Mais > Mais's Quotes

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  • #1
    Gabriel García Márquez
    “Halfway through one August day, while she was embroidering with her friends, she heard someone coming to the door. She didn't have to look to see who it was. "He was fat and was beginning to lose his hair, and he already needed glasses to see things close by," she told me. "But it was him, God damn it, it was him!”
    Gabriel García Márquez, Chronicle of a Death Foretold

  • #2
    Gabriel García Márquez
    “They looked like two children," she told me. And that thought frightened her, because she'd always felt that only children are capable of everything.”
    Gabriel García Márquez, Chronicle of a Death Foretold

  • #3
    Jonathan Safran Foer
    “I hope that one day you will have the experience of doing something you do not understand for someone you love.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #4
    Jonathan Safran Foer
    “I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #5
    Jonathan Safran Foer
    “There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #6
    Jonathan Safran Foer
    “She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #7
    Jonathan Safran Foer
    “Humans are the only animal that blushes, laughs, has religion, wages war, and kisses with lips. So in a way, the more you kiss with lips, the more human you are. And the more you wage war.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #8
    Jonathan Safran Foer
    “So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #9
    Jonathan Safran Foer
    “We need enormous pockets, pockets big enough for our families and our friends, and even the people who aren't on our lists, people we've never met but still want to protect. We need pockets for boroughs and for cities, a pocket that could hold the universe.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #10
    Jonathan Safran Foer
    “I felt suddenly shy. I was not used to shy. I was used to shame. Shyness is when you turn your head away from something you want. Shame is when you turn your head away from something you do not want.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #11
    Jonathan Safran Foer
    “I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #12
    Jonathan Safran Foer
    “Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn't someone, somewhere, laughing?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #13
    Jonathan Safran Foer
    “We had everything to say to each other, but no ways to say it”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #14
    Jonathan Safran Foer
    “I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #15
    Jonathan Safran Foer
    “In the end, everyone loses everyone. There was no invention to get around that, and so I felt, that night, like the turtle that everything else in the universe was on top of.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #16
    Jonathan Safran Foer
    “I hated myself for going, why couldn't I be the kind of person who stays?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #17
    Jonathan Safran Foer
    “Why didn't he say goodbye?
    I gave myself a bruise.
    Why didn't he say 'I love you'?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #18
    Jonathan Safran Foer
    “I did not need to know if he could love me.
    I needed to know if he could need me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #19
    Jonathan Safran Foer
    “You can't love anything more than something you miss.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #20
    Jonathan Safran Foer
    “I shook my tambourine the whole time, because it helped me remember that even though I was going through different neighborhoods, I was still me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #21
    Jonathan Safran Foer
    “I wanted to cry but I didn't, I probably should have cried, I should have drowned us there in the room ending our suffering.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close
    tags: sad

  • #22
    Jonathan Safran Foer
    “He promised us that everything would be okay. I was a child, but I knew that everything would not be okay. That did not make my father a liar. It made him my father.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #23
    Paulo Coelho
    “When you find your path, you must not be afraid. You need to have sufficient courage to make mistakes. Disappointment, defeat, and despair are the tools God uses to show us the way.”
    Paulo Coelho, Brida

  • #24
    Paulo Coelho
    “Nothing in the world is ever completely wrong. Even a stopped clock is right twice a day.”
    Paulo Coelho, Brida

  • #25
    Paulo Coelho
    “Accept what life offers you and try to drink from every cup. All wines should be tasted; some should only be sipped, but with others, drink the whole bottle.”
    Paulo Coelho, Brida

  • #26
    Paulo Coelho
    “Choosing a path meant having to miss out on others. She had a whole life to live, and she was always thinking that, in the future, she might regret the choices she made now. “I’m afraid of committing myself,” she thought to herself. She wanted to follow all possible paths and so ended up following none. Even in that most important area of her life, love, she had failed to commit herself. After her first romantic disappointment, she had never again given herself entirely. She feared pan, loss, and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes not to see the bad things in life.”
    Paulo Coelho, Brida

  • #27
    Patrick Süskind
    “إن تعاسة الإنسان تنتج من كونه لا يريد أن يقبع ساكناً في غرفته هناك حيث يجب أن يكون.”
    Patrick Süskind, Perfume: The Story of a Murderer

  • #28
    Ahdaf Soueif
    “اذن فى قلب الأشياءجميعها بذرة سقوطها، كلما اقتربنا من القلب شارفنا انقلاب الحال، لا مناص من الهبوط و بعد القمة ليس هناك سوى الانحدار، نصل للب الموضوع فيطيح بنا الانفجار.”
    أهداف سويف, The Map of Love

  • #29
    Ahdaf Soueif
    “ أحاول ألا أقراها حتي النهاية. أقراها سنة بسنة، على أني أعرف كيف انتهت الحكاية، ولا أظن أن هذا مهم، فنحن دائما نعرف نهايةالقصة، أما ما نجهله فهو ما يحدث في الطريق إلي النهاية”
    أهداف سويف, The Map of Love

  • #30
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar



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