Jake Mesko > Jake's Quotes

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  • #1
    Kurt Vonnegut Jr.
    “If you want to really hurt you parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.”
    Kurt Vonnegut, A Man Without a Country

  • #2
    bell hooks
    “the wounded child inside many males is a boy who, when he first spoke his truths, was silenced by paternal sadism, by a patriarchal world that did not want him to claim his true feelings. The wounded child inside many females is a girl who was taught from early childhood that she must become something other than herself, deny her true feelings, in order to attract and please others. When men and women punish each other for truth telling, we reinforce the notion that lies are better. To be loving we willingly hear the other’s truth, and most important, we affirm the value of truth telling. Lies may make people feel better, but they do not help them to know love.”
    bell hooks, All About Love: New Visions

  • #3
    Karl Lagerfeld
    “What i like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.”
    Karl Lagerfeld

  • #4
    Rainer Maria Rilke
    “Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.

    This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...

    ...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.”
    Rainer Maria Rilke

  • #5
    Viktor E. Frankl
    “The one thing you can’t take away from me is the way I choose to respond to what you do to me. The last of one’s freedoms is to choose one’s attitude in any given circumstance.”
    Viktor E. Frankl

  • #6
    Rainbow Rowell
    “Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.”
    Rainbow Rowell, Eleanor & Park

  • #7
    Vincent van Gogh
    “...and then, I have nature and art and poetry, and if that is not enough, what is enough?”
    Vincent Willem van Gogh

  • #8
    Sigrid Nunez
    “I think it's largely true, what I once heard a famous playwright say, that there are no truly stupid human beings, no uninteresting human lives, and that you'd discover this if you were willing to sit and listen to people.”
    Sigrid Nunez, What Are You Going Through

  • #9
    Ray Bradbury
    “I have never listened to anyone who criticized my taste in space travel, sideshows or gorillas. When this occurs, I pack up my dinosaurs and leave the room.”
    Ray Bradbury, Zen in the Art of Writing: Releasing the Creative Genius Within You

  • #10
    Ray Bradbury
    “Who are your friends? Do they believe in you? Or do they stunt your growth with ridicule and disbelief? If the latter, you haven't friends. Go find some.”
    Ray Bradbury, Zen in the Art of Writing: Releasing the Creative Genius Within You

  • #11
    Mary Oliver
    “The working, concentrating artist is an adult who refuses interruption from himself, who remains absorbed and energized in and by the work — who is thus responsible to the work… Serious interruptions to work, therefore, are never the inopportune, cheerful, even loving interruptions which come to us from another.

    […]

    It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all.

    There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.”
    Mary Oliver, Upstream: Selected Essays

  • #12
    “Here is what we seek: a compassion that can stand in awe at what the poor have to carry rather than stand in judgment at how they carry it.”
    Gregory Boyle, Tattoos on the Heart: The Power of Boundless Compassion

  • #13
    “HENRY JAMES once proposed three questions you could productively put to an artist’s work. The first two were disarmingly straightforward: What was the artist trying to achieve? Did he/she succeed? The third’s a zinger: Was it worth doing?”
    David Bayles, Art & Fear: Observations on the Perils (and Rewards) of Artmaking

  • #14
    Allen Ginsberg
    “Follow your inner moonlight; don't hide the madness.”
    Allen Ginsberg

  • #15
    Jim Morrison
    “A friend is someone who gives you total freedom to be yourself-and especially to feel, or not feel. Whatever you happen to be feeling at any moment is fine with them. That's what real love amounts to - letting a person be what he really is.”
    Jim Morrison

  • #16
    Theodore Roosevelt
    “It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”
    Theodore Roosevelt

  • #17
    Sharon Salzberg
    “Hope is not the conviction that something will turn out well,” Václav Havel, the Czech dissident, writer, and statesman, said, “but the certainty that it is worth doing no matter how it turns out.”
    Sharon Salzberg, Real Change: Mindfulness to Heal Ourselves and the World

  • #18
    Alan Ball
    “I guess I could be pretty pissed off about what happened to me, but it’s hard to stay mad when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once, and it’s too much; my heart fills up like a balloon that’s about to burst. And then I remember to relax, and stop trying to hold onto it. And then it flows through me like rain, and I can’t feel anything but gratitude—for every single moment of my stupid, little life. You have no idea what I’m talking about, I’m sure; but don’t worry….you will someday.”
    Alan Ball, American Beauty: The Shooting Script

  • #20
    Meg Wolitzer
    “She recognized that that is how friendships begin: one person reveals a moment of strangeness, and the other person decides just to listen and not exploit it.”
    Meg Wolitzer, The Interestings

  • #21
    Steve Irwin
    “I have a message for my fans. Whatever you want to do in this world, it is achievable. The most important thing that I've found, that perhaps you could use, is be passionate and enthusiastic in the direction that you choose in life, and you'll be a winner.”
    Steve Irwin

  • #22
    Viktor E. Frankl
    “When we are no longer able to change a situation, we are challenged to change ourselves.”
    Viktor E. Frankl, Man's Search for Meaning

  • #23
    Viktor E. Frankl
    “Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances, to choose one’s own way.”
    Viktor E. Frankl, Man's Search for Meaning

  • #24
    Viktor E. Frankl
    “Don't aim at success. The more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side effect of one's personal dedication to a cause greater than oneself or as the by-product of one's surrender to a person other than oneself. Happiness must happen, and the same holds for success: you have to let it happen by not caring about it. I want you to listen to what your conscience commands you to do and go on to carry it out to the best of your knowledge. Then you will live to see that in the long-run—in the long-run, I say!—success will follow you precisely because you had forgotten to think about it”
    Viktor E. Frankl, Man's Search for Meaning

  • #25
    Viktor E. Frankl
    “But there was no need to be ashamed of tears, for tears bore witness that a man had the greatest of courage, the courage to suffer.”
    Viktor E. Frankl, Man's Search for Meaning

  • #26
    Viktor E. Frankl
    “An abnormal reaction to an abnormal situation is normal behavior.”
    Victor Frankl, Man's Search For Ultimate Meaning

  • #27
    Viktor E. Frankl
    “Love is the only way to grasp another human being in the innermost core of his personality. No one can become fully aware of the very essence of another human being unless he loves him. By his love he is enabled to see the essential traits and features in the beloved person; and even more, he sees that which is potential in him, which is not yet actualized but yet ought to be actualized. Furthermore, by his love, the loving person enables the beloved person to actualize these potentialities. By making him aware of what he can be and of what he should become, he makes these potentialities come true.”
    Viktor E. Frankl, Man's Search for Meaning

  • #28
    Viktor E. Frankl
    “The pessimist resembles a man who observes with fear and sadness that his wall calendar, from which he daily tears a sheet, grows thinner with each passing day. On the other hand, the person who attacks the problems of life actively is like a man who removes each successive leaf from his calendar and files it neatly and carefully away with its predecessors, after first having jotted down a few diary notes on the back. He can reflect with pride and joy on all the richness set down in these notes, on all the life he has already lived to the fullest. What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him?

    No, thank you,' he will think. 'Instead of possibilities, I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, although these are things which cannot inspire envy.”
    Viktor E. Frankl, Man's Search for Meaning

  • #29
    Viktor E. Frankl
    “Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.”
    Viktor E. Frankl

  • #30
    Steven Pressfield
    “We must do our work for its own sake, not for fortune or attention or applause.”
    Steven Pressfield, The War of Art

  • #31
    Steven Pressfield
    “The most important thing about art is to work. Nothing else matters except sitting down every day and trying.”
    Steven Pressfield, The War of Art



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