Gabriella > Gabriella's Quotes

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  • #1
    Yaa Gyasi
    “We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.”
    Yaa Gyasi, Homegoing

  • #2
    Yaa Gyasi
    “You want to know what weakness is? Weakness is treating someone as though they belong to you. Strength is knowing that everyone belongs to themselves.”
    Yaa Gyasi, Homegoing

  • #3
    Yaa Gyasi
    “The family is like the forest: if you are outside it is dense; if you are inside you see that each tree has its own position.”
    Yaa Gyasi, Homegoing

  • #4
    Yaa Gyasi
    “The need to call this thing “good” and this thing “bad,” this thing “white” and this thing “black,” was an impulse that Effia did not understand. In her village, everything was everything. Everything bore the weight of everything else.”
    Yaa Gyasi, Homegoing

  • #5
    Yaa Gyasi
    “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on.”
    Yaa Gyasi, Homegoing

  • #6
    Yaa Gyasi
    “You cannot stick a knife in a goat and then say, "now I will remove my knife slowly - so let things be easy and clean; let there be no mess." There will always be blood.”
    Yaa Gyasi, Homegoing

  • #7
    Yaa Gyasi
    “We are all weak most of the time,' she said finally. 'Look at the baby. Born to his mother, he learns how to eat from her, how to walk, talk, hunt, run. He does not invent new ways. He just continues with the old. This is how we all come to the world, James. Weak and needy, desperate to learn how to be a person.' She smiled at him. 'But if we do not like the person we have learned to be, should we just sit in front of our fufu, doing nothing? I think, James, that maybe it is possible to make a new way.”
    Yaa Gyasi, Homegoing

  • #8
    Yaa Gyasi
    “White men get a choice. They get to choose they job, they house. They get to choose to make black babies, then disappear into thin air, like they wasn't never there to begin with, like these black women they slept with or raped done laid on top of themselves and got pregnant. White men get to choose for black men too. Used to sell 'em; now they just send 'em to prison like my daddy, so that they can't be with they kids.”
    Yaa Gyasi, Homegoing

  • #9
    Yaa Gyasi
    “Evil begets evil. It grows. It transmutes, so that sometimes you cannot see that the evil in the world began as the evil in your own home. I”
    Yaa Gyasi, Homegoing

  • #10
    Yaa Gyasi
    “No one forgets that they were once captive, even if they are now free.”
    Yaa Gyasi, Homegoing

  • #11
    Yaa Gyasi
    “History is Storytelling.”
    Yaa Gyasi, Homegoing

  • #12
    Yaa Gyasi
    “If we go to the white man for school, we will learn the way the white man wants us to learn. We will come back and build the country the white man wants us to build. One that continues to serve them. We will never be free.”
    Yaa Gyasi, Homegoing

  • #13
    Yaa Gyasi
    “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others.”
    Yaa Gyasi, Homegoing

  • #14
    Yaa Gyasi
    “There should be no room in your life for regret. If in the moment of doing you felt clarity, you felt certainty, then why feel regret later?” She”
    Yaa Gyasi, Homegoing

  • #15
    Yaa Gyasi
    “but the older he got, the better he understood; forgiveness was an act done after the fact - a piece of the bad deeds future - and if you point the people's eyes to the future they might not see what is being done to hurt them in the present.”
    Yaa Gyasi, Homegoing

  • #16
    Miguel Ruiz
    “The Four Agreements
    1. Be impeccable with your word.
    2. Don’t take anything personally.
    3. Don’t make assumptions.
    4. Always do your best. ”
    don Miguel Ruiz, The Four Agreements: A Practical Guide to Personal Freedom

  • #17
    Miguel Ruiz
    “Whatever happens around you, don't take it personally... Nothing other people do is because of you. It is because of themselves.”
    Don Miguel Ruiz, The Four Agreements: A Practical Guide to Personal Freedom

