Petya > Petya's Quotes

“I will love you if I never see you again, and I will love you if I see you every Tuesday.”
― Lemony Snicket, The Beatrice Letters

“I think a lot, but I don't say much.”
― Anne Frank, The Diary of a Young Girl

“Memories mean more to me than dresses.”
― Anne Frank

“As long as this exists, this sunshine and this cloudless sky, and as long as I can enjoy it, how can I be sad?”
― Anne Frank, The Diary of a Young Girl

“Everyone has inside of him a piece of good news. The good news is that you don't know how great you can be! How much you can love! What you can accomplish! And what your potential is!”
― Anne Frank

“A voice within me is sobbing, "You see that's what's become of you. You're surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don't listen to the advice of your own better half." Believe me, I'd like to listen, but it doesn't work, because if I'm quiet and serious, everyone thinks I'm putting on a new act and I have to save myself with a joke, and then I'm not even talking about my own family, who assume I must be sick, stuff me with aspirins and setatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can't keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, an finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I'd like to be and what I could be if . . . if only there were no other people in the world.

Yours, Anne M. Frank.”
― Anne Frank

“The reason for my starting a diary is that I have no real friend.”
― Anne Frank

“I'm currently in the middle of a depression. I couldn't really tell you what set it off, but I think it stems from my cowardice, which confronts me at every turn.”
― Anne Frank, The Diary of a Young Girl

“The best friends of our childhoods are the loves of our lives, and they break our hearts in worse ways.”
― Fredrik Backman, Us Against You

“When I am feeling dreary, annoyed and generally unimpressed by life, I imagine what it would be like to come back to this world for just a day after having been dead. I imagine how sentimental I would feel about the very things I once found stupid, hateful or mundane. Oh, there’s a light switch! I haven’t seen a light switch in so long! I didn’t realize how much I missed light switches! Oh! Oh! And look – the stairs up to our front porch are still completely cracked! Hello cracks! Let me get a good look at you. And there’s my neighbor, standing there, fantastically alive, just the same, still punctuating her sentences with you know what I’m saying? Why did that bother me? It’s so… endearing.”
― Amy Krouse Rosenthal, Encyclopedia of an Ordinary Life

“He is always on the brink of suicide... because he seeks salvation through the routine formulas suggested to him by the society in which he lives.”
― Umberto Eco

“It is well known that humor, more than anything else in the human make-up, can afford an aloofness and an ability to rise above any situation, even if only for a few seconds.”
― Viktor Emil Frankl, Man's Search for Meaning

“Sometimes, I used to sit under the sky, on a clear night, and gaze at the stars, saying, in my croaky voice: “Lord, if you’re up there somewhere, and you aren’t too busy, come and say a few words to me, because I’m very lonely and it would make me so happy.” Nothing happened. So I reckon that humanity— which I wonder whether I belong to —really had a very vivid imagination.”
― Jacqueline Harpman, I Who Have Never Known Men

“I was forced to acknowledge too late, much too late, that I too had loved, that I was capable of suffering, and that I was human after all.”
― Jacqueline Harpman, I Who Have Never Known Men

“I cannot mourn for what I have not known.”
― Jacqueline Harpman, I Who Have Never Known Men

“Затворен в кръга на една външна действителност, българският писател в твърде редки случаи успява да откъсне погледа си от нея, от нейните разнообразни и пъстри форми. За него като че ли не съществува друг свят освен околния… Може би задълго още ще остане чуждо за литературата ни призрачното, фантастичното, страшното. Нашата балада и в най-сполучливите си постижения не е успяла да излезе извън рамките на народното творчество и да създаде фантастика, по-съдържателна и по-богата от фантастиката на народната песен и легенда. Трезвеният български поет няма никакви връзки с царството на смъртта, с нейните живи сенки и видения… Напразно бихме дирили в сюжетите на българската поезия нещо инфернално и демонично като непосредно преживяно съдържание. Фантастичният свят на Едгар По, неговите сомнамбулни видения са невъзможни в душата на българския художник. Опита ли се да засегне сюжети от фантастичен характер, той не отива по-далеч от обикновените книжни заимствувания и подражания. Старае се да усвои известен начин на изображение, който не съответствува нито на неговия темперамент, нито на писателските му склонности, като се поддава в повечето случаи на модни литературни течения…”
― Боян Пенев

“Very early in my life it was too late. It was already too late when I was eighteen. Between eighteen and twenty-five my face took off in a new direction. I grew old at eighteen. I don't know if it's the same for everyone, I've never asked. But I believe I've heard of the way time can suddenly accelerate on people when they're going through even the most youthful and highly esteemed stages of life. My ageing was very sudden. I saw it spread over my features one by one, changing the relationship between them, making the eyes larger, the expression sadder, the mouth more final, leaving great creases in the forehead. But instead of being dismayed I watched this process with the same sort of interest I might have taken in the reading of a book.”
― Marguerite Duras, The Lover