Μαρία > Μαρία's Quotes

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  • #1
    Βάσια Τζανακάρη
    “- Θα μ' αγαπάς ο κόσμος να χαλάσει;
    - Ο κόσμος έχει ήδη χαλάσει κι εγώ ακόμη σ' αγαπώ.”
    Βάσια Τζανακάρη, Τζόνι και Λούλου

  • #2
    David Foster Wallace
    “The truth will set you free. But not until it is finished with you.”
    David Foster Wallace, Infinite Jest

  • #3
    David Foster Wallace
    “The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
    David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

  • #4
    To live (as I understand it) is to exist within a conception of time. But
    “To live (as I understand it) is to exist within a conception of time.

    But to remember is to vacate the very notion of time.

    Every memory, no matter how remote its subject, takes place 'Now,' at the moment it's called to the mind.

    The more something is recalled, the more the brain has a chance to refine the original experience.

    Because every memory is a re-creation, not a playback.”
    David Mazzucchelli, Asterios Polyp

  • #5
    “I watched you wake up and try to wake me up too. I could still feel you touch my face and my cheek. I liked the way you brushed my hair back with your hand. I liked the way held onto my hands with your hands. They must have felt a little cold and a little wet but they started to feel warm again when you held onto them. I want you to know that I stayed there with you and held onto you too.”
    Michael Kimball, Us

  • #6
    Ευγένιος Αρανίτσης
    “Εσύ δεν είσαι που σου αρέσει να δοκιμάζεις το σώμα σου σαν να ήταν ολόσωμο κολάν;”
    Ευγένιος Αρανίτσης, Η μαθήτρια που έγινε αμύγδαλο

  • #7
    David  Mitchell
    “Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.”
    David Mitchell, The Thousand Autumns of Jacob de Zoet

  • #8
    David  Mitchell
    “If only,’ Shiroyama dreams, ‘human beings were not masks behind masks behind masks. If only this world was a clean board of lines and intersections. If only time was a sequence of considered moves and not a chaos of slippages and blunders.”
    David Mitchell, The Thousand Autumns of Jacob de Zoet

  • #9
    Δημοσθένης Παπαμάρκος
    “Αυτό πάει να πει να 'σαι σιβιλάιζντ. Να πατάς στα σκατά με αψηλό τακούνι.”
    Δημοσθένης Παπαμάρκος, Γκιακ

  • #10
    Hanya Yanagihara
    “...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.”
    Hanya Yanagihara, A Little Life



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