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  • #1
    George Orwell
    “In the end the Party would announce that two and two made five, and you would have to believe it. It was inevitable that they should make that claim sooner or later: the logic of their position demanded it. Not merely the validity of experience, but the very existence of external reality, was tacitly denied by their philosophy. The heresy of heresies was common sense. And what was terrifying was not that they would kill you for thinking otherwise, but that they might be right. For, after all, how do we know that two and two make four? Or that the force of gravity works? Or that the past is unchangeable? If both the past and the external world exist only in the mind, and if the mind itself is controllable—what then?”
    George Orwell, 1984

  • #2
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #3
    Aldous Huxley
    “We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies—all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.”
    Aldous Huxley, The Doors of Perception

  • #4
    Aldous Huxley
    “The legs, for example, of that chair--how miraculous their tubularity, how supernatural their polished smoothness! I spent several minutes--or was it several centuries?--not merely gazing at those bamboo legs, but actually being them---or rather being myself in them; or, to be still more accurate (for "I" was not involved in the case, nor in a certain sense were "they") being my Not-self in the Not-self which was the chair.”
    Aldous Huxley, The Doors of Perception & Heaven and Hell

  • #5
    Aldous Huxley
    “The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less sure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable mystery which it tries, forever vainly, to comprehend”
    Aldous Huxley, The Doors of Perception

  • #6
    George Orwell
    “We shall meet in the place where there is no darkness.”
    George Orwell, 1984

  • #7
    James Joyce
    “A man of genius makes no mistakes. His errors are volitional and are the portals of discovery.”
    James Joyce, Ulysses

  • #8
    James Joyce
    “He walked there, reading in the evening and heard the cries of the boys' lines at their play, young cries in the quiet evening. He was their rector: his reign was mild.”
    James Joyce

  • #9
    James Joyce
    “Beingless beings. Stop! Throb always without you and the throb always within. Your heart you sing of. I between them. Where? Between two roaring worlds where they swirl, I. Shatter them, one and both. But stun myself too in the blow. Shatter me you who can. Bawd and butcher, were the words. I say! Not yet awhile. A look around.”
    James Joyce

  • #10
    James Joyce
    “Numbers it is. All music when you come to think. Two multiplied by two divided by half is twice one. Vibrations: chords those are. One plus two plus six is seven. Do anything you like with figures juggling. Always find out this equal to that, symmetry under a cemetery wall. He doesn't see my mourning. Callous: all for his own gut. Musemathematics. And you think you're listening to the etherial. But suppose you said it like: Martha, seven times nine minus x is thirtyfive thousand. Fall quite flat. It's on account of the sounds it is.”
    James Joyce

  • #11
    James Joyce
    “You bore me away, framed me in oak and tinsel, set me above your marriage couch. Unseen, one summer eve, you kissed me in four places. And with loving pencil you shaded my eyes, my bosom and my shame.”
    James Joyce

  • #12
    James Joyce
    “He called me a jew, and in a heated fashion, offensively. So I, without deviating from plain facts in the least, told him his God, I mean Christ, was a jew too, and all his family, like me, though in reality I'm not. That was one for him. A soft answer turns away wrath. He hadn't a word to say for himself as everyone saw. Am I not right?”
    James Joyce

  • #13
    James Joyce
    “Ever he would wander, selfcompelled, to the extreme limit of his cometary orbit, beyond the fixed stars and variable suns and telescopic planets, astronomical waifs and strays, to the extreme boundary of space, passing from land to land, among peoples, amid events.”
    James Joyce

  • #14
    Amanda Filipacchi
    “I am a man without many pleasures in life, a man whose few pleasures are small, but a man whose small pleasures are very important to him. One of them is eating. One reading. Another reading while eating.”
    Amanda Filipacchi, Nude Men

  • #15
    Nick Hornby
    “Have you got any soul?" a woman asks the next afternoon. That depends, I feel like saying; some days yes, some days no. A few days ago I was right out; now I've got loads, too much, more than I can handle. I wish I could spread it a bit more evenly, I want to tell her, get a better balance, but I can't seem to get it sorted. I can see she wouldn't be interested in my internal stock control problems though, so I simply point to where I keep the soul I have, right by the exit, just next to the blues.”
    Nick Hornby, High Fidelity

