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  • #1
    Erin Morgenstern
    “We are all stardust and stories.”
    Erin Morgenstern, The Starless Sea

  • #2
    Victoria Schwab
    “...it is sad, of course, to forget.
    But it is a lonely thing, to be forgotten.
    To remember when no one else does.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #3
    Victoria Schwab
    “What she needs are stories.
    Stories are a way to preserve one's self. To be remembered. And to forget.
    Stories come in so many forms: in charcoal, and in song, in paintings, poems, films. And books.
    Books, she has found, are a way to live a thousand lives—or to find strength in a very long one.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #4
    Victoria Schwab
    “A dreamer,” scorns her mother.

    “A dreamer,” mourns her father.

    “A dreamer,” warns Estele.

    Still, it does not seem such a bad word.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #5
    Victoria Schwab
    Don't you remember, she told him then, when you were nothing but shadow and smoke?
    Darling, he'd said in his soft, rich way, I was the night itself.
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #6
    Victoria Schwab
    “Being forgotten, she thinks, is a bit like going mad. You begin to wonder what is real, if you are real. After all, how can a thing be real if it cannot be remembered?”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #7
    Victoria Schwab
    “Take a drink every time you hear you’re not enough.
    Not the right fit.
    Not the right look.
    Not the right focus.
    Not the right drive.
    Not the right time.
    Not the right job.
    Not the right path.
    Not the right future.
    Not the right present.
    Not the right you.
    Not you.
    (Not me?)
    There’s just something missing.
    From us.
    What could I have done?
    Nothing. It’s just…
    (Who you are.)
    I didn’t think we were serious.
    (You’re just too…
    …sweet.
    …soft.
    …sensitive.)
    I just don’t see us ending up together.
    I met someone.
    I’m sorry
    It’s not you.
    Swallow it down.
    We’re not on the same page.
    We’re not in the same place.
    It’s not you.
    We can’t help who we fall in love with.
    (And who we don’t.)
    You’re such a good friend.
    You’re going to make the right girl happy.
    You deserve better.
    Let’s stay friends.
    I don’t want to lose you.
    It’s not you.
    I’m sorry.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #8
    Erin Morgenstern
    “People see what they wish to see. And in most cases, what they are told that they see.”
    Erin Morgenstern, The Night Circus

  • #9
    Victoria Schwab
    “His heart has a draft. It lets in light. It lets in storms. It lets in everything.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #10
    Erin Morgenstern
    “You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.”
    Erin Morgenstern, The Night Circus

  • #11
    Erin Morgenstern
    “I would have written you, myself, if I could put down in words everything I want to say to you. A sea of ink would not be enough.' 'But you built me dreams instead.”
    Erin Morgenstern, The Night Circus

  • #12
    Erin Morgenstern
    “Strange, isn’t it? To love a book. When the words on the pages become so precious that they feel like part of your own history because they are. It’s nice to finally have someone read stories I know so intimately.”
    Erin Morgenstern, The Starless Sea

  • #13
    Erin Morgenstern
    “Not all stories speak to all listeners, but all listeners can find a story that does, somewhere, sometime. In one form or another.”
    Erin Morgenstern, The Starless Sea

  • #14
    Erin Morgenstern
    “And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister's story is part of many other stories, and there is no telling where any of them may lead.”
    Erin Morgenstern, The Night Circus

  • #15
    Erin Morgenstern
    “Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better appreciate the dark.”
    Erin Morgenstern, The Night Circus

  • #16
    Erin Morgenstern
    “Everyone wants the stars. Everyone wishes to grasp that which exists out of reach. To hold the extraordinary in their hands and keep the remarkable in their pockets.”
    Erin Morgenstern, The Starless Sea

  • #17
    Erin Morgenstern
    “Be brave,’ she says. ‘Be bold. Be loud. Never change for anyone but yourself. Any soul worth their star-stuff will take the whole package as is and however it grows. Don’t waste your time on anyone who doesn’t believe you when you tell them how you feel.”
    Erin Morgenstern, The Starless Sea

  • #18
    Erin Morgenstern
    “For those who feel homesick for a place they’ve never been to. Those who seek even if they do not know what (or where) it is that they are seeking. Those who seek will find. Their doors have been waiting for them.”
    Erin Morgenstern, The Starless Sea

  • #19
    Erin Morgenstern
    “A boy at the beginning of a story has no way of knowing that the story has begun.”
    Erin Morgenstern, The Starless Sea

  • #20
    Erin Morgenstern
    “There is no fixing. There is only moving forward in the brokenness.”
    Erin Morgenstern, The Starless Sea

  • #21
    Erin Morgenstern
    “For a while I was looking for a person but I didn't find them and after that I was looking for myself. Now that I've found me I'm back to exploring, which is what I was doing in the first place before I was doing anything else and I think I was supposed to be exploring all along.”
    Erin Morgenstern, The Starless Sea

  • #22
    Erin Morgenstern
    “This is not where our story ends, he writes. This is only where it changes.”
    Erin Morgenstern, The Starless Sea

  • #23
    Erin Morgenstern
    “She is young enough to carry fear with her without letting it into her heart. Without being scared. She wears her fear lightly, like a veil, aware that there are dangers but letting the crackling awareness hover around her. It does not sink in, it buzzes in excitement like a swarm of invisible bees.”
    Erin Morgenstern, The Starless Sea

  • #24
    Erin Morgenstern
    “Their story is only just beginning. And no story ever truly ends as long as it is told.”
    Erin Morgenstern, The Starless Sea

  • #25
    Erin Morgenstern
    “You want a place to be like it was in the book but it’s not a place in a book it’s just words. The place in your imagination is where you want to go and that place is imaginary.”
    Erin Morgenstern, The Starless Sea

  • #26
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #27
    Donna Tartt
    “Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
    Donna Tartt, The Secret History

  • #28
    Donna Tartt
    “Forgive me, for all the things I did but mostly for the ones that I did not.”
    Donna Tartt, The Secret History

  • #29
    Donna Tartt
    “Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?”
    Donna Tartt, The Secret History

  • #30
    Donna Tartt
    “Some things are too terrible to grasp at once. Other things - naked, sputtering, indelible in their horror - are too terrible to really grasp ever at all. It is only later, in solitude, in memory that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself - quite to one's surprise - in an entirely different world.”
    Donna Tartt, The Secret History



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