Solomon Kruss > Solomon's Quotes

“I can't accept that a work of fiction should be either immoral or moral. It should merely show the world as it is and have no moral bias.”
― Anthony Burgess, Earthly Powers

“I was very lighthearted. This often the way when the abandonment of personal responsibility is enforced: neither wronged innocence or just guilt can seriously impair the sensation of freedom one has.”
― Anthony Burgess, Earthly Powers

“It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.”
― Anthony Burgess, A Clockwork Orange

“Well, everything's a lesson, isn't it? Learning all the time, as you could say.”
― Anthony Burgess, A Clockwork Orange

“A Clockwork Orange is too didactic to be artistic. It is not the novelist's job to preach; it is his job to show.”
― Anthony Burgess, A Clockwork Orange

“What does God want? Does God want goodness or the choice of goodness? Is a man who chooses the bad perhaps in some way better than a man who has the good imposed upon him?”
― Anthony Burgess, A Clockwork Orange

“how come you're so ugly?"

"my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall.

sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them”
― Charles Bukowski, Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993

“if it doesn't come bursting out of you
in spite of everything,
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.”
― Charles Bukowski

“the way to create art is to burn and destroy
ordinary concepts and to substitute them
with new truths that run down from the top of the head
and out of the heart”
― Charles Bukowski

“The problem (as I’d learned, repeatedly) was that thirty-six hours in, with your body in full revolt, and the remainder of your un-opiated life stretching out bleakly ahead of you like a prison corridor, you needed some fairly compelling reason to keep moving forward into darkness, rather than falling straight back into the gorgeous feather mattress you’d so foolishly abandoned.”
― Donna Tartt, The Goldfinch

“It was if the charming theatrical curtain had dropped away and I saw him for the first time as he really was: not the benign old sage, the indulgent and protective good-parent of my dreams, but ambiguous, a moral neutral, whose beguiling trappings concealed a being watchful, capricious, and heartless.”
― Donna Tartt, The Secret History

“Upon meeting Julian Morrow, one has the impression that he is a man of extraordinary sympathy and warmth. But what you call his 'Asiatic serenity' is, I think, a mask for great coldness. The face one shows him he invariably reflects back at one, creating the illusion of warmth and depth when in fact he is brittle and shallow as a mirror.”
― Donna Tartt

“You see, when you're middle class, you have to live with the fact that history will ignore you. You have to live with the fact that history can never champion your causes and that history will never feel sorry for you. It is the price that is paid for day-to-day comfort and silence. And because of this price, all happinesses are sterile; all sadnesses go unpitied.”
― Douglas Coupland

“I don't understand beauty.”
― Douglas Coupland, Eleanor Rigby

“The belief that tomorrow is a different place from today is certainly a unique hallmark of our species.”
― Douglas Coupland, Microserfs

“Gore is nature's way of saying, "There are too many human beings on the planet, and I'm trying to rectify this any way I can. SARS didn't work, but trust me, I'm cooking up something better. In the interim, please kill lots of yourselves.”
― Douglas Coupland, JPod

“Life was charmed but without politics or religion. It was the life of children of the children of the pioneers -life after God- a life of earthly salvation on the edge of heaven. Perhaps this is the finest thing to which we may aspire, the life of peace, the blurring between dream life and real life - and yet I find myself speaking these words with a sense of doubt. I think there was a trade-off somewhere along the line. I think the price we paid for our golden life was an inability to fully believe in love; instead we gained an irony that scorched everything it touched. And I wonder if this irony is the price we paid for the loss of God.”
― Douglas Coupland, Life After God

“Truth be told, John said, the one thing in this world I want more than anything else is a great big crowbar, to jimmy myself open and take whatever creature that's sitting inside and shake it clean like a rug and then rinse it in a cold, clear lake like up in Oregon, and then I want to put it under the sun to let it heal and dry and grow and sit and come to consciousness again with a clear and quiet mind.”
― Douglas Coupland, Miss Wyoming

“Someone has already taken out a Minolta cellular phone and called for a car, and then, when I'm not really listening, watching instead someone who looks remarkably like Marcus Halberstam paying a check, someone asks, simply, not in relation to anything, "Why? " and though I'm very proud that I have cold blood and that I can keep my nerve and do what I'm supposed to do, I catch something, then realize it: Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: "Well, though I know I should have done that instead of not doing it, I'm twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Pat rick means to me, I guess, so, well, yup, uh..." and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry's is a sign and on the sign in letters that match the drapes' color are the words THIS IS NOT AN EXIT.”
― Bret Easton Ellis, American Psycho

“Looking at Tim, one cannot help feeling great waves of uncertainty, an absence of aim, of purpose, as if he is a person who simply doesn’t matter.”
― Bret Easton Ellis, The Informers

“My mask of sanity was a victim of impending slippage.”
― Bret Easton Ellis, American Psycho

“ABANDON ALL HOPE YE WHO ENTER HERE is scrawled in blood red lettering on the side of the Chemical Bank near the corner of Eleventh and First and is in print large enough to be seen from the backseat of the cab as it lurches forward in the traffic leaving Wall Street and just as Timothy Price notices the words a bus pulls up, the advertisement for Les Miserables on its side blocking his view, but Price who is with Piece and Piece and twenty-six doesn't seem to care because he tells the driver he will give him five dollars to turn up the radio, "Be My Baby" on WYNN, and the driver, black, not American, does so.”
― Bret Easton Ellis, American Psycho

“Decker smiled and shrugged off their laughter. The humour was only barbed if you sat on the outside, and now he was one of them.”
― R.D. Ronald, The Zombie Room

“He had an intrusive gaze and quietly confident manner, that seemed to strip away the layers of protective deception Scott would usually adopt around strangers.”
― R.D. Ronald, The Elephant Tree

“The craggy lines that made up the character in his face now seemed like scars of defeat, inflicted on him over time.”
― R.D. Ronald, The Elephant Tree

“He dropped the phone back onto its cradle, began to turn around and felt a sudden ice-cold furrow open up in his side. Strength drained from his legs, and a moment later he sank to his knees. There was warmth now that ran over the initial and persistent cold.

Mohammed was confused, and barely noticed the briefcase being removed from his grip. He heard the click of a cell phone opening, and a soft beeping as a number was dialed.

'The package is in my possession,' a female voice said, and the phone clicked shut.”
― R.D. Ronald, The Zombie Room

“Sometimes he missed the numbed, walking-underwater feeling feel that the cocktail of narcotics used to give him. But if a situation went down in here, he was going to need all of his wits to get out of it.”
― R.D. Ronald, The Zombie Room

“There's only one rule that I know of, babies—God damn it, you've got to be kind.”
― Kurt Vonnegut, God Bless You, Mr. Rosewater

“Dear Sir, poor sir, brave sir." he read, "You are an experiment by the Creator of the Universe. You are the only creature in the entire Universe who has free will. You are the only one who has to figure out what to do next - and why. Everybody else is a robot, a machine. Some persons seem to like you, and others seem to hate you, and you must wonder why. They are simply liking machines and hating machines. You are pooped and demoralized, " read Dwayne. "Why wouldn't you be? Of course it is exhausting, having to reason all the time in a universe which wasn't meant to be reasonable.”
― Kurt Vonnegut, Breakfast of Champions

“If I were a younger man, I would write a history of human stupidity; and I would climb to the top of Mount McCabe and lie down on my back with my history for a pillow; and I would take from the ground some of the blue-white poison that makes statues of men; and I would make a statue of myself, lying on my back, grinning horribly, and thumbing my nose at You Know Who.”
― Kurt Vonnegut, Cat’s Cradle