Danny > Danny's Quotes

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  • #1
    Søren Kierkegaard
    “People understand me so poorly that they don't even understand my complaint about them not understanding me.”
    Søren Kierkegaard, The Journals of Kierkegaard

  • #2
    Søren Kierkegaard
    “The majority of men in every generation, even those who, as it is described, devote themselves to thinking, live and die under the impression that life is simply a matter of understanding more and more, and that if it were granted to them to live longer, that life would continue to be one long continuous growth in understanding. How many of them ever experience the maturity of discovering that there comes a critical moment where everything is reversed, after which the point becomes to understand more and more that there is something which cannot be understood.”
    Søren Kierkegaard, The Journals of Kierkegaard

  • #3
    Jean-Paul Sartre
    “I am alone in the midst of these happy, reasonable voices. All these creatures spend their time explaining, realizing happily that they agree with each other. In Heaven's name, why is it so important to think the same things all together. ”
    Jean-Paul Sartre, Nausea

  • #4
    Jean-Paul Sartre
    “My thought is me: that's why I can't stop. I exist because I think… and I can't stop myself from thinking. At this very moment - it's frightful - if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire.”
    Jean-Paul Sartre, Nausea

  • #5
    Jean-Paul Sartre
    “I am going to outlive myself. Eat, sleep, sleep, eat. Exist slowly, softly, like these trees, like a puddle of water, like the red bench in the streetcar.”
    Jean-Paul Sartre, Nausea

  • #6
    Jean-Paul Sartre
    “I am. I am, I exist, I think, therefore I am; I am because I think, why do I think? I don't want to think any more, I am because I think that I don't want to be, I think that I . . . because . . . ugh!”
    Jean-Paul Sartre, Nausea

  • #7
    Jean-Paul Sartre
    “This is what I thought: for the most banal even to become an adventure, you must (and this is enough) begin to recount it. This is what fools people: a man is always a teller of tales, he sees everything that happens to him through them; and he tries to live his own life as if he were telling a story.
    But you have to choose: live or tell.”
    Jean-Paul Sartre, Nausea

  • #8
    Jean-Paul Sartre
    “I felt myself in a solitude so frightful that I contemplated suicide. What held me back was the idea that no one, absolutely no one, would be moved by my death, that I would be even more alone in death than in life.”
    Jean Paul Sartre, Nausea

  • #9
    Eric Hoffer
    “In the alchemy of man's soul almost all noble attributes--courage, honor, love, hope, faith, duty, loyalty, etc.--can be transmuted into ruthlessness. Compassion alone stands apart from the continuous traffic between good and evil proceeding within us. Compassion is the antitoxin of the soul: where there is compassion even the most poisonous impulses remain relatively harmless.
    Nature has no compassion. It is, in the words of William Blake, "a creation that groans, living on the death; where fish and bird and beast and tree and metal and stone live by devouring." Nature accepts no excuses and the only punishment it knows is death.”
    Eric Hoffer, Reflections on the Human Condition

  • #10
    Eric Hoffer
    “Man was nature’s mistake—she neglected to finish him—and she has never ceased paying for her mistake.”
    Eric Hoffer, Reflections on the Human Condition

  • #11
    Eric Hoffer
    “Patience is a byproduct of growth - we can bide our time when it is the time of our growth. There is no patience in
    acquisition or in the pursuit of power and fame. Nothing is so impatient as the pursuit of a substitute for growth.”
    Eric Hoffer, Reflections on the Human Condition

  • #12
    Søren Kierkegaard
    “People demand freedom of speech as a compensation for the freedom of thought which they seldom use.”
    Søren Kierkegaard

  • #13
    Richard Brautigan
    “Messy, isn't it?”
    Richard Brautigan

  • #14
    Fernando Pessoa
    “Literature is the most agreeable way of ignoring life.”
    Fernando Pessoa, The Book of Disquiet

  • #15
    Fernando Pessoa
    “My soul is impatient with itself, as with a bothersome child; its restlessness keeps growing and is forever the same. Everything interests me, but nothing holds me. I attend to everything, dreaming all the while. […]. I'm two, and both keep their distance — Siamese twins that aren't attached.”
    Fernando Pessoa , The Book of Disquiet

  • #16
    Fernando Pessoa
    “We never love anyone. What we love is the idea we have of someone. It's our own concept—our own selves—that we love.”
    Fernando Pessoa, The Book of Disquiet

  • #17
    Fernando Pessoa
    “I've always rejected being understood. To be understood is to prostitute oneself. I prefer to be taken seriously for what I'm not, remaining humanly unknown, with naturalness and all due respect”
    Fernando Pessoa, The Book of Disquiet

  • #18
    May Sarton
    “Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go.”
    May Sarton, Journal of a Solitude

  • #19
    Yukio Mishima
    “What transforms this world is — knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.”
    Yukio Mishima, The Temple of the Golden Pavilion

  • #20
    Yukio Mishima
    “When a boy… discovers that he is more given into introspection and consciousness of self than other boys his age, he easily falls into the error of believing it is because he is more mature than they. This was certainly a mistake in my case. Rather, it was because the other boys had no such need of understanding themselves as I had: they could be their natural selves, whereas I was to play a part, a fact that would require considerable understanding and study. So it was not my maturity but my sense of uneasiness, my uncertainty that was forcing me to gain control over my consciousness. Because such consciousness was simply a steppingstone to aberration and my present thinking was nothing but uncertain and haphazard guesswork.”
    Yukio Mishima, Confessions of a Mask

  • #21
    Yukio Mishima
    “The special quality of hell is to see everything clearly down to the last detail.”
    Yukio Mishima, The Temple of the Golden Pavilion

  • #22
    Yukio Mishima
    “Do I, then, belong to the heavens?
    Why, if not so, should the heavens
    Fix me thus with their ceaseless blue stare,
    Luring me on, and my mind, higher
    Ever higher, up into the sky,
    Drawing me ceaselessly up
    To heights far, far above the human?
    Why, when balance has been strictly studied
    And flight calculated with the best of reason
    Till no aberrant element should, by rights, remain-
    Why, still, should the lust for ascension
    Seem, in itself, so close to madness?
    Nothing is that can satify me;
    Earthly novelty is too soon dulled;
    I am drawn higher and higher, more unstable,
    Closer and closer to the sun's effulgence.
    Why do these rays of reason destroy me?
    Villages below and meandering streams
    Grow tolerable as our distance grows.
    Why do they plead, approve, lure me
    With promise that I may love the human
    If only it is seen, thus, from afar-
    Although the goal could never have been love,
    Nor, had it been, could I ever have
    Belonged to the heavens?
    I have not envied the bird its freedom
    Nor have I longed for the ease of Nature,
    Driven by naught save this strange yearning
    For the higher, and the closer, to plunge myself
    Into the deep sky's blue, so contrary
    To all organic joys, so far
    From pleasures of superiority
    But higher, and higher,
    Dazzled, perhaps, by the dizzy incandescence
    Of waxen wings.

    Or do I then
    Belong, after all, to the earth?
    Why, if not so, should the earth
    Show such swiftness to encompass my fall?
    Granting no space to think or feel,
    Why did the soft, indolent earth thus
    Greet me with the shock of steel plate?
    Did the soft earth thus turn to steel
    Only to show me my own softness?
    That Nature might bring home to me
    That to fall, not to fly, is in the order of things,
    More natural by far than that improbable passion?
    Is the blue of the sky then a dream?
    Was it devised by the earth, to which I belonged,
    On account of the fleeting, white-hot intoxication
    Achieved for a moment by waxen wings?
    And did the heavens abet the plan to punish me?
    To punish me for not believing in myself
    Or for believing too much;
    Too earger to know where lay my allegiance
    Or vainly assuming that already I knew all;
    For wanting to fly off
    To the unknown
    Or the known:
    Both of them a single, blue speck of an idea?”
    Yukio Mishima, Sun & Steel



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