Laura Joy > Laura's Quotes

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  • #1
    Tom Stoppard
    “The ordinary-sized stuff which is our lives, the things people write poetry about—clouds—daffodils—waterfalls—what happens in a cup of coffee when the cream goes in—these things are full of mystery, as mysterious to us as the heavens were to the Greeks.”
    Tom Stoppard, Arcadia

  • #2
    Tom Stoppard
    “If knowledge isn't self-knowledge it isn't doing much, mate. Is the universe expanding? Is it contracting? Is it standing on one leg and singing 'When Father Painted the Parlour'? Leave me out. I can expand my universe without you. 'She walks into beauty, like the night of cloudless climes and starry skies, and all that's best of dark and bright meet in her aspect and her eyes.”
    Tom Stoppard, Arcadia

  • #3
    Tom Stoppard
    “We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?”
    Tom Stoppard, Arcadia

  • #4
    Jeanne Birdsall
    “And I don't know if Batty's gotten over it yet,' said Skye.

    Mr. Penderwick looked out the window to where Batty was playing vampires with Hound. Hound was on his back, trying to wiggle out of the black towel Batty had tied around his neck. Batty was leaping over Hound's water bowl, shrieking, 'Blood, blood!'

    'She looks all right,' he said.”
    Jeanne Birdsall, The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy

  • #5
    Jeanne Birdsall
    “He was the least scary adult present, besides being English and therefore fascinating.”
    Jeanne Birdsall, The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy

  • #6
    Jeanne Birdsall
    “Will each of my daughters be delivered to me, one at a time, as from the briny deep?”
    Jeanne Birdsall, The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy

  • #7
    Isaac Asimov
    “There’s no way we can raise a positronic brain one inch above the level of perfect materialism. “We can’t, damn it, we can’t. Not as long as we don’t understand what makes our own brains tick. Not as long as things exist that science can’t measure. What is beauty, or goodness, or art, or love, or God? We’re forever teetering on the brink of the unknowable, and trying to understand what can’t be understood. It’s what makes us men.”
    Isaac Asimov, The Caves of Steel

  • #8
    Chaim Potok
    “I looked at my right hand, the hand with which I painted. There was power in that hand. Power to create and destroy. Power to bring pleasure and pain. Power to amuse and horrify. There was in that hand the demonic and the divine at one and the same time. The demonic and the divine were two aspects of the same force. Creation was demonic and divine. Creativity was demonic and divine. I was demonic and divine.”
    Chaim Potok, My Name Is Asher Lev

  • #9
    Chaim Potok
    “A life is measured by how it is lived for the sake of heaven.”
    Chaim Potok, My Name Is Asher Lev

  • #10
    Emmuska Orczy
    “Suddenly…a sound…the strangest, undoubtedly, that these lonely cliffs of France had ever heard, broke the silent solemnity of the shore. So strange a sound was it that the gentle breeze ceased to murmur, the tiny pebbles to roll down the steep incline! So strange, that Marguerite, wearied, overwrought as she was, thought that the beneficial unconsciousness of the approach of death was playing her half-sleeping senses a weird and elusive trick. It was the sound of a good, solid, absolutely British “Damn!”
    Emmuska Orczy, The Scarlet Pimpernel

  • #11
    Tom Stoppard
    “Life in a box is better than no life at all, I expect. You'd have a chance at least. You could lie there thinking: Well, at least I'm not dead.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #12
    Tom Stoppard
    “Eternity is a terrible thought. I mean, where's it going to end?”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #13
    Tom Stoppard
    “Pirates could happen to anyone.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #14
    Tom Stoppard
    “Stark raving sane.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #15
    Tom Stoppard
    “The colours red, blue and green are real. The colour yellow is a mystical experience shared by everybody.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #16
    Tom Stoppard
    “Autumnal -- nothing to do with leaves. It is to do with a certain brownness at the edges of the day ... Brown is creeping up on us, take my word for it ... Russets and tangerine shades of old gold flushing the very outside edge of the senses... deep shining ochres, burnt umber and parchments of baked earth -- reflecting on itself and through itself, filtering the light. At such times, perhaps, coincidentally, the leaves might fall, somewhere, by repute. Yesterday was blue, like smoke.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #17
    Tom Stoppard
    “GUIL: It [Hamlet's madness] really boils down to symptoms. Pregnant replies, mystic allusions, mistaken identities, arguing his father is his mother, that sort of thing; intimations of suicide, forgoing of exercise, loss of mirth, hints of claustrophobia not to say delusions of imprisonment; invocations of camels, chameleons, capons, whales, weasels, hawks, handsaws -- riddles, quibbles and evasions; amnesia, paranoia, myopia; day-dreaming, hallucinations; stabbing his elders, abusing his parents, insulting his lover, and appearing hatless in public -- knock-kneed, droop-stockinged and sighing like a love-sick schoolboy, which at his age is coming on a bit strong.

    ROS: And talking to himself.

    GUIL: And talking to himself.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #18
    Tom Stoppard
    “ROS: Why don't you go and have a look?
    GUIL: Pragmatism?! - is that all you have to offer?”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #19
    Ray Bradbury
    “It was a pleasure to burn.
    It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.”
    Ray Bradbury, Fahrenheit 451

  • #20
    Aldous Huxley
    “Words can be like X-rays if you use them properly – they’ll go through anything. You read and you’re pierced.”
    Aldous Huxley, Brave New World

  • #21
    Aldous Huxley
    “But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”
    Aldous Huxley, Brave New World

  • #22
    Ursula K. Le Guin
    “It is a great deal to ask of a kitten, to defend a man against the armies of the dead.”
    Ursula K. Le Guin, The Other Wind

  • #23
    Wendy Mass
    “Keep moving toward what makes you feel most alive,”
    Wendy Mass, Bob

  • #24
    Wendy Mass
    “There is a certain timelessness to closets.”
    Wendy Mass, Bob

  • #25
    Wendy Mass
    “I squeeze my eyes shut and practice being not seen. I open one eye. “Well? Can you see me?” “Yes, Bob, I can see you.” She said my name. Bob. It makes me feel … well, seen. And heard. Like I’m a person. Or whatever I am. I’m glad I’m not invisible after all.”
    Wendy Mass, Bob

  • #26
    William Stafford
    “Yes

    It could happen any time, tornado,
    earthquake, Armageddon. It could happen.
    Or sunshine, love, salvation.

    It could, you know. That's why we wake
    and look out - no guarantees
    in this life.

    But some bonuses, like morning,
    like right now, like noon,
    like evening.”
    William Stafford

  • #27
    Annie Proulx
    “You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.”
    Annie Proulx

  • #28
    Carl Sagan
    “What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic."

    [Cosmos, Part 11: The Persistence of Memory (1980)]”
    Carl Sagan, Cosmos

  • #29
    John Green
    “He liked the mere act of reading, the magic of turning scratches on a page into words inside his head.”
    John Green, An Abundance of Katherines

  • #30
    Natsuki Takaya
    “Because even the smallest of words can be the ones to hurt you, or save you.”
    Natsuki Takaya



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