  • #18
    Elif Batuman
    “Most people, the minute they meet you, were sizing you up for some competition for resources. It was as if everyone lived in fear of a shipwreck, where only so many people would fit on the lifeboat, and they were constantly trying to stake out their property and identify dispensable people – people they could get rid of.... Everyone is trying to reassure themselves: I'm not going to get kicked off the boat, they are. They're always separating people into two groups, allies and dispensable people... The number of people who want to understand what you're like instead of trying to figure out whether you get to stay on the boat - it's really limited.”
    Elif Batuman, The Idiot

  • #19
    Elif Batuman
    “Your atom, I think it will never go back to peace, to cereal or rocks or anything like that. Once it has been seduced there is no way back, the way is always ahead, and it is so much harder after the passage from innocence. But it does not work to pretend to be innocent anymore. That seduced atom has energies that seduce people, and those rarely get lost.”
    Elif Batuman, The Idiot

  • #20
    Elif Batuman
    “Even though I had a deep conviction that I was good at writing, and that in some way I already was a writer, this conviction was completely independent of my having ever written anything, or being able to imagine ever writing anything, that I thought anyone would like to read.”
    Elif Batuman, The Idiot

  • #21
    Elif Batuman
    “But the Beatles turned out to be one of the things you couldn’t avoid, like alcohol, or death.”
    Elif Batuman, The Idiot

  • #22
    Carlos Ruiz Zafón
    “The moment you stop to think about whether you love someone, you've already stopped loving that person forever.”
    Carlos Ruiz Zafón, The Shadow of the Wind

  • #23
    Kurt Vonnegut Jr.
    “The function of the artist is to make people like life better than before,”
    Kurt Vonnegut, If This Isn't Nice, What Is?: Advice for the Young

  • #24
    Kurt Vonnegut Jr.
    “Don’t give up on books. They feel so good—their friendly heft. The sweet reluctance of their pages when you turn them with your sensitive fingertips. A large part of our brains is devoted to deciding what our hands are touching, is good or bad for us. Any brain worth a nickel knows books are good for us.”
    Kurt Vonnegut, If This Isn't Nice, What Is?: Advice for the Young

  • #25
    Lisa Halliday
    “But then even someone who imagines for a living is forever bound by the ultimate constraint: she can hold her mirror up to whatever subject she chooses, at whatever angle she likes—she can even hold it such that she herself remains outside its frame, the better to de-narcissize the view—but there’s no getting around the fact that she’s always the one holding the mirror. And just because you can’t see yourself in a reflection doesn’t mean no one can.”
    Lisa Halliday, Asymmetry

  • #26
    Lisa Halliday
    “for a country is considered the more civilized the more the wisdom and efficiency of its laws hinder a weak man from becoming too weak or a powerful one too powerful.”
    Lisa Halliday, Asymmetry

  • #27
    Lisa Halliday
    “Some of us wage wars. Others write books. The most delusional ones write books. We have very little choice other than to spend our waking hours trying to sort out and make sense of the perennial pandemonium. To forge patterns and proportions where they don’t actually exist. And it is this same urge, this mania to tame and possess—this necessary folly—that sparks and sustains love.”
    Lisa Halliday, Asymmetry

  • #28
    Lisa Halliday
    “I once heard a filmmaker say that in order to be truly creative a person must be in possession of four things: irony, melancholy, a sense of competition, and boredom.”
    Lisa Halliday, Asymmetry

  • #29
    Lisa Halliday
    “The word for bank is the same, but the word for money changer is not, and while I have never learned the etymology behind this minor asymmetry I can imagine it represents centuries of cultural and ideological dissidence.”
    Lisa Halliday, Asymmetry

  • #30
    Lisa Halliday
    “This is because my mind is always turning over this question of how I’m going to feel later, based on what I’m doing now. Later in the day. Later in the week. Later in a life starting to look like a series of activities designed to make me feel good later, but not now. Knowing I’ll feel good later makes me feel good enough now.”
    Lisa Halliday, Asymmetry



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