Alia Krefft > Alia's Quotes

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  • #1
    Hunter S. Thompson
    “We'd be fools not to ride this strange torpedo all the way out to the end.”
    Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

  • #2
    Hunter S. Thompson
    “we left about midnight and walked down the hill in silence. the night was muggy, and all around me i felt the same pressure, a sense of time rushing by while it seemed to be standing still. whenever i thought of time in puerto rico, i was reminded of those old magnetic clocks that hung on the walls of my classrooms in high school. every now and then a hand would not move for several minutes -- and if i watched it long enough, wondering if it had finally broken down, the sudden click of the hand jumping three for four notches would startle me when it came.”
    Hunter S. Thompson, The Rum Diary

  • #3
    Hunter S. Thompson
    “It was the kind of town that made you feel like Humphrey Bogart: you came in on a bumpy little plane, and, for some mysterious reason, got a private room with balcony overlooking the town and the harbor; then you sat there and drank until something happened.”
    Hunter S. Thompson, The Rum Diary

  • #4
    Hunter S. Thompson
    “I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking — which is fun only for amateurs. Old whores don't do much giggling. Nothing is fun when you have to do it — over and over, again and again... ”
    Hunter S. Thompson, The Great Shark Hunt: Strange Tales from a Strange Time

  • #5
    Hunter S. Thompson
    “We have bigger things to brood on and enormous reasons for wallowing in terminal craziness until we finally hit bottom.”
    Hunter S. Thompson

  • #6
    Kurt Vonnegut Jr.
    “American humorist Kin Hubbard said , "It ain't no disgrace to be poor, but it might as well be". The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: "If you're so smart, why ain't you rich?"

    Americans, like human beings everywhere, believe many things that are obviously untrue... Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times.

    Many novelties have come from America. The most startling of these, a thing without precedent is a mass of undignified poor. They do not love one another because they do not love themselves.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #7
    Kurt Vonnegut Jr.
    “His response was to fight it with the only weapons at hand—passive resistance and open displays of contempt.”
    Kurt Vonnegut, The Sirens of Titan

  • #8
    Kurt Vonnegut Jr.
    “If I were a younger man, I would write a history of human stupidity; and I would climb to the top of Mount McCabe and lie down on my back with my history for a pillow; and I would take from the ground some of the blue-white poison that makes statues of men; and I would make a statue of myself, lying on my back, grinning horribly, and thumbing my nose at You Know Who.”
    Kurt Vonnegut, Cat’s Cradle

  • #9
    Kurt Vonnegut Jr.
    “...this is a hard world to be ludicrous in, with so many human beings so reluctant to laugh, so incapable of thought, so eager to believe and snarl and hate.”
    Kurt Vonnegut, Mother Night

  • #10
    Kurt Vonnegut Jr.
    “He was talking about the sign that said 'THE COMPLICATED FUTILITY OF IGNORANCE.'
    'All knew was that I didn't want my daughter or anybody's child to see a message that negative every time she comes into the library,' he said. 'And then I found out it was you who was responsible for it.'
    'What's so negative about it?' I said.
    'What could be a more negative word than "futility"?' he said.
    '"Ignorance,"' I said.”
    Kurt Vonnegut, Hocus Pocus

  • #11
    Albert Camus
    “Without culture, and the relative freedom it implies, society, even when perfect, is but a jungle. This is why any authentic creation is a gift to the future.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #12
    Albert Camus
    “The truth is that every intelligent man, as you know, dreams of being a gangster and of ruling over society by force alone. As it is not so easy as the detective novels might lead one to believe, one generally relies on politics and joins the cruelest party.What does it matter, after all, if by humiliating one's mind one succeeds in dominating every one? I discovered in myself sweet dreams of oppression.”
    Albert Camus, The Fall

  • #13
    Albert Camus
    “Everyone tries to make his life a work of art. We want love to last and we know that it does not last; even if, by some miracle, it were to last a whole lifetime, it would still be incomplete. Perhaps, in this insatiable need for perpetuation, we should better understand human suffering, if we knew that it was eternal. It appears that great minds are, sometimes, less horrified by suffering than by the fact that it does not endure. In default of inexhaustible happiness, eternal suffering would at least give us a destiny. But we do not even have that consolation, and our worst agonies come to an end one day. One morning, after many dark nights of despair, an irrepressible longing to live will announce to us the fact that all is finished and that suffering has no more meaning than happiness.”
    Albert Camus, The Rebel

