Joy > Joy's Quotes

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  • #1
    Richard Siken
    “Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.”
    Richard Siken

  • #2
    Haruki Murakami
    “Memories warm you up from the inside. But they also tear you apart.”
    Haruki Murakami, Kafka on the Shore

  • #3
    Haruki Murakami
    “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
    Haruki Murakami, Norwegian Wood

  • #4
    Haruki Murakami
    “Why do people have to be this lonely? What's the point of it all? Millions of people in this world, all of them yearning, looking to others to satisfy them, yet isolating themselves. Why? Was the earth put here just to nourish human loneliness?”
    Haruki Murakami, Sputnik Sweetheart

  • #5
    Haruki Murakami
    “Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

    And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

    And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
    Haruki Murakami, Kafka on the Shore

  • #6
    Haruki Murakami
    “But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #7
    Savannah   Brown
    “i have given you the power to turn me inside out, my dear—please do not use it”
    Savannah Brown, Graffiti

  • #8
    John Green
    “As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
    John Green, The Fault in Our Stars

  • #9
    John Green
    “I'm in love with you," he said quietly.

    "Augustus," I said.

    "I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
    John Green, The Fault in Our Stars

  • #10
    Hanya Yanagihara
    “Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?”
    And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs.
    “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen.
    “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way.
    “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it.
    “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again.
    “You were treated horribly. You came out on the other end. You were always you.”
    Hanya Yanagihara, A Little Life

  • #11
    Olga Tokarczuk
    “The human psyche evolved in order to defend itself against seeing the truth. To prevent us from catching sight of the mechanism. The psyche is our defense system - it makes sure we'll never understand what's going on around us. Its main task is to filter information, even though the capabilities of our brains are enormous. For it would be impossible for us to carry the weight of this knowledge. Because every tiny particle of the world is made of suffering.”
    Olga Tokarczuk, Prowadź swój pług przez kości umarłych

  • #12
    Olga Tokarczuk
    “My Venus is damaged, or in exile, that’s what you say of a Planet that can’t be found in the sign where it should be. What’s more, Pluto is in a negative aspect to Venus, and in my case Pluto rules the Ascendant. The result of this situation is that I have, as I see it, Lazy Venus syndrome. That’s what I call this Conformity. In this case we’re dealing with a Person whom fortune has gifted generously, but who has entirely failed to use their potential. Such People are bright and intelligent, but don’t apply themselves to their studies, and use their intelligence to play card games or patience instead. They have beautiful bodies, but they destroy them through neglect, poison themselves with harmful substances, and ignore doctors and dentists. This Venus induces a strange kind of laziness—lifetime opportunities are missed, because you overslept, because you didn’t feel like going, because you were late, because you were neglectful. It’s a tendency to be sybaritic, to live in a state of mild semiconsciousness, to fritter your life away on petty pleasures, to dislike effort and be devoid of any penchant for competition. Long mornings, unopened letters, things put off for later, abandoned projects. A dislike of any authority and a refusal to submit to it, going your own way in a taciturn, idle manner. You could say such people are of no use at all.”
    Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

  • #13
    Sylvia Plath
    “Kiss me, and you will see how important I am.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #14
    Sylvia Plath
    “Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.”
    sylvia plath

  • #15
    Sylvia Plath
    “Yes, I was infatuated with you: I am still. No one has ever heightened such a keen capacity of physical sensation in me. I cut you out because I couldn't stand being a passing fancy. Before I give my body, I must give my thoughts, my mind, my dreams. And you weren't having any of those.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #16
    Sylvia Plath
    “There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room. It's like watching Paris from an express caboose heading in the opposite direction--every second the city gets smaller and smaller, only you feel it's really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and excitement at about a million miles an hour.”
    Sylvia Plath, The Bell Jar

  • #17
    Virginia Woolf
    “As a woman I have no country. As a woman I want no country. As a woman, my country is the whole world.”
    Virginia Woolf

  • #18
    Sylvia Plath
    “I must get my soul back from you; I am killing my flesh without it.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #19
    Virginia Woolf
    “I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.”
    Virginia Woolf

  • #20
    Virginia Woolf
    “When you consider things like the stars, our affairs don't seem to matter very much, do they?”
    Virginia Woolf

  • #21
    Virginia Woolf
    “As long as she thinks of a man, nobody objects to a woman thinking.”
    Virginia Woolf, Orlando

  • #22
    Virginia Woolf
    “There was a star riding through clouds one night, & I said to the star, 'Consume me'.”
    Virginia Woolf, The Waves

  • #23
    Virginia Woolf
    “Women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size.”
    Virginia Woolf, A Room of One’s Own

  • #24
    Virginia Woolf
    “Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack.”
    Virginia Woolf

  • #25
    Philippe Ariès
    “A single person is missing for you, and the whole world is empty.”
    Philippe Ariès

  • #26
    Joan Didion
    “Innocence ends when one is stripped of the delusion that one likes oneself.”
    Joan Didion, On Self-Respect

  • #27
    Joan Didion
    “A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his own image.”
    Joan Didion

  • #28
    Joan Didion
    “I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead. ”
    Joan Didion, The Year of Magical Thinking

  • #29
    Joan Didion
    “...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.”
    Joan Didion, Slouching Towards Bethlehem

  • #30
    Joan Didion
    “...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.”
    Joan Didion, Slouching Towards Bethlehem



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