Graeme > Graeme's Quotes

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  • #1
    Chuck Palahniuk
    “Warning: If you are reading this then this warning is for you. Every word you read of this useless fine print is another second off your life. Don't you have other things to do? Is your life so empty that you honestly can't think of a better way to spend these moments? Or are you so impressed with authority that you give respect and credence to all that claim it? Do you read everything you're supposed to read? Do you think every thing you're supposed to think? Buy what you're told to want? Get out of your apartment. Meet a member of the opposite sex. Stop the excessive shopping and masturbation. Quit your job. Start a fight. Prove you're alive. If you don't claim your humanity you will become a statistic. You have been warned.”
    Chuck Palahniuk, Fight Club

  • #2
    Kurt Vonnegut Jr.
    “We are what we pretend to be, so we must be careful about what we pretend to be.”
    Kurt Vonnegut, Mother Night

  • #3
    Kurt Vonnegut Jr.
    “It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.

    The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.

    When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #4
    “Away deep in the aim to study himself in the school of the land his ancestors' gravestones flowered, Rip planned to burn his oil on the journey for growth by the hike, the thumb, the hitch, the rod, the freight, the rail, and he x'd New York on a map and pencilled his way to and into and through and under and up and between and over and across states and capitals and counties and cities and towns and villages and valleys and plains and plateaus and prairies and mountains and hills and rivers and roadways and railways and waterways and deserts and islands and reservations and titanic parks and shores and, ocean across to ocean and great lakes down to gulfs, Rip beheld the west and the east and the north and the south of the Brobdingnagian and, God and Christ and Man, it was a pretty damn good grand big fat rash crass cold hot pure mighty lovely ugly hushed dark lonely loud lusty bitchy tender crazy cruel gentle raw sore dear deep history-proud precious place to see, and he sure would, he thought, make the try to see it and smell it and walk and ride and stop and talk and listen in it and go on in it and try to find and feel and hold and know the beliefs in it and the temper and the talents in it and the omens and joys and hopes and frights and lies and laughs and truths and griefs and glows and gifts and glories and glooms and wastes and profits and the pulse and pitch and the music and the magic and the dreams and facts and the action and the score and the scope and span of the mind and the heart and spine and logic and ego and spirit in the soul and the goal of it.”
    Alan Kapelner, All the Naked Heroes: A Novel of the Thirties

  • #5
    “The sky belched. The thunder of one more belch cracked the dark morning and the air became clogged with the twisting speed of the rain that beat the streets in a unified tempo of a thousand small drums. Skinny walked slowly, slowly in the gutter. All of him, all of his possessions stuck out. One more clap of thunder stuttered insanely and Skinny scoffed at the scattering people and the mad hunt for shelter. Some huddled in doorways and some huddled under awnings and some made reluctant purchases for the franchise of being legitimate fugitives from the prison of the rain. Skinny and his big wet head was a flawless model for a tragic cartoon as the people fled from the streets and he just wandered in the gutter where the rain spilled over him and sucked his body.”
    Alan Kapelner, Lonely Boy Blues

  • #6
    “A stucco of agony clothed her mind when she thought of having to go home to see her mother, a frail compound of maudlin substance. Someone shut the warm faucet in her body and she quaked in the wind. A man on his motorcycle tooted his horn and she heard a boy call his father a jerk.”
    Alan Kapelner, Lonely Boy Blues

  • #7
    Stephen  King
    “Harold—please—" She was sick, crying. The irrevocable fact of murder was in her heart forever.

    "Get used to it," Harold said brutally. He flung the tent on the back of his cycle and began to tie it down. "It's over for them down there, and it's over for us, and it's over for everybody that died in the plague. God went off on a celestial fishing trip and He's going to be gone a long time. It's totally dark. The dark man's in the driver's seat now. Him. So get used to it."

    She made a squeaking, moaning noise in her throat.

    "Help me get this shit packed up. I want to do a hundred miles before sunup.”
    Stephen King, The Stand

  • #8
    Stephen  King
    “He had not slept the night before. He had been...

    Thinking? Praying?

    It was all the same thing. Whichever it had been, the old wound in himself had finally closed, leaving him at peace. He had felt the two people that he had been all his life—the real one and the ideal one—merge into one living being.”
    Stephen King, The Stand

  • #9
    Philip K. Dick
    “You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation; this is the curse at work, the curse that feeds on all life. Everywhere in the universe.”
    Philip K. Dick, Do Androids Dream of Electric Sheep?

  • #10
    Dwight David Eisenhower
    “Every gun that is made, every warship launched, every rocket fired signifies in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. This is not a way of life at all in any true sense. Under the clouds of war, it is humanity hanging on a cross of iron.”
    Dwight D. Eisenhower

  • #11
    C.S. Lewis
    “But one of the worst results of being a slave and being forced to do things is that when there is no one to force you any more you find you have almost lost the power of forcing yourself.”
    C.S. Lewis, The Horse and His Boy

  • #12
    C.S. Lewis
    “Who are you?” asked Shasta.

    “Myself,” said the Voice, very deep and low so that the earth shook: and again “Myself,” loud and clear and gay: and then the third time “Myself,” whispered so softly you could hardly hear it, and yet it seemed to come from all around you as if the leaves rustled with it.”
    C.S. Lewis, The Horse and His Boy

  • #13
    Robert Henri
    “The object isn't to make art, it's to be in that wonderful state which makes art inevitable.”
    Robert Henri



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