  • #14
    Albert Camus
    “Thus, I always began by assuming the worst; my appeal was dismissed. That meant, of course, I was to die. Sooner than others, obviously. 'But,' I reminded myself, 'it's common knowledge that life isn't worth living, anyhow.' And, on a wide view, I could see that it makes little difference whether one dies at the age of thirty or threescore and ten-- since, in either case, other men will continue living, the world will go on as before. Also, whether I died now or forty years hence, this business of dying had to be got through, inevitably.”
    Albert Camus, The Stranger

  • #15
    Albert Camus
    “Am well. Thinking of you always. Love”
    Albert Camus, The Plague

  • #16
    Irvine Welsh
    “Prawdziwy dżentelmen nigdy nie dąży do wyruchania dziewczyny na pierwszej randce (chyba, że nie planuje drugiej).”
    Irvine Welsh, The Bedroom Secrets of the Master Chefs

  • #17
    Irvine Welsh
    “it should be the likes ay us that agitate for change, but aw we dae is drugs.”
    Irvine Welsh, Porno

  • #18
    Irvine Welsh
    “You just want tae fuck up on drugs so that everyone'll think how deep and fucking complex you are. It's pathetic, and fucking boring.”
    Irvine Welsh, Trainspotting

  • #19
    Irvine Welsh
    “So she's wipin spunk offay her face, gaun aw fuckin panicky, `Whae wis that, wis that ma dad?`

    `Fuckin durty pervert sneakin up oan cunts like that,` ah goes.

    So she goes aw that fuckin ice-cauld, frigid, huffey wey, but fuck her, ye need a wee bit ay fuckin romance at Christmas.”
    Irvine Welsh, Skagboys

  • #20
    Charles Bukowski
    “I said goodbye again
    sucking up all that was left of her into the
    little that was left of
    me. I said, 'don't look for me again. fuck it.
    we are all lost. goodbye, goodbye.”
    Charles Bukowski, The People Look Like Flowers at Last

  • #21
    Charles Bukowski
    “it was like any other
    relationship, there was
    jealousy on both sides,
    there were split-ups and
    reconciliations.
    there were also fragmented moments of
    great peace and beauty.

    I often tried to get away from her and
    she tied to get away from me
    but it was difficult:
    Cupid, in his strange way, was really
    there.”
    Charles Bukowski, The People Look Like Flowers at Last

  • #22
    Charles Bukowski
    “purple does something strange to me”
    Charles Bukowski, The People Look Like Flowers at Last

  • #23
    Chuck Palahniuk
    “Why do I do anything?' she says. 'I'm educated enough to talk myself out of any plan. To deconstruct any fantasy. Explain away any goal. I'm so smart I can negate any dream.”
    Chuck Palahniuk, Choke

  • #24
    Chuck Palahniuk
    “First your parents, they give you your life, but then they try to give you their life.”
    Chuck Palahniuk

  • #25
    “The deal is this. You be the hero. Come down here. Unarmed. Come inside with your hands on your head. I'll let everybody go. Then I'll blow your fucking head off. Sir. How's that for a deal? You buy it?”
    Richard Bachman, Rage

  • #26
    “„»Ich hatte Angst«, sagte er.
    »Leute, die keine haben, sterben jung«,”
    Richard Bachmann

  • #27
    “Ain’t none of you ever been stuck in the mud and needed a push? I won’t ask you how you can be for this and still call yourselves Christians, because one of you would have some kind of answer out of what I call the Holy-Joe-Do-It-My-Way Bible. But, Jeezly-Crow! How can you read the parable of the Good Samaritan on Sunday and then say you’re for a thing like this on Monday night?”
    Richard Bachman, Blaze

  • #28
    “Ich muss Sie darauf hinweisen, dass Sie im Augenblick bis zur Hüfte in der Scheiße stecken und dass die Scheiße immer tiefer wird. Und ich nehme nicht an, dass Sie schwimmen können.”
    Richard Bachmann

  • #29
    Iain Banks
    “All of it dust now, all of their precious humanoid civilization ground to junk under glaciers or weathered away by wind and spray and rain and frozen ice - all of it. Only this pathetic maze-tomb left.
    So much for their humanity, or whatever they chose to call it, thought Unaha-Closp. Only their machines remained. But would any of the others learn? Would they see this for what it was, this frozen rockball? Would they, indeed!”
    Iain M. Banks, Consider Phlebas

  • #30
    Iain Banks
    “The music machine played away - far away - and when I started to understand the lyrics of a Cocteau Twins song, I knew I was wrecked.”
    Iain Banks, The Crow Road



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