kymberly˚ · .˚ ༘༄;⋆｡˚ > kymberly˚ · .˚ ༘༄;⋆｡˚'s Quotes

“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
― Haruki Murakami, Norwegian Wood

“For someone who loved words as much as I did, it was amazing how often they failed me.”
― M.L. Rio, If We Were Villains

“You can justify anything if you do it poetically enough.”
― M.L. Rio, If We Were Villains

“Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it; and every day confirms my belief of the inconsistency of all human characters, and of the little dependence that can be placed on the appearance of merit or sense.”
― Jane Austen, Pride and Prejudice

“Facilis descensus Averno:
Noctes atque dies patet atri ianua Ditis;
Sed revocare gradium superasque evadere ad auras,
Hoc opus, hic labor est.
(The gates of Hell are open night and day;
Smooth the descent, and easy is the way:
But to return, and view the cheerful skies,
In this task and mighty labor lies.)”
― Virgil, The Aeneid

“Sometimes you are erased before you are given the choice of stating who you are.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Because a bullet without a body is a song without ears.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“He loves me, he loves me not, we are taught to say, as we tear the flower from its flowerness. To arrive at love, then, is to arrive through obliteration. Eviscerate me, we mean to say, and I'll tell you the truth.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Do you remember the happiest day of your life? What about the saddest? Do you ever wonder if sadness and happiness can be combined, to make a deep purple feeling, not good, not bad, but remarkable simply because you didn't have to live on one side or the other?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“They say nothing lasts forever but they're just scared it will last longer than they can love it.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Maybe in the next life we'll meet each other for the first time- believing in everything but the harm we're capable of. Maybe we'll be the opposite of buffaloes. We'll grow wings and spill over the cliff as a generation of monarchs, heading home. Green Apple.

Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips.

Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more.

As a rule, be more.

As a rule, I miss you.

As a rule,"little" is always smaller than "small". Don't ask me why.

I'm sorry I don't call enough.

Green Apple.

I'm sorry I keep saying How are you? when I really mean Are you happy?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Let no one mistake us for the fruit of violence - but that violence, having passed through the fruit, failed to spoil it.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Actions punishable by jail sentences are not the only crimes. If we knew the antonym of crime, I think we would know its true nature. God . . . salvation . . . love . . . light. But for God there is the antonym Satan, for salvation there is perdition, for love there is hate, for light there is darkness, for good, evil. Crime and prayer? Crime and repentance? Crime and confession? Crime and ... no, they’re all synonymous. What is the opposite of crime?”
― Osamu Dazai, No Longer Human

“I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘all right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool — that’s the best thing a girl can be in this world, a beautiful little fool.”
― F. Scott Fitzgerald, The Great Gatsby

“I keep it always full of interesting people, night and day. People who do interesting things. Celebrated people.”
― F. Scott Fitzgerald, The Great Gatsby

“And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning——

So we beat on, boats against the current, borne back ceaselessly into the past.”
― F. Scott Fitzgerald, The Great Gatsby

“The Tull-Toks claim that everything in the universe can be read. Each star is a living text, where the massive convection currents of superheated gas tell an epic drama, with the starspots serving as punctuation, the coronal loops extended figures of speech, and the flares emphatic passages that ring true in the deep silence of cold space. Each planet contains a poem, written out in the bleak, jagged, staccato rhythm of bare rocky cores or the lyrical, lingering, rich rhymes—both masculine and feminine—of swirling gas giants. And then there are the planets with life, constructed like intricate jeweled clockwork, containing a multitude of self-referential literary devices that echo and re-echo without end.”
― Ken Liu, Lightspeed Magazine, August 2012

“She took out her candle, put it in the candleholder I made for her, and lit it at both ends. When she lit her soul like that she was her most beautiful. Her face glowed. Her pale skin was lit form within like a Chinese paper lantern about to burst into flame.”
― Ken Liu

“Perhaps it is the dream of every parent to keep their child in that brief period between helpless dependence and separate selfhood when the parent is seen as perfect, faultless. It is a dream of control and mastery disguised as love, the dream that Lear had about Cordelia”
― Ken Liu, The Paper Menagerie

“In an extraordinary time, he faced extraordinary choices, and maybe some would say this means that we cannot judge him. But how can we really judge anyone except in the most extraordinary of circumstances? It’s easy to be civilized and display a patina of orderliness in calm times, but your true character only emerges in darkness and under great pressure: is it a diamond or merely a lump of the blackest coal?

Yet, my grandfather was not a monster. He was simply a man of ordinary moral courage whose capacity for great evil was revealed to his and my lasting shame. Labeling someone a monster implies that he is from another world, one which has nothing to do with us. It cuts off the bonds of affection and fear, assures us of our own superiority, but there’s nothing learned, nothing gained. It’s simple, but it’s cowardly. I know now that only by empathizing with a man like my grandfather can we understand the depth of the suffering he caused. There are no monsters. The monster is us.”
― Ken Liu, The Paper Menagerie and Other Stories

“Water flows from high places to low places. That is the nature of gravity. Emotions also seem to act according to gravity. When in the presence of someone with whom you have a bond, and to whom you have entrusted your feelings, it is hard to lie and get away with it. The truth just wants to come flowing out. This is especially the case when you are trying to hide your sadness or vulnerability. It is much easier to conceal sadness from a stranger, or from someone you don’t trust.”
― Toshikazu Kawaguchi, Before the Coffee Gets Cold

“Negativity is food for malady, one might say.”
― Toshikazu Kawaguchi, Before the Coffee Gets Cold

“There is no greater suffering than that of a parent who is unable to save their own child who wants to die.”
― Toshikazu Kawaguchi, Tales from the Cafe

“We can never truly see into the hearts of others. When people get lost in their own worries they can be blind to the feelings of those most important to them.”
― Toshikazu Kawaguchi, Tales from the Cafe

“Nobody likes being alone that much. I don't go out of my way to make friends, that's all. It just leads to disappointment. ”
― Haruki Murakami, Norwegian Wood

“Somewhere between 'not enough' and 'not at all.' I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it - to be fed so much love I couldn't take any more. Just once. But they never gave that to me. Never, not once.”
― Haruki Murakami, Norwegian Wood

“That's the kind of death that frightens me. The shadow of death slowly, slowly eats away at the region of life, and before you know it everything's dark and you can't see, and the people around you think of you as more dead than alive. I hate that. I couldn't stand it.”
― Haruki Murakami, Norwegian Wood

“Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.”
― Haruki Murakami, Norwegian Wood