Gabriela > Gabriela's Quotes

“I close my eyes. And i scream. If my whole world is crashing down around me, then I am going to make the sound of the crashing. I want to scream until all my bones break.”
― David Levithan, Will Grayson, Will Grayson

“Everything you can imagine is real.”
― Pablo Picasso

“Aceptamos el amor que creemos merecer.”
― Stephen Chbosky, The Perks of Being a Wallflower

“What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
― J.D. Salinger, The Catcher in the Rye

“Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.”
― J.D. Salinger

“I don’t give a damn, except that I get bored sometimes when people tell me to act my age. Sometimes I act a lot older than I am - I really do - but people never notice it. People never notice anything.”
― J.D. Salinger, The Catcher in the Rye

“She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.”
― J.D. Salinger, The Catcher in the Rye

“And that's the thing about people who mean everything they say. They think everyone else does too.”
― Khaled Hosseini, The Kite Runner

“The only way out of the labyrinth of suffering is to forgive.”
― John Green, Looking for Alaska

“Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.”
― John Green, Looking for Alaska

“What you must understand about me is that I’m a deeply unhappy person.”
― John Green, Looking for Alaska

“It's not life or death, the labyrinth. Suffering. Doing wrong and having wrong things happen to you. That's the problem. Bolivar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?”
― John Green, Looking for Alaska

“Love is heavy and light, bright and dark, hot and cold, sick and healthy, asleep and awake- its everything except what it is! (Act 1, scene 1)”
― William Shakespeare, Romeo & Juliet

“I don't think we did go blind, I think we are blind, Blind but seeing, Blind people who can see, but do not see.”
― José Saramago, Blindness

“If death meant just leaving the stage long enough to change costume and come back as a new character...Would you slow down? Or speed up?”
― Chuck Palahniuk, Invisible Monsters

“And I like large parties. They’re so intimate. At small parties there isn’t any privacy.”
― F. Scott Fitzgerald, The Great Gatsby

“Había estado en la muerte, en efecto, pero había regresado porque no pudo soportar la soledad.”
― Gabriel Garcí­a Márquez, One Hundred Years of Solitude

“They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.”
― Gabriel Garcí­a Márquez, One Hundred Years of Solitude

“She wanted to die, but she also wanted to live in Paris.”
― Gustave Flaubert, Madame Bovary

“What I want is to be needed. What I need is to be indispensable to somebody. Who I need is somebody that will eat up all my free time, my ego, my attention. Somebody addicted to me. A mutual addiction.”
― Chuck Palahniuk, Choke

“Odiar es querer sin amar. Querer es luchar por aquello que se desea y odiar es no poder alcanzar por lo que se lucha. Amar es desear todo, luchar por todo, y aún así, seguir con el heroísmo de continuar amando.”
― Andrés Caicedo, Calicalabozo

“Bienaventurados los imbéciles, porque de ellos es el reino de la tierra.”
― Andrés Caicedo

“Mediocrity knows nothing higher than itself; but talent instantly recognizes genius.”
― Arthur Conan Doyle, The Valley of Fear

“The love of books is among the choicest gifts of the gods.”
― Sir Arthur Conan Doyle

“I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.”
― Arthur Conan Doyle, A Study in Scarlet

“What you do in this world is a matter of no consequence. The question is what can you make people believe you have done.”
― Arthur Conan Doyle, A Study in Scarlet

“People shouldn't be afraid of their government. Governments should be afraid of their people.”
― Alan Moore, V for Vendetta

“Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.”
― Alan Moore, V for Vendetta

“Knowledge, like air, is vital to life. Like air, no one should be denied it.”
― Alan Moore, V for Vendetta

“(When asked “Was the model for Midori (a character in Norwegian Wood) modeled after your wife?”)
I showed your message to my wife. She got mad and yelled: “What would make them think I was the model for Midori?!” She told me to fix the misunderstanding immediately, so that’s why I’m writing this reply now. Please stop causing problems in my household. Thank you.”
― Haruki Murakami