  • #16
    Nick Hornby
    “What came first – the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? Do all those records turn you into a melancholy person?”
    Nick Hornby, High Fidelity

  • #17
    Nick Hornby
    “Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.”
    Nick Hornby, High Fidelity

  • #18
    Nick Hornby
    “I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.”
    Nick Hornby, High Fidelity

  • #19
    Mark Twain
    “It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream--a grotesque and foolish dream. Nothing exists but you. And you are but a thought--a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!”
    Mark Twain

  • #20
    Harper Lee
    “As a reader I loathe introductions...Introductions inhibit pleasure, they kill the joy of anticipation, they frustrate curiosity.”
    Harper Lee, To Kill a Mockingbird

  • #21
    Harper Lee
    “Before I can live with other folks I’ve got to live with myself. The one thing that doesn’t abide by majority rule is a person’s conscience.”
    Harper Lee, To Kill a Mockingbird

  • #22
    Jorge Luis Borges
    “To think, analyze and invent, he [Pierre Menard] also wrote me, “are not anomalous acts, but the normal respiration of the intelligence. To glorify the occasional fulfillment of this function, to treasure ancient thoughts of others, to remember with incredulous amazement that the doctor universal is thought, is to confess our languor or barbarism. Every man should be capable of all ideas, and I believe that in the future he will be." (Jorge Luis Borges, "Pierre Menard, Author of Don Quixote, 1939)”
    Jorge Luis Borges

  • #23
    José Donoso
    “Why were you following me? Or were you after me? No, you weren't after me. It was just that someone, and the someone had to be you, was upsetting the balance of the emptiness of my nights, in which nothing could touch me - not even memories, not even desire - in which there was no other presence to threaten my vulnerability.”
    José Donoso, The Obscene Bird of Night

  • #24
    José Donoso
    “Normal humanity has only the courage to react to the usual gradations that range from the beautiful to the ugly, which in the long run are nothing but nuances of the same thing. The monster, on the other hand, Don Jeronimo contended with feeling, in order to exalt them with his mystique, belongs to a different, privileged species, with its own rights and particular canons that exclude the concepts of beauty and ugliness as tenuous categories, because, in essence, monstrosity is the culmination of both qualities synthesized and exacerbated to the sublime.”
    José Donoso

  • #25
    Stefan Zweig
    “For the more a man limits himself, the nearer he is on the other hand to what is limitless; it is precisely those who are apparently aloof from the world who build for themselves a remarkable and thoroughly individual world in miniature, using their own special equipment, termit-like.”
    Stefan Zweig, Chess Story

  • #26
    Haruki Murakami
    “I didn't have much to say to anybody but kept to myself and my books. With my eyes closed, I would touch a familiar book and draw it's fragrance deep inside me. This was enough to make me happy.”
    Haruki Murakami, Norwegian Wood

  • #27
    Haruki Murakami
    “Death was not the opposite of life. It was already here, within my being, it had always been here, and no struggle would permit me to forget that.”
    Haruki Murakami, Norwegian Wood

  • #28
    Flann O'Brien
    “Is it life?" he answered, "I would rather be without it," he said, "for there is queer small utility in it. You cannot eat it or drink it or smoke it in your pipe, it does not keep the rain out and it is a poor armful in the dark if you strip it and take it to bed with you after a night of porter when you are shivering with the red passion. It is a great mistake and a thing better done without, like bed-jars and foreign bacon.”
    Flann O'Brien, The Third Policeman

  • #29
    Flann O'Brien
    “Here I had a strange idea not unworthy of de Selby. Why was Joe so disturbed at the suggestion that he had a body? What if he had a body? A body with another body inside it in turn, thousands of such bodies within each other like the skins of an onion, receding to some unimaginable ultimum? Was I in turn merely a link in a vast sequence of imponderable beings, the world I knew merely the interior of the being whose inner voice I myself was? Who or what was the core and what monster in what world was the final uncontained colossus? God? Nothing? Was I receiving these wild thoughts from Lower Down or were they brewing newly in me to be transmitted Higher Up?”
    Flann O'Brien, The Third Policeman

  • #30
    Samuel Beckett
    “It's so nice to know where you're going, in the early stages. It almost rids you of the wish to go there.”
    Samuel Beckett, Molloy



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