat Lady. That includes your Professor Tupper, buddy. And all his goddam cousins by the dozens. There isn't anyone anywhere that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know — listen to me, now — don't you know who that Fat Lady really is? . . . Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.”
― J.D. Salinger, Franny and Zooey

“The fact is always obvious much too late, but the most singular difference between happiness and joy is that happiness is a solid and joy a liquid.”
― J.D. Salinger, Nine Stories

“Try explaining a life bundled with episodes of this - swallowing mud, swallowing glass, the smell of blood on the first four knuckles. We pull our boots on with both hands but we can't punch ourselves awake and all I can do is stand on the curb and say 'Sorry about the blood in your mouth. I wish it was mine.”
― Richard Silken

“We got passes, till midnight after the parade. I met Muriel at the Biltmore at seven. Two drinks, two drugstore tuna-fish sandwiches, then a movie she wanted to see, something with Greer Garson in it. I looked at her several times in the dark when Greer Garson’s son’s plane was missing in action. Her mouth was opened. Absorbed, worried. The identification with Metro-Goldwyn-Mayer tragedy complete. I felt awe and happiness. How I love and need her undiscriminating heart. She looked over at me when the children in the picture brought in the kitten to show to their mother. M. loved the kitten and wanted me to love it. Even in the dark, I could sense that she felt the usual estrangement from me when I don’t automatically love what she loves. Later, when we were having a drink at the station, she asked me if I didn’t think that kitten was ‘rather nice.’ She doesn’t use the word ‘cute’ any more. When did I ever frighten her out of her normal vocabulary? Bore that I am, I mentioned R. H. Blyth’s definition of sentimentality: that we are being sentimental when we give to a thing more tenderness than God gives to it. I said (sententiously?) that God undoubtedly loves kittens, but not, in all probability, with Technicolor bootees on their paws. He leaves that creative touch to script writers. M. thought this over, seemed to agree with me, but the ‘knowledge’ wasn’t too very welcome. She sat stirring her drink and feeling unclose to me. She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn’t as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.”
― J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

“I believe I essentially remain what I have always been—a narrator, but one with extremely pressing personal needs. I want to introduce, I want to describe, I want to distribute mementos, amulets, I want to break out my wallet and pass around snapshots, I want to follow my nose. In this mood I don't dare go anywhere near the short story form. It eats up little fat undetached writers like me.”
― J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

“The more I love humanity in general the less I love man in particular. In my dreams, I often make plans for the service of humanity, and perhaps I might actually face crucifixion if it were suddenly necessary. Yet I am incapable of living in the same room with anyone for two days together. I know from experience. As soon as anyone is near me, his personality disturbs me and restricts my freedom. In twenty-four hours I begin to hate the best of men: one because he’s too long over his dinner, another because he has a cold and keeps on blowing his nose. I become hostile to people the moment they come close to me. But it has always happened that the more I hate men individually the more I love humanity.”
― Fyodor Dostoevsky, The Brothers Karamazov

“You won’t understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.”
― Hanya Yanagihara, A Little Life

“Friendship was witnessing another’s slow drip of miseries, and long bouts of boredom, and occasional triumphs. It was feeling honored by the privilege of getting to be present for another person’s most dismal moments, and knowing that you could be dismal around him in return.”
― Hanya Yanagihara, A Little Life

“You see, Jude, in life, sometimes nice things happen to good people. You don’t need to worry—they don’t happen as often as they should. But when they do, it’s up to the good people to just say ‘thank you,’ and move on, and maybe consider that the person who’s doing the nice thing gets a bang out of it as well, and really isn’t in the mood to hear all the reasons that the person for whom he’s done the nice thing doesn’t think he deserves it or isn’t worthy of it.”
― Hanya Yanagihara, A Little Life

“In the struggle between yourself and the world, hold the world’s coat.”
― Franz Kafka, The Zürau Aphorisms

“You know, that might be the answer – to act boastfully about something we ought to be ashamed of. That’s a trick that never seems to fail.”
― Joseph Heller, Catch-22

“I love borders. August is the border between summer and autumn; it is the most beautiful month I know.

Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing: when both have fallen in love but still haven't said anything. The border is to be on the way. It is the way that is the most important thing.”
― Tove Jansson

“Sunlight pouring across your skin, your shadow
flat on the wall.
The dawn was breaking the bones of your heart like twigs.
You had not expected this,
the bedroom gone white, the astronomical light pummeling
you in a stream of fists.
You raised your hand to your face as if
to hide it, the pink fingers gone gold as the light
streamed straight to the bone,
as if you were the small room closed in glass
With every speck of dust illuminated.
The light is no mystery,
the mystery is that there is something to keep the light
From passing through.”
― Richard Siken, Crush

“The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.”
― J.D. Salinger, Nine Stories

