Lesha Hodrick > Lesha's Quotes

“By the time you're thirty, your worst enemy is yourself.”
― Chuck Palahniuk, Choke

“Love is bullshit. Emotion is bullshit. I am a rock. A jerk. I'm an uncaring asshole and proud of it.”
― Chuck Palahniuk, Choke

“I'm a toxic waste byproduct of God's creation.”
― Chuck Palahniuk, Fight Club

“Put a gun to my head and paint the wall with my brains.”
― Chuck Palahniuk, Fight Club

“There is the devastatingly simple, yet profound, moral dilemma, which underlies the book: is it better for a man to choose to be bad than to be conditioned to be good?”
― Anthony Burgess, A Clockwork Orange

“English is a curiously expressive language. Womb, room, tomb. It sums up living in three words.”
― Anthony Burgess, The End of the World News

“Civilized my syphilised yarbles. Music always sort of sharpened me up, O my brothers, and made me like feel like old Bog himself, ready to make with the old donner and blitzen and have vecks and ptitsas creeching away in my ha ha power.”
― Anthony Burgess, A Clockwork Orange

“Self-interest, fear of physical pain, drove him to that grotesque act of self-abasement. Its insincerity was clearly to be seen. He ceases to be a wrongdoer. He ceases also to be a creature capable of moral choice.”
― Anthony Burgess, A Clockwork Orange

“In a dead white field an untethered goat gave them sardonic greeting.”
― Anthony Burgess

“This isn't just a shopping mall. It's more like..."
"A religious experience?"
"Exactly! It's like going to church...”
― J.G. Ballard, Kingdom Come

“The consumer society hungers for the deviant and unexpected. What else can drive the bizarre shifts in the entertainment landscape that will keep us "buying"? Psychopathy is the only engine powerful enough to light our imaginations, to drive the arts, sciences and industries of the world.”
― JG Ballard

“At the sales counter, the human race's greatest confrontation with existence, there were no yesterdays, no history to be relived, only an intense transactional present.”
― J.G. Ballard, Kingdom Come

“I ma trying to feel more well adjusted than I really am, which is, I guess, the human condition.”
― Douglas Coupland, Microserfs

“You like all animals at that moment, although no doubt you will one day choose your favorites. Your own nature will triumph. We are all born with our natures. You popped out of your mother’s belly, I saw your eyes, and I knew that you were already you. And I think back over my own life and I realize that my own nature--the core me--essentially hasn’t changed over all these years. When I wake up in the morning, for those first few moments before I remember where I am or when I am, I still feel the same way I did when I woke up at the age of five. Sometimes I wonder if natures can be changed at all of if we are stuck with them as surely as a dog wants bones or as a cat chases mice.”
― Douglas Coupland, Life After God

“What is prayer but a wish for the events in your life to string together to form a story -- something that makes some sense of events you know have meaning.”
― Douglas Coupland, Generation A

“Sometimes you accidentally input an extra digit into the year: i.e, 19993 and you add 18,000 years on to *now*, and you realize that the year 19993 will one day exist and that time is a scary thing, indeed.”
― Douglas Coupland, Microserfs

“I'm also staring at the fortune cookie. Its got a lot of blood on it and I shrug and say, as jovially as I can, "Oh, you know me.”
― Bret Easton Ellis, American Psycho

“No, really Patrick. What do you want me to call you?"

King, I'm thinking. King, Evelyn. I want you to call me King. But I don't say this. "Evelyn. I don't want you to call me anything. I don't think we should see each other anymore."

"But your friends are my friends. My friends are your friends. I don't think it would work," she says, and then, staring at a spot above my mouth, "You have a tiny fleck on the top of your lip. Use your napkin."

Exasperated, I brush the fleck away. "Listen, I, know that your friends are my friends and vice versa. I've thought about that." After a pause I say, breathing in, "You can have them."

Finally she looks at me, confused, and murmurs, "You're really serious, aren't you?"

"Yes", I say, "I am."

"But... what about us? What about the past?" she asks blankly.

"The past isn't real. It's just a dream," I say. "Don't mention the past."

She narrows her eyes with suspicion. "Do you have something against me, Patrick?" And then the hardness in her face changes instantaneously to expectation, maybe hope.

"Evelyn," I sigh. "I'm sorry. You're just... not terribly important... to me.”
― Bret Easton Ellis, American Psycho

“...where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one's taking pleasure in a feeling or a look or a gesture, of receiving another person's love or kindness. Nothing was affirmative, the term "generosity of spirit" applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire - meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in... this was civilization as I saw it, colossal and jagged...”
― Bret Easton Ellis, American Psycho

“Listen," I say, pushing my chair in. "I just want everyone to know that I'm pro-family and anti-drug. Excuse me.”
― Bret Easton Ellis, American Psycho

“In the movie I was played by an actor who actually looked more like me than the character the author portrayed in the book: I wasn't blond, I wasn't tan, and neither was the actor. I also suddenly became the movie's moral compass, spouting AA jargon, castigating everyone's drug use and trying to save Julian. (I'll sell my car," I warn the actor playing Julian's dealer. "Whatever it takes.") This was slightly less true of Blair's character, played by a girl who actually seemed like she belonged in our group-- jittery, sexually available, easily wounded. Julian became the sentimentalized version of himself, acted by a talented, sad-faced clown, who has an affair with Blair and then realizes he has to let her go because I was his best bud. "Be good to her," Julian tells Clay. "She really deserves it." The sheer hypocrisy of this scene must have made the author blanch. Smiling secretly to myself with perverse satisfaction when the actor delivered that line, I then glanced at Blair in the darkness of the screening room.”
― Bret Easton Ellis, Imperial Bedrooms

“Without culture, and the relative freedom it implies, society, even when perfect, is but a jungle. This is why any authentic creation is a gift to the future.”
― Albert Camus, The Myth of Sisyphus and Other Essays

“At any street corner the feeling of absurdity can strike any man in the face.”
― Albert Camus

“On the whole, men are more good than bad; that, however, isn't the real point. But they are more or less ignorant, and it is this that we call vice or virtue; the most incorrigible vice being that of an ignorance that fancies it knows everything and therefore claims for itself the right to kill. The soul of the murderer is blind; and there can be no true goodness nor true love without the utmost clear-sightedness.”
― Albert Camus

“So sind die Dinge manchmal. Wenn alles am schlimmsten ist, dann wirft der Verstand alles in einen Papierkorb und geht für eine Weile nach Florida. Da ist ein Was-zur-Hölle-soll's?-Gefühl in einem, während man da-steht und über die Schulter zu der Brücke zurückblickt, die man soeben niedergebrannt hat.”
― Richard Bachman, Rage

“It just...it seems hard to say anything that isn't the wrong thing.”
― Richard Bachman, Stephen King, Thinner

“The definition of an asshole is a guy who doesn't believe what he's seeing. And you can quote me.”
― Richard Bachman

“Sie pflegten mir Angst zu machen, und sie machen mir immer noch Angst, aber jetzt langweilen Sie mich auch noch, und ich habe mich entschlossen, das nicht mehr hinzunehmen”
― Richard Bachman, Rage

“Busy, busy, busy, is what we Bokononists whisper whenever we think of how complicated and unpredictable the machinery of life really is.”
― Kurt Vonnegut, Cat’s Cradle

“I can't tell if you're serious or not,' said the driver.
I won't know myself until I find out if life is serious or not,' said Trout. 'It's dangerous, I know, and it can hurt a lot. That doesn't necessarily mean it's serious, too.”
― Kurt Vonnegut, Breakfast of Champions