Cruz Oller > Cruz's Quotes

“The best writers tend to look the roughest in photos. At least that's the excuse I use for why I look so bad in mine.”
― R.D. Ronald

“The owner of the Post Office was called Maurice. A sixtyish-year-old with a large red nose that was pebble-dashed with broken capillaries, and a smooth bald head with a fuzz of grey hair around the side like the tide mark on a dirty bath. He had a gruff manner, distrusting eyes and a cough like kicked gravel.”
― R.D. Ronald

“He turned and saw Becky, crying in the doorway of her house. What was he doing here? Turning back he saw flashing blue lights at the end of the road, and realised the ringing in his ears was the sound of approaching sirens.”
― R.D. Ronald, The Zombie Room

“The city centre was still crawling with Christmas shoppers looking to add to their already burgeoning piles of gifts. To Scott they were like ants at a picnic, teeming from store to store, trailing oversized carrier bags and infants behind them as they went. Scott felt alien in this environment; pulling up his hood he hurried through the crowds, dodging pushchairs, lit cigarettes and charity collection tins.”
― R.D. Ronald, The Elephant Tree

“Perhaps he just got fed up acting normal and decided to act crazy instead, and they locked him up because he went too far.”
― Iain Banks, The Wasp Factory

“I’m doing fine. I eat dogs! Heh heh heh!’ I”
― Iain Banks, The Wasp Factory

“Man must learn to stand and walk with his spirit rather than crawl with his technology before he allows that technology - which is the physical expression of his spiritual Shadow - to destroy him. God’s ultimate aim for Man is not known and not even knowable in our present state; we must become spiritually adult before we can even discover what God holds in store for us as a spiritual species; all previous ideas of Heaven (or Hell) or Second Comings or Judgment Days are childish attempts to come to terms with our own ignorance.”
― Iain Banks, Whit

“He discovered the cruel paradox by which we always decieve ourselves twice about the people we love-first to their advantage, then to their disadvantage”
― Albert Camus, A Happy Death

“We always deceive ourselves twice about the people we love - first to their advantage, then to their disadvantage.”
― Albert Camus

“There can be no question of holding forth on ethics. I have seen people behave badly with great morality and I note every day that integrity has no need of rules”
― Albert Camus, The Myth of Sisyphus and Other Essays

“Everyone tries to make his life a work of art. We want love to last and we know that it does not last; even if, by some miracle, it were to last a whole lifetime, it would still be incomplete. Perhaps, in this insatiable need for perpetuation, we should better understand human suffering, if we knew that it was eternal. It appears that great minds are, sometimes, less horrified by suffering than by the fact that it does not endure. In default of inexhaustible happiness, eternal suffering would at least give us a destiny. But we do not even have that consolation, and our worst agonies come to an end one day. One morning, after many dark nights of despair, an irrepressible longing to live will announce to us the fact that all is finished and that suffering has no more meaning than happiness.”
― Albert Camus, The Rebel

“I felt the urge to reassure him that I was like everybody else, just like everybody else.”
― Albert Camus, The Stranger

“In freedom, every non-nomenklatura citizen knew perpetual hunger – the involuntary slurp and gulp of the esophagus. In camp, your hunger kicked as I imagine a fetus would kick. It was the same with boredom. And boredom, by now, has lost all its associations with mere lassitude and vapidity. Boredom is no longer the absence of emotion; it is itself an emotion, and a violent one. A silent tantrum of boredom.”
― Martin Amis, House of Meetings

“And quite right too. Thinking back, actually, 'self-infatuation' strikes me as a rather ill-chosen word. It isn't so much that I like or love myself. Rather, I'm sentimental about myself. (I say, is this normal for someone my age?) What do I think of Charles Highway? I think: 'Charles Highway? Oh, I like him. Yes, I've got a soft spot for old Charles. He's all right is Charlie. Chuck's ... okay.”
― Martin Amis, The Rachel Papers

“Life is sustained by the grinding opposition of moral entities.”
― Anthony Burgess, A Clockwork Orange

“My book was Kennedyan and accepted the notion of moral progress. What was really wanted was a Nixonian book with no shred of optimism in it. Let us have evil prancing on the page... up to the very last line... Such a book would be sensational, and so it is. But I do not think it is it fair picture of human life. I do not think so because, by definition, a human being is endowed with free will. He can use this to choose between good and evil. If he can only perform good or only perform evil, then he is a clockwork orange-meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil... It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice... Life is sustained by the grinding opposition of moral entities.”
― Anthony Burgess, A Clockwork Orange

“Özgür irade ile seçilen kötülük, organize güçler tarafından kişiye dayatılan deterministik iyilikten daha mı insancadır ?”
― Anthony Burgess, A Clockwork Orange

“That's the law, son. But you were never much of a one for following the law.”
― Anthony Burgess, A Clockwork Orange

“No I’m not,” I whisper to myself. “I’m a fucking evil psychopath.”
― Bret Easton Ellis, American Psycho

“ABANDON ALL HOPE YE WHO ENTER HERE is scrawled in blood red lettering on the side of the Chemical Bank near the corner of Eleventh and First and is in print large enough to be seen from the backseat of the cab as it lurches forward in the traffic leaving Wall Street and just as Timothy Price notices the words a bus pulls up, the advertisement for Les Miserables on its side blocking his view, but Price who is with Piece and Piece and twenty-six doesn't seem to care because he tells the driver he will give him five dollars to turn up the radio, "Be My Baby" on WYNN, and the driver, black, not American, does so.”
― Bret Easton Ellis, American Psycho

“There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.”
― Bret Easton Ellis, American Psycho

“You have to give up! you have to give up!
You have to realize that someday you will die,
Until you know that, you are useless!”
― Chuck Palahniuk, Fight Club

“If you're going to read this, don't bother.”
― Chuck Palahniuk, Choke

“I wish I had the courage not to fight and doubt everything... I wish, just once, I could say, 'This. This is good enough. Just because I choose it.”
― Chuck Palahniuk, Choke

“Society invents a spurious convoluted logic tae absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ah'm gaunnae huv a short life, am ah sound mind, etcetera, etcetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whut they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.”
― Irvine Welsh, Trainspotting

“E por aí vão, metidos nessa batalha, testando forças e afirmando um ao outro que não discordam fundamentalmente mesmo quando há um abismo entre seus posicionamentos, ou ainda discutindo violentamente em cima de diferenças de ênfase mínimas e pedantes. Em outras palavras, estão agindo com o perfeitos estudantes de merda.”
― Irvine Welsh, Porno

“Since he was sixteen, he had been continuously sexually active, either with a girlfriend or through a series of casual flings. From the point of someone like Kibby, he considered, he would be regarded as highly succesful with women.

But the real problem is relationships, which fucking social retards like Kibby can't grasp, because they're just so obsessed with getting their hole.”
― Irvine Welsh, The Bedroom Secrets of the Master Chefs

“With the first drink comes the truth, with the second drink comes wishful thinking, and with the third drink come the lies.”
― Douglas Coupland, Player One: What Is to Become of Us

“I ma trying to feel more well adjusted than I really am, which is, I guess, the human condition.”
― Douglas Coupland, Microserfs

“Sometimes I think God is like weather--you may not like the weather, but it has nothing to do wit you. You just happen to be there. Deal with it.”
― Douglas Coupland, Hey Nostradamus!