“I prayed for the city to be cleared of people, for the gift of being alone—a-l-o-n-e: which is the one New York prayer that rarely gets lost or delayed in channels, and in no time at all everything I touched turned to solid loneliness.”
― J.D. Salinger, Nine Stories

“Just before I fell asleep, the moaning sound again came through the wall from the Yoshotos' bedroom. I pictured both Yoshotos coming to me in the morning and asking me, begging me, to hear their secret problem out, to the last terrible detail. I saw exactly how it would be. I would sit down between them at the kitchen table and listen to each of them. I would listen, listen, listen, with my head in my hands--till finally, unable to stand it any longer, I would reach down into Madame Yoshoto's throat, take up her heart in my hand and warm it as I would a bird.”
― J.D. Salinger, Nine Stories

“It is easy to love people in memory; the hard thing is to love them when they are there in front of you.”
― John Updike, My Father's Tears and Other Stories

“You can’t ever be really free if you admire somebody else too much, I know.”
― Tove Jansson, Tales from Moominvalley

“Przed każdym dobrym uczuciem człowieka trzeba klękać jak przed świętością, jak przed gwiazdą. Ochraniać, nieść jak światło, a jeśli jest tego chociaż iskierka, to dmuchać aż do utraty tchu. Ludzie mają dziś mało czasu na wielkie uczucia; zrywają się rano, chłepczą swoje zupki w barach mlecznych, tłoczą się w tramwajach, kupują tandetne meble w domach towarowych na raty, kłócą się z konduktorami o pięć groszy i tak dalej. Klękać – powiedział – klękać. Życie nie daje żadnych gwarancji na przyszłość. Każdemu, który mówi: "Zostaw to, za parę lat przyjdzie co innego", powinno się pluć w gębę. Co przyjdzie? Kiedy przyjdzie? Każde szczęście przychodzi złą drogą.”
― Marek Hłasko, Ósmy dzień tygodnia. Cmentarze

“I pop a beautiful sentence into my mouth and suck it like a fruit drop.”
― Bohumil Hrabal

“Perfection belongs to narrated events, not to those we live.”
― Primo Levi, The Periodic Table

“Spring is passing by!
Birds are weeping and the eyes
Of fish fill with tears.”
― Matsuo Bashō, The Narrow Road to Oku Audio Edition (Japanese)

“It's funny about paths and rivers," he mused. "You see them go by, and suddenly you feel upset and want to be somewhere else--wherever the path or the river is going, perhaps.”
― Tove Jansson, Comet in Moominland

“Wsi, a raczej ziemi, gleby, przestworu w tej porze roku doktor nigdy jeszcze nie widział. Budził się w nim święty instynkt praczłowieczy, mglista namiętność do roli, do siewu i pielęgnowania zboża. Uczucia jego rozproszyły się i błąkały w tych szerokich widokach. Tam pod lasem, który dopiero zaczęły barwić liście, wśród wzgórza otoczonego drzewami leży miejsce na dom. Olchy i sokory jeszcze są czarne. Tylko wysmukła, strzelista brzoza okryła się już cienką mgłą liści tak szczelnie, że nagie pręty już się ukryły. Dokoła pniów uśmiechają się bladoniebieskie przylaszczki. Obok lasu ciągnie się wąska dolina, a środkiem niej przepływa strumień. Jakiś człowiek idzie po zboczu górki, schyla się, coś tam robi, nad czymś pracuje, coś sadzi czy sieje...
"Szczęść ci Boże, człowieku... Niech się stokrotnie urodzi twe ziarno" – myśli Judym i zatapia oczy w tym miejscu, jakby było domem jego rodzinnym.”
― Stefan Żeromski, Ludzie bezdomni

“Ja nie mogę żyć jak miliony ludzi. Przecież nieraz uciekam na dwa miesiące w Alpy, w Pireneje, na jedną wysepkę u brzegów bretońskich. Rzucam gazety, książki, nie odpieczętowuję listów... I cóż mi z tego? Zawsze i wszędzie widzę odbity świat w sobie, w mojej duszy nieszczęsnej.”
― Stefan Żeromski, Ludzie bezdomni

“Była cisza tak głęboka, że słyszało się ciche, drżące dzwonienie świerszcza polnego. Człowiek mógł liczyć bicie swego serca i uczuwać szelest krwi biegnącej w żyłach.
Przychodziły myśli dziwne, natchnione, jakby nie myśli człowieka, tylko jej, tej zaklętej, zaczarowanej polany. Widziało się, że ten skrawek leśnej łąki jeden jedyny jest na świecie, że człowiek po to żyje, aby weń zatopił ducha swego i marzył. Żeby marzył o tych rzeczach, które leżą w głębi, w ciemności, w zamknięciu, które nie przemijają, nie giną, które są proste, naiwne i bezczelne jak ta polanka. Żeby dozwalał z serca swego płynąć wszystkiemu, co w nim jest, wszelkiej świętości i brzydocie.”
― Stefan Żeromski, Ludzie bezdomni