Roma > Roma's Quotes

“A nook person finds the dog at the party; drinks wine from a mug; sits on the floor and braids carpet tassels only to become self-conscious and unbraid them.”
― Durga Chew-Bose, Too Much and Not the Mood: Essays

“It was from a weekly visit to the cinema that you learned (or tried to learn) how to strut, to smoke, to kiss, to fight, to grieve. Movies gave you tips about how to be attractive (...). But whatever you took home from the movies was only part of the larger experience of losing yourself in faces, in lives that were not yours - which is the more inclusive form of desire embodied in the movie experience. The strongest experience was simply to surrender to, to be transported by, what was on the screen”
― Susan Sontag, Against Interpretation and Other Essays

“Drawing is never reproducing - in order to see, you have to know how to look, and you have to know what you’re looking at.”
― Olga Tokarczuk, Flights

“Living everyday in the presence of those who refuse to acknowledge your humanity takes great courage.”
― Min Jin Lee, Pachinko

“Am I in love? --yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.”
― Roland Barthes, A Lover's Discourse: Fragments

“Money cannot buy health, but I'd settle for a diamond-studded
wheelchair.”
― Dorothy Parker

“You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.”
― Annie Proulx

“Where were you born?"
"On a battlefield," [Yossarian] answered.
"No, no. In what state were you born?"
"In a state of innocence.”
― Joseph Heller, Catch-22

“The nitrogen in our DNA, the calcium in our teeth, the iron in our blood, the carbon in our apple pies were made in the interiors of collapsing stars. We are made of starstuff.”
― Carl Sagan, Cosmos

“Have you no hope at all? And do you really live with the thought that when you die, you die, and nothing remains?" "Yes," I said.”
― Albert Camus, The Stranger

“Three films a day, three books a week and records of great music would be enough to make me happy to the day I die.”
― François Truffaut

“To make someone wait: the constant prerogative of all power, "age-old pastime of humanity".”
― Roland Barthes, A Lover's Discourse: Fragments

“Interpretation takes the sensory experience of the work of art for granted, and proceeds from there. This cannot be taken for granted, now. Think of the sheer multiplication of works of art available to every one of us, superadded to the conflicting tastes and odors and sights of the urban environment that bombard our senses. Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. (...) And it is in the light of the condition of our senses, our capacities, that the task of the critic must be assessed. What is important now is to recover our senses. We must learn to See more, to Hear more, to Feel more.”
― Susan Sontag, Against Interpretation and Other Essays

“I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.”
― Joan Didion, Slouching Towards Bethlehem

“An amazing sight, someone you’re infatuated with trying to fish something out of a jeans pocket.”
― Elif Batuman, The Idiot

“Nook people are those of us who need solitude, but also the sound of someone puttering in the next room.”
― Durga Chew-Bose, Too Much and Not the Mood: Essays

“Most people, the minute they meet you, were sizing you up for some competition for resources. It was as if everyone lived in fear of a shipwreck, where only so many people would fit on the lifeboat, and they were constantly trying to stake out their property and identify dispensable people – people they could get rid of.... Everyone is trying to reassure themselves: I'm not going to get kicked off the boat, they are. They're always separating people into two groups, allies and dispensable people... The number of people who want to understand what you're like instead of trying to figure out whether you get to stay on the boat - it's really limited.”
― Elif Batuman, The Idiot

“There is still one of which you never speak.'

Marco Polo bowed his head.

'Venice,' the Khan said.

Marco smiled. 'What else do you believe I have been talking to you about?'

The emperor did not turn a hair. 'And yet I have never heard you mention that name.'

And Polo said: 'Every time I describe a city I am saying something about Venice.”
― Italo Calvino, Invisible Cities

“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
― Sally Rooney, Normal People

“Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn't know if she would ever find out where it was or become part of it.”
― Sally Rooney, Normal People

“What if the meaning of life on earth is not eternal progress toward some unspecified goal—the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always—just to live and be with other people?”
― Sally Rooney, Beautiful World, Where Are You

“In that case we are standing in the last lighted room before the darkness, bearing witness to something.”
― Sally Rooney, Beautiful World, Where Are You

“..for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
― George Eliot, Middlemarch

“If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by the earthquakes, but they probably see beyond each shock, and reflect that there are plenty more to come.”
― George Eliot, Middlemarch

“Beauty is not good capital. I compounds the oppression of gender. It constrains those who identify as women against their will. It costs money and demands money. It colonizes. It hurts. It is painful. It can never be fully satisfied. It is not useful for human flourishing. Beauty is, like all capital, merely valuable.”
― Tressie McMillan Cottom, Thick: And Other Essays

“I had a powerful sense of having escaped something: of having finally stepped outside the script.”
― Elif Batuman, Either/Or

“I should not have cared to see it as an act of self-sacrifice even if it had been one; for there is nothing clever in self-sacrifice, nothing to pride oneself on.”
― L.P. Hartley, The Go-Between

“No, I thought, growing more rebellious, life has its own laws and it is for me to defend myself against whatever comes along, without going snivelling to God about sin, my own or other people's. How would it profit a man if he got into a tight place, to call he people who put him there miserable sinners? Or himself a miserable sinner? I disliked the levelling aspect of this sinnerdom, it was like a cricket match played in a drizzle, where everybody had an excuse - and what a dull excuse! - for playing badly. Life was meant to test a man, bring out his courage, initiative, resource; and I longed, I thought, to be tested: I didn't want to fall on my knees and call myself a miserable sinner.
But the idea of goodness did attract me, for I did not regard it as the opposite of sin. I saw it as something bright and positive and sustaining, like the sunshine, something to be adored, but from afar.”
― L.P. Hartley, The Go-Between

“Sometimes you need people to be perfect and they can’t be and you hate them forever for not being even though it isn’t their fault and it’s not yours either. You just needed something they didn’t have in them to give you.”
― Sally Rooney, Intermezzo

“Sorry about the blood in your mouth. I wish it was mine.

I couldn't get the boy to kill me, but I wore his jacket for the longest time.”
― Richard Siken, Crush