Sajida > Sajida's Quotes

“We are all living, at most, half of a life, she thought. There was the life you lived, which consisted of the choices you made. And then, there was the other life, the one that was the things you hadn't chosen.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“Why wouldn’t you tell someone you loved them? Once you loved someone, you repeated it until they were tired of hearing it. You said it until it ceased to have meaning. Why not? Of course, you goddamn did.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“Sam's doctor said to him, "The good news is that the pain is in your head."
But I am in my head, Sam thought.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“But it is worth noting that to be good at something is not quite the same as loving it.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“If you're always aiming for perfection, you won't make anything at all.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“It isn’t a sadness, but a joy, that we don’t do the same things for the length of our lives.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“To allow yourself to play with another person is no small risk. It means allowing yourself to be open, to be exposed, to be hurt. It is the human equivalent of the dog rolling on its back---I know you won't hurt me, even though you can. It is the dog putting its mouth around your hand and never biting down. To play requires trust and love. Many years later, as Sam would controversially say in an interview with the gaming website Kotaku, "There is no more intimate act than play, even sex." The internet responded: no one who had had good sex would ever say that, and there must be something seriously wrong with Sam.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“People see what they wish to see. And in most cases, what they are told that they see.”
― Erin Morgenstern, The Night Circus

“I am tired of trying to hold things together that cannot be held. Trying to control what cannot be controlled. I am tired of denying myself what I want for fear of breaking things I cannot fix. They will break no matter what we do.”
― Erin Morgenstern, The Night Circus

“We lead strange lives, chasing our dreams around from place to place.”
― Erin Morgenstern, The Night Circus

“But dreams have ways of turning into nightmares.”
― Erin Morgenstern, The Night Circus

“People don’t pay much attention to anything unless you give them reason to”
― Erin Morgenstern, The Night Circus

“Do you remember all of your audiences?" Marco asks.
"Not all of them," Celia says. "But I remember the people who look at me the way you do."
"What way might that be?"
"As though they cannot decide if they are afraid of me or they want to kiss me."
" I am not afraid of you," Marco says.”
― Erin Morgenstern, The Night Circus

“I couldn't tell the difference between what was real and what I wanted to be real.”
― Erin Morgenstern, The Night Circus

“It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them...”
― Donna Tartt, The Secret History

“There is nothing wrong with the love of Beauty. But Beauty -unless she is wed to something more meaningful -is always superficial”
― Donna Tartt, The Secret History

“Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
― Donna Tartt, The Goldfinch

“A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.”
― Donna Tartt, The Goldfinch

“When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.”
― Donna Tartt, The Goldfinch

“—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.”
― Donna Tartt, The Goldfinch

“although I had been told my whole life that money couldn’t buy you happiness, it was certainly clear to me that it could provide some desirable upgrades.”
― Molly Bloom, Molly's Game

“You can love someone and still choose to say goodbye to them,” she says now. “You can miss a person every day, and still be glad that they are no longer in your life.”
― Tara Westover, Educated

“My life was narrated for me by others. Their voices were forceful, emphatic, absolute. It had never occurred to me that my voice might be as strong as theirs.”
― Tara Westover, Educated

“Whomever you become, whatever you make yourself into, that is who you always were.”
― Tara Westover, Educated

“An education is not so much about making a living as making a person.”
― Tara Westover, Educated

“You have these lines you won’t cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world won’t instantly come to an end. You’ve taken a big, black, bold line and you’ve made it a little bit gray. And now every time you cross it again, it just gets grayer and grayer until one day you look around and you think, There was a line here once, I think.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“It’s like some of us are chasing after our nightmares the way other people chase dreams.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“All I will say is that you show up for your friends on their hardest days. And you hold their hand through the roughest parts. Life is about who is holding your hand and, I think, whose hand you commit to holding.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“If she knew how often I was thinking about her, she wouldn't feel lonely.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“She had written something that felt like I could have written it, except I knew I couldn't have. I wouldn't have come up with something like that. Which is what we all want from art, isn’t it? When someone pins down something that feels like it lives inside us? Takes a piece of your heart out and shows it to you? It’s like they are introducing you to a part of yourself.”
― Taylor Jenkins Reid, Daisy Jones